Interior Designer Ernest de le Torre: de la Torre Design Studio (New York)
Profile  Book List
It’s been said that one of the most valuable traits of a gifted interior designer is perfection of the power of absorption. If there is truth to this, then Ernest de le Torre is certainly exemplary. He grew up in the Midwest, but from his Cuban parents retained a Latin sensibility. His design influences from his Chicago area upbringing include both the formal traditionalism of David Adler and the spare, modern geometry of Mies van der Rohe.

Architect Stanley Tigerman: Tigerman McCurry Architects (Chicago)
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Stanley Tigerman—recently the subject of a retrospective at the Yale School of Architecture Gallery honoring his long and varied career as architect, iconoclastic theorist, and educator—freely admits that he became an architect because of a book. It’s a book whose individualistic main character has elicited a wide range of reactions since its first publication in 1943 (and in the past year was included on four other Designers & Books lists): Ayn Rand’s novel The Fountainhead.

Product and interior designer Jonathan Adler: Jonathan Adler Enterprises (New York)
Book List

Designers & Books is always intrigued by designers’ manifestos. Not only do they offer a window onto a designer’s work, but they also often provide insights into the choices included on the designer’s book list. Those familiar with Jonathan Adler’s work—products and accessories for the home, interior design, and international retailing—will recognize right away the ideas stated in his manifesto. What does he believe about color? “We believe that colors can’t clash.” Is he more in the camp of “less is more” or “less is a bore”? “We believe minimalism is a bummer.” What does he believe is the feeling that residential interior design should conjure up? “We believe that your home should make you happy.”

Editor Susan S. Szenasy: Metropolis (New York)
Book List   Essay

This year marks the 30th anniversary of the launch of the magazine Metropolis, whose mission is to “examine contemporary life through design.” At the helm for the past 25 years has been editor in chief Susan S. Szenasy. Her role in the design world as it has evolved since 1981 prompted Designers & Books to ask Susan for her thoughts on the most notable design books published during the magazine’s three decades—as a sort of capsule summary of the important ideas dominating design from the late 20th century into the early 21st. Susan came back to us with a slightly different idea.