Gail Anderson’s Book List 14 books and 0 comments
Online design research is helpful and I do love my audio books when I’m driving, but regular old hardcovers and paperbacks will always rule. Books have memories attached to them, the occasional forgotten slips of paper, and sometimes even an earnest childhood signature. My list is comprised of design books I can’t function without, titles that have had lasting meaning for me, and some that overlap both categories.
Nonfiction, Graphic Design
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Design doesn’t get any more smarty-pants than Paula Scher. And you might as well pick up her map book while you’re at it. I actually read Make It Bigger—meaning I didn’t just look at the pretty pictures, and scan the captions. That’s how smarty-pants it is.
The first of many oversized softcovers on album cover design (and still the best).
A 400-plus-page book that’s a steal and essential for any graphic designer’s bookshelf (along with In the Groove and Blue Note).
Everyone’s got a copy of this from a high school or college class, right? I still refer to it when writing, and of course, had to buy the illustrated Maira Kalman version, too.
If you can dig up a used copy, it’s worth the investment. There are lots of books about wood type, Victorian design, and printing techniques, but the reissue of Lewis’s 1962 Printed Ephemera sets the standard.
Completely digestible bits of graphic design history in one manageable book. I find myself referring to it more than any other design book I own, and I’ve got shelves full.
I first saw this beautiful brick of a book when I was a young designer at Rolling Stone. A friend had a tattered copy—typesetters and designers often cut letters and dingbats out as needed—and I knew that I had to acquire my own. Of course, this was back in the dark ages before the Internet, so finding one meant scouring book fairs and flea markets. If you can score a 1923 ATF, do not hesitate to make the purchase. It will teach you everything you need to know about classic typography and good design.
In the Groove serves as a wonderfully concise introduction to Alex Steinweiss, Jim Flora, and Erik Nitsche—and who can resist a Desi Arnaz album cover?
The definitive title on Alvin Lustig.
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