Hermann Hesse
Penguin Classics, London, 2001, 1929, English; originally published 1927 in German
Fiction
ISBN: 9780141182896

From the Publisher. This Faust-like and magical story of the humanization of a middle-aged misanthrope was described in the New York Times as a “savage indictment of bourgeois society.” But, as the author notes in this edition, Steppenwolf is a book that has been consistently misinterpreted. This self-portrait of a man who felt himself to be half-human and half-wolf can also be seen as a plea for rigorous self-examination and an indictment of intellectual hypocrisy.

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Jonathan Barnbrook

This is the “bible” of my youth and it put me on the path to being a designer who couldn’t separate “the self” from the message in the work. It’s about a man who feels conflict between the instinctive and the intellectual sides of himself. He wants to rise above being merely “human” to lead a purely intellectual life, but also yearns to be very much part of society and live in the moment. It’s beautifully and profoundly written. When I first started to read it I couldn’t breathe for the first few pages—it was like someone had experienced my life and emotions already. Importantly, the book is first and foremost optimistic. From it I understood that we do have to live in the moment: laugh, love, live as much as we can, as well as appreciate, grow, and try to comprehend the big themes that every person faces in life.

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