Prem Krishnamurthy

Graphic Designer / United States / P!/Project Projects

www.projectprojects.com / www.p-exclamation.org

Prem Krishnamurthy is a founding principal of the design studio Project Projects and the director/curator of the multidisciplinary exhibition space P!. In addition to working on commissions with Bard College Center for Curatorial Studies, Cooper-Hewitt National Design Museum, Guggenheim Museum, Harvard University, The Jewish Museum, MoMA, RISD Museum, SALT, Whitney Museum of American Art, and the Yale University Art Gallery, he has co-edited books and publications such as MATRIX/Berkeley: A Changing Exhibition of Contemporary Art (Project Projects with Elizabeth Thomas), PRINT magazine’s January 2011 special “Collaboration” issue, and the art journal Paper Monument. He has lectured at institutions ranging from the Walker Art Center, GAMeC Symposium of Emerging Curators, Jan Van Eyck Academie, Academy of Fine Arts Vienna, SALT, Platform Garanti, and Bauhaus University Weimar. Krishnamurthy has received grants from the Graham Foundation and the New York State Council for the Arts for his independent curatorial research. In September 2012, he launched the multidisciplinary exhibition space P! in New York's Chinatown. Since its founding, the space has been featured in publications including Artforum, Art in America, Frieze, Surface, Design Observer, The New Yorker, and The Atlantic.

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Now is Better by Stefan Sagmeister

Now is Better

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Publisher: Phaidon Press
Published: October 2023

Combining art, design, history, and quantitative analysis, transforms data sets into stunning artworks that underscore his positive view of human progress, inspiring us to think about the future with much-needed hope.

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Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli

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Love Letter to a Garden by Debbie Millman

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By Debbie Millman
Contributions by Roxane Gay
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Milton Glaser: POP by Steven Heller, Mirko Ilić, and Beth Kleber

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By Steven Heller, Mirko Ilić, and Beth Kleber
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Meet Me by the Fountain: An Inside History of the Mall by Alexandra Lange

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Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition) by Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller

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This facsimile edition of Die Fläche, recreates every page of the formative design periodical in full color and at original size, accompanied by essays that contextualize the work, highlighting contributions by pathbreaking women, innovative lettering artists, and key practitioners of the new “surface art,” including Rudolf von Larisch, Alfred Roller, and Wiener Werkstätte founders Koloman Moser and Josef Hoffmann.

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