Alissa Walker’s Notable Books of 2013
Design, General
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Not many design books strive to trace the origins of an industry that’s ubiquitous in our daily lives. But in Hello World: Where Design Meets Life, Alice Rawsthorn makes one of the most persuasive cases for pinpointing the birth of design as she introduces readers to a man named Ying Zheng who ran a kingdom named Qin in 246 B.C. By standardizing the size and shape of his army’s bows and arrows, he was able to defend his empire and conquer new lands more efficiently than his fellow warrior-kings, becoming the emperor of what would eventually be the most populous country in the world: Chin
As fans of Rawsthorn know well, she’s one of the only design writers out there who can so effectively move between different types of design: high to low, 2D to 3D, microbial to global, analog to interactive. The result is what might be the first truly multidisciplinary design book. Although it devotes plenty of words to the heavy hitters—Wedgwood, Thonet, Braun, and Apple serve as the “Big Four”—Hello World also takes some surprising and thought-provoking detours from the typical design canon, from the menacing graphics of pirate flags to the carbon fiber legs of amputee actor and artist Aimee Mullins.
While Rawsthorn’s narration of design stories through the ages is entertaining and eloquent (one can never hear enough about the development of the London and New York subway maps), much of it will not be new to avid readers of her column in the International Herald Tribune. Rawsthorn’s voice is most evocative when grappling with the issues of a changing discipline, such as when it addresses the new role of technology and data in cities, or discusses the role of strategic thinking in design, or when the writer is championing entrepreneurial, socially focused activists like Project H's Emily Pilloton. And she’s at her very best when examining the complicated ethics of the humanitarian design projects One Laptop Per Child or the Play Pump.
Rawsthorn tackles a daunting task, to map out design’s cultural impact, in a compelling and often very entertaining way. Yet due to the rapid transformation of design, which she argues has evolved from standardization in ancient China to customization and—with the advent of self-publishing and 3D printing—personalization, it feels as if she’ll soon have enough material to write another book about what happens when the tools of design are placed into everyone’s hands. Now that she’s ably covered the history of the industry with this book, I very much hope that she writes that sequel.
In speaking with designers I know, the idea of interviewing users often falls to the wayside. Not that they don’t think they should do it, but they often feel that they’re not the best people to do it—that unearthing substantial findings is best left to someone else, maybe the project’s writer, or some separate research department, or an outside consulting firm that crunches and delivers the data on a silver platter. This book by the insightful writer and ethnographer Steve Portigal not only proves that interviewing should be a keystone of design work, it also makes a case for how and why designers should be carving out the time to do this work themselves.
Using a conversational tone peppered with plenty of notes from the field, Portigal passes on excellent advice for conducting the kinds of interviews that will elicit groundbreaking insights. There are practical checklists about nearly every aspect of the process, from how to show images, to being aware of body language, to notetaking and recording interviews (even this jaded reporter learned a few tips). Other writers and researchers contribute essays, and there’s also a vast online component, which includes Creative Commons-licensed images and forms that can be downloaded and adapted by the reader.
Portigal uses lots of real-life examples from his own research projects, including an incredibly powerful story about gaining the trust of a suspicious family that is not keen on being interviewed. But perhaps the best examples come from far outside the creative world, pulling quite creative asking and listening techniques from different industries—I particularly enjoyed reading about Portigal’s own experiences in improv theater.
As I was reading I realized that I could see many of Portigal’s ideas applied beyond just interviewing users—I immediately thought about interviewing clients to get them to open up about their product, or interviewing team members to learn how they work. And maybe that’s the most important part about Portigal’s book. You’ll learn how to ask better questions, yes, but really, you’ll learn to be a better listener, which will in turn make you a better designer.
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Now is Better by Stefan Sagmeister
Now is Better
By Stefan Sagmeister
Publisher: Phaidon Press
Published: October 2023
Combining art, design, history, and quantitative analysis, transforms data sets into stunning artworks that underscore his positive view of human progress, inspiring us to think about the future with much-needed hope.
Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli
Design Emergency: Building a Better Future
By Alice Rawsthorn and Paola Antonelli
Publisher: Phaidon Press
Published: May 2022
Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.
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Why Design Matters: Conversations with the World’s Most Creative People by Debbie Millman
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Published: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast “Design Matters”—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Milton Glaser: POP by Steven Heller, Mirko Ilić, and Beth Kleber
Milton Glaser: POP
By Steven Heller, Mirko Ilić, and Beth Kleber
Publisher: The Monacelli Press
Published: March 2023
This collection of work from graphci design legend Milton Glaser’s Pop period features hundreds of examples of the designer’s work that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.
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Meet Me by the Fountain: An Inside History of the Mall by Alexandra Lange
Meet Me by the Fountain: An Inside History of the Mall
By Alexandra Lange
Publisher: Bloomsbury
Published: June 2022
Chronicles postwar architects’ and merchants’ invention of the shopping mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. Publishers Weekly writes, “Contending that malls answer ‘the basic human need’ of bringing people together, influential design critic Lange advocates for retrofitting abandoned shopping centers into college campuses, senior housing, and ‘ethnocentric marketplaces’ catering to immigrant communities. Lucid and well researched, this is an insightful study of an overlooked and undervalued architectural form.”
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition) by Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition)
By Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Publisher: Letterform Archives Books
Published: October 2023
This facsimile edition of Die Fläche, recreates every page of the formative design periodical in full color and at original size, accompanied by essays that contextualize the work, highlighting contributions by pathbreaking women, innovative lettering artists, and key practitioners of the new “surface art,” including Rudolf von Larisch, Alfred Roller, and Wiener Werkstätte founders Koloman Moser and Josef Hoffmann.
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