Marco Romanelli

Critic; Curator; Writer; Editor; Lecturer / Architecture; Product Design / Italy / Laudani & Romanelli

Marco Romanelli’s Book List

I belong to a generation for which books were daily bread. In the years before university they were a secret refuge where I could learn something about the world outside, about myself, and about the future (many more things are experienced in books than in reality!). Later, books (and art) became the main tool for building my own place in the world of design. Especially during the height of postmodernism, the only relief from the madness and pastiche that was supposedly a liberation from modernism—but was in reality the application of another kind of strict formalistic dogma—came from well-chosen written words.

Now that I write books myself I always consider them as simple, humble messages in a bottle. Will someone find them? Will someone understand? If even one person finds them, it is enough, for me.

2 books
Gio Ponti

Written in 1957 in Italian under the title Amate l’architettura (“Love Architecture”), this book was dedicated “not to architects, but to people falling in love with architecture.” During his long life, Gio Ponti never wavered in his conviction that people can learn to read and love architecture. This is not a book that you have to read from first to last page—just open it and read one sentence every night before falling asleep.

The exhibition “Italy: The New Domestic Landscape,” held at MoMA in 1972—for which this book is the catalogue—marked the beginning of prominence for Italian design worldwide, but it also signaled the beginning of a very deep unconscious change in the minds of Italian designers. In some sense the period of “il bel disegno italiano” ended then: addressing Italy’s growing social and political problems could no longer be put off. Another lesson from this exhibition is that furniture design must retain a direct relationship with interior architecture, and not become specialized and separate. It is only in this way that furniture design can be humanized (and tested) as it originates.

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