Threads of Silk and Gold: Ornamental Textiles from Meiji Japan
From the Publisher. This book is a pioneering study of Japanese ornamental textiles made for the foreign market during the late nineteenth and early twentieth centuries. These exquisite embroideries, resist-dyed silks and velvets, tapestries, and appliquéd works were an important feature of the Western fascination with all things Japanese at that time, winning numerous accolades at international fairs and being used to decorate homes across Europe and the United States. Yet since then they have been largely forgotten. This book, which will appeal to textile enthusiasts and those interested in Japanese art and Japonisme alike, celebrates these remarkable and undervalued textiles. It discusses their production techniques, iconography, patronage, and trade and demonstrates how Kyoto craftsmen created a modern art form by adapting their traditional skills to Western tastes. The book accompanies an exhibition of the same name opening at the Ashmolean Museum on 9 November 2012. Featuring textiles from the newly formed collection of the Kiyomizu- Sannenzaka Museum in Kyoto and from the Ashmolean's own holdings, this is the first exhibition of Japanese ornamental textiles of the Meiji period (1868-1912) to be held outside Japan.
Japanese textiles invite multi-sensory interaction from design mavens and textile collectors alike. Intricately embroidered surfaces and luxurious silk folds seem to cry out for appreciative human touch. Mark this catalogue from a recent show of extremely rare Japanese textiles designed solely for Western markets a rare achievement. Production values were so rigorous for this volume that a reader comes as close as possible to sensing the depth and irregular surfaces of textiles.
Since these commissioned or market purchased textiles were intended to decorate the interiors of Victorian-era homes, wall hangings and screens abound, festooned with de rigueur Oriental exotica, embroidered dragons, phoenixes, and tigers. But surprising subject matter intrudes as well since this work was entirely export fare. There are hangings with kitschy embroidered American flags Jasper Johns might envy, and a naturalistic seascape worthy of a beach town’s souvenir shop. The tawdriest imagery is totally redeemed, however, by baroquely ornate embroidery patterns crowned with gold thread stitching of stunning virtuosity. The few dozen surviving Japanese textiles from Meiji Japan featured here—few people took these textiles seriously as art worth preserving in the West in the late 19th century, so many examples have decayed—shimmer and glow with an otherworldly splendor evocative of a Noh play, or to amplify the East-West cultural exchange factor, a Morris Graves painting of a rare bird of an inner eye with deep Asian vision.
Announcements
Louis Kahn: The Importance of a Drawing
Louis Kahn: The Importance of a Drawing
Edited by Michael Merrill
Publisher: Lars Müller Publishers
Published: October 2021
The first in-depth study of drawings as primary sources of insight into architect Louis Kahn’s architecture and creative imagination. Based on unprecedented archival research, with over 900 illustrations and written contributions by Michael Benedikt, Michael Cadwell, David Leatherbarrow, Louis Kahn, Nathaniel Kahn, Sue Ann Kahn, Michael J. Lewis, Robert McCarter, Michael Merrill, Marshall Meyers, Jane Murphy, Gina Pollara, Harriet Pattison, Colin Rowe, David Van Zanten, Richard Wesley, and William Whitaker.
Why Design Matters: Conversations with the World’s Most Creative People
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Forthcoming: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast Design Matters—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Published: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
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