Erik Spiekermann
Erik Spiekermann’s Notable Books of 2011
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For a friend who is a free-lance designer and has to do everything herself:
We used to have specialist that we could ask for advice, rely on for help and also blame for things that went wrong during the production process. These days, graphic designers have to be their own typesetters, reproduction photographers and print buyers. There are websites, help pages, blogs and numerous articles in trade magazines. But if you only want one reference that explains why things need to be a certain way, this book is all you’ll ever need. From typographic detail to color spaces, from paper types and sizes to image editing, it’s all here. Described in incredible but useful detail (the author is a German compositor) and illustrated in a way that coincides with what you see on your screen as you work.
As the U. S. is one of the very few countries left in the world that still doesn’t use the metric system, the book includes American sizes and measures along with the metric figures, making it also useful as a reference for conversion between the two.
If you only want one reference while you work, this is it.
Full disclosure: the book was translated from German into English by my son, Dylan Spiekermann, who has an English mother and lives in London. I helped with technical consultation for the English-language edition.
For your lawyer friend (we may not like to admit it, but we all have one at least):
As it says on the back cover: Good typography is part of good lawyering. Nobody has ever counted how many arguments or court cases are lost because of bad documents that were difficult to decipher, complicated language notwithstanding. I wonder whether documents are often impenetrable and impossible to understand because the author doesn’t want the other party to know what they’re up to – that is certainly the case with contractual documents. They need an expert to read, creating work for the legal trade. If a book works for lawyers, it’ll work for anybody who writes, edits and produces complex documents.
Matthew Butterick practices civil litigation in Los Angeles but has a background in design and typography. He has just released a typeface designed specially for these types of documents called Equity and has been running the website www.typographyforlawyers.com since 2008.
This is a pleasantly small but comprehensive book, written in a style that betrays Matthew’s background in communication. If your lawyer friend doesn’t go on to produce better documents after reading this book, it may be time for a new friend (released November 2010).
Announcements
Louis Kahn: The Importance of a Drawing
Louis Kahn: The Importance of a Drawing
Edited by Michael Merrill
Publisher: Lars Müller Publishers
Published: October 2021
The first in-depth study of drawings as primary sources of insight into architect Louis Kahn’s architecture and creative imagination. Based on unprecedented archival research, with over 900 illustrations and written contributions by Michael Benedikt, Michael Cadwell, David Leatherbarrow, Louis Kahn, Nathaniel Kahn, Sue Ann Kahn, Michael J. Lewis, Robert McCarter, Michael Merrill, Marshall Meyers, Jane Murphy, Gina Pollara, Harriet Pattison, Colin Rowe, David Van Zanten, Richard Wesley, and William Whitaker.
Why Design Matters: Conversations with the World’s Most Creative People
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Forthcoming: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast Design Matters—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Published: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
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