The Houses of Louis Kahn
From the Publisher. Louis Kahn (1901–1974), one of the most important architects of the postwar period, is widely admired for his great monumental works, including the Kimbell Art Museum, the Salk Institute, and the National Assembly Complex in Bangladesh. However, the importance of his houses has been largely overlooked. This beautiful book is the first to look at Kahn’s nine major private houses. Beginning with his earliest encounters with Modernism in the late 1920s and continuing through his iconic work of the 1960s and 1970s, the authors trace the evolution of the architect’s thinking, which began and matured through his design of houses and their interiors, a process inspired by his interactions with clients and his admiration for vernacular building traditions.
Richly illustrated with new and period photographs and original drawings, as well as previously unpublished materials from personal interviews, archives, and Kahn’s own writings, The Houses of Louis Kahn shows how his ideas about domestic spaces challenged conventions, much like his major public commissions, and were developed into one of the most remarkable expressions of the American house.
Between 1940 and his death in 1974, Louis Kahn designed more than 30 private residences. The majority of these commissions did not come to fruition, although eight went as far as construction drawings. But nine, all in the Philadelphia area, saw the light of day. These houses have not attracted much attention. The reason for this neglect may be, as George H. Marcus and William Whitaker write in The Houses of Louis Kahn, their elusive character. “Kahn’s houses are difficult to grasp at once,” the authors write, “for they were designed not as architectural manifestos but as buildings that express the circumstances of their creation.” In other words, for Kahn, houses were not an opportunity to experiment, but rather a considered response to the site, the program, the budget, and the (patient—Kahn sometimes worked slowly) client.
In this exemplary study, Marcus, who teaches art history at the University of Pennsylvania, and Whitaker, who is curator of Penn’s Architectural Archives, which house the Louis I. Kahn Collection, document all four aspects in detail. Introductory essays examine the ideas behind Kahn’s domestic designs, both built and unbuilt, as well as the life experiences that influenced the architect’s idea of home. The authors also write about a previously ignored subject: Kahn’s approach to furniture. Unlike his friend Eero Saarinen, Kahn did not design any chairs, but Marcus and Whitaker describe his built-in seating as well as tables and cabinets. In early houses he used furniture by Aalto, Bruno Mathsson, and Saarinen, but later abandoned midcentury modern and encouraged his clients to purchase pieces by local furniture-makers such as Wharton Esherick and George Nakashima. He also favored antiques.
More than half of this book is devoted to a detailed description of the nine built houses, all extant, all but one lived in (the Esherick House is currently empty and for sale). The three oldest houses, which all demonstrate considerable architectural ambition, predate 1950 and undermine the idea that Kahn discovered his true architectural self only when he built the Yale University Art Gallery (1950–51). The detailed descriptions of his domestic commissions show that Kahn, despite his reputation as a philosopher-poet, was an experienced professional, responsive to clients’ requests, concerned with the details of construction, driven by practical considerations. This interesting book is full of such aperçus. While it contains photographs of the houses, it also includes archival material such as design sketches, details, and construction drawings. If you thought you knew all there was to know about Kahn, read this splendid book—there is still more to learn about the greatest American architect of the second half of the 20th century.
Announcements
Louis Kahn: The Importance of a Drawing
Louis Kahn: The Importance of a Drawing
Edited by Michael Merrill
Publisher: Lars Müller Publishers
Published: October 2021
The first in-depth study of drawings as primary sources of insight into architect Louis Kahn’s architecture and creative imagination. Based on unprecedented archival research, with over 900 illustrations and written contributions by Michael Benedikt, Michael Cadwell, David Leatherbarrow, Louis Kahn, Nathaniel Kahn, Sue Ann Kahn, Michael J. Lewis, Robert McCarter, Michael Merrill, Marshall Meyers, Jane Murphy, Gina Pollara, Harriet Pattison, Colin Rowe, David Van Zanten, Richard Wesley, and William Whitaker.
Why Design Matters: Conversations with the World’s Most Creative People
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Forthcoming: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast Design Matters—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Published: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
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