Quote of the Day

 

183 blog entries
October 6, 2022

In spite of being almost 100 years old, this book retains the power of its clarity of vision and purity of ideals and intent. How can you disagree with: “beauty being the overplus necessary to the human spirit.” Or with a reference to poetry—which “not only lies in the written word. Objects which signify something and which are arranged with talent and with tact create a poetic fact.”

 

By Ellen Lupton October 27, 2014

Typography manuals abound, but few are a pleasure to read, handle, and behold. Bringhurst’s book is one of the best guides ever devised on the principles and practices of typography.

By Ellen Lupton August 21, 2013

No writer or designer should be deprived of Kalman’s ingenious reissue of this useful book.

By Ellen Lupton June 23, 2014

In his crisp, smart narrative, Hollis follows the profession from the late 19th century to the close of the 20th. His book is small enough to fit in your purse and rich enough to account for the basic history of our profession.

By Ellen Lupton November 7, 2013

This oversized compendium of Bauhaus source material was designed with ruthless rationality for MIT Press by the great Muriel Cooper. It is the Old Testament of design theory.

 

By Ed Ng August 19, 2013

The writer creates a curiosity in the reader, and describes how we can plan and create a spatial experience in design.

By Dominique Browning May 27, 2014

I happen to love all of Hicks’s books. . . But the fabric book, written in 1971, pushes the envelope—as he did with his bold, idiosyncratic decorating style—and remains a useful eye-opener today.

By Diana Balmori February 19, 2015

A priceless observation is: “To be without method is deplorable, but to depend entirely on method is worse. The end of all method is to seem to have no method.”

By Diana Balmori March 3, 2014

Gardens are fundamental, Robert Pogue Harrison says, in giving order to our relation to nature, rather than bringing an order to nature.

By Deborah Sussman December 31, 2013

Proves that hands are still viable tools for making art.