Review: Phil Patton - The Postcard Age

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Leonard Lauder, like so many postcard collectors, fell in love in childhood with the distant times and places the cards evoke. But unlike most collectors, he had the wherewithal to assemble a great collection of them. In the process, he helped raise awareness of the cards above the dusty dingy hobbyist sales world. Today, we can see the cards as the Twitter or better Pinterest feed of their time and therefore an invaluable inexpensive time capsule of the world of the early 20th century.

The notes on the back of the cards are revealing, too: many are mundane appointment reminders or greetings—the e-mail of great cities with twice- or thrice-daily mail delivery in the years before universal telephony.

Leonard Lauder donated a selection of his cards, a group produced by the Wiener Werkstätte, to his brother Ronald Lauder’s Neue Galerie in New York, devoted to Germanic art and design. The Leonard A. Lauder Postcard Collection is likely the world’s best, and samples architecture, art, commerce, and the incidental surrealism of the medium.

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