Tom Dixon: Dixonary
From the Publisher. Dixonary is a comprehensive book on one of Britain's best-known and most highly regarded product designers. In his own words, and with hundreds of comparative illustrations interleaved with text, this self-taught designer illuminates the often surprising ideas behind his finished pieces. Dixon transforms notions of plumpness observed in a painting of an overfed sow into an overstuffed sofa; or gigantic concrete sea defences on the coast of Japan become the distinctive shape of his famous stacked Jack Light. Dixonary is, in Dixon's words, "a simple picture book with short 'stories' attached--stories that present in an ordered and bite-sized way an approximately chronological sweep through the last three decades of topics and techniques that interest me and the things I have made." A child of the punk era, Dixon (born 1959) founded his own studio in the 1980s following his discovery of the pleasures of welding while repairing damaged motorcycle frames. He became Head of Design at Habitat in 1998 before reestablishing his own brand, Tom Dixon—a lighting and furniture design and manufacturing company—in 2002. He has also been Creative Director at Artek, the Finnish furniture company founded by Alvar and Aino Aalto.
How do designers represent themselves in the medium of the book? Tom Dixon has released a fascinating self-portrait constructed in the medium of print. Crafted as a marvelous physical object that unfolds over time, Dixonary takes its inspiration from the designer’s own slide lectures, which pair an object or image from the world of pop culture and technology with a piece created by Dixon. The book introduces each work with a spare page of text and an image suggesting a cultural reference (pin-up girls, machine parts, genre paintings). The reader turns the page of text to reveal a Dixon object; these range from one-of-a-kind chairs bent from steel bars to sleek totemic stools and lamps. The text pages have been printed on a soft, warm stock that contrasts with the hard surface of the photographic plates, and they have been cut short at the fore edge to modulate the experience of flipping through the book.
Dixon is a hands-on maker who began creating furniture and objects in Britain in the late 1970s, where his raw, welded pieces attracted an immediate association with punk. Dixon claims to have never really been a punk, but he did draw energy from the movement’s rough-and-ready, do-it-yourself rebelliousness. He went on to become an influential designer with a diverse output, from art furniture to manufactured pieces. Dixonary is alive with the designer’s own voice as well as the culture that inspires him.
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Louis Kahn: The Importance of a Drawing
Louis Kahn: The Importance of a Drawing
Edited by Michael Merrill
Publisher: Lars Müller Publishers
Published: October 2021
The first in-depth study of drawings as primary sources of insight into architect Louis Kahn’s architecture and creative imagination. Based on unprecedented archival research, with over 900 illustrations and written contributions by Michael Benedikt, Michael Cadwell, David Leatherbarrow, Louis Kahn, Nathaniel Kahn, Sue Ann Kahn, Michael J. Lewis, Robert McCarter, Michael Merrill, Marshall Meyers, Jane Murphy, Gina Pollara, Harriet Pattison, Colin Rowe, David Van Zanten, Richard Wesley, and William Whitaker.
Why Design Matters: Conversations with the World’s Most Creative People
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Forthcoming: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast Design Matters—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Published: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
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