John Hill’s Notable Books of 2012
Compiling a year-end list of notable books can be a tricky affair, given that publishing works in waves—spring and fall releases, to be precise. Furthermore, the wave that hits stores in the late fall and early winter just before the holidays tend to crowd out consideration toward earlier titles, much like the density of Oscar-worthy films bunched up at the end of the year vying for nominations in the short-term minds of Academy members. While this effect forces one to revisit books that were released earlier in the year, so as not to fall prey to year-end hype, it also makes it difficult to find trends that arise from books fitting into the 12-month calendar. Regardless, I’ve taken a stab at highlighting a few characteristics shared by titles on my list of ten notable books in 2012.
The monograph is far from dead. The architectural monograph has been touted as an “endangered species” (by Martin Filler in Architectural Record last year, among others), but three titles on my list fit into the category, and a fourth would be in there if my list extended to, say, a dozen. Monographs are particularly valuable when they compile information not readily available elsewhere (especially online sources), exploit the potential in controlling how text and images relate on a page, and become beautiful objects to hold. The monographs below are not groundbreaking, but they exhibit a lot of care in being made.
The juxtaposition of images and text in illustrated books is key. Increasingly books are talked about relative to online content, especially in terms of attention span, often expressed in word counts—a phrase like “nobody reads more than 5,000 words anymore” is common, an argument for shorter prose. Yet books benefit from being able to build up arguments across many pages that combine words and images, be it by one or a number of sources. Essays in related books from my list are often short, making them more readable to the digitally minded; and set between visual essays, for example, they take on new meanings. These books benefit by shifting between text and image, and between different voices, to comment on significant topics, be it healthcare, rampant urbanization, or living in a shrinking city.
Telling stories is not just for novels. When an architect or designer wants to get something across to a reader—be it a project, an argument, or just a point of view—wrapping it in a story is an effective tactic. It personalizes a design or experience and brings the reader closer to the content; one book below even uses the second-person voice to do such a thing. Close to half of the books on my list incorporate narrative in some manner: as a comic (the only bit of fiction on my list), as case studies, or as monographs. While image predominates these days, good writing is still important. When writing cuts through theory to help explicate matters it is often (but not always) effective.
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This hefty tome (776 pages, just shy of 7 pounds) spans five decades of Bernard Tschumi’s architecture and writing and reveals that plus-sized monographs—à la Rem Koolhaas’s S,M,L,XL—still have their place (Thomas Heatherwick: Making is another biggie worth commending). Across five sections in roughly chronological order, Tschumi recounts the creation of his varied output (from the Manhattan Transcripts to a zoo under construction in Paris). Curiously he writes in the second person, a tactic that is intended, among other things, to “draw the reader in,” and which ultimately is successful due to the text’s conversational tone and its thoughtful integration with numerous illustrations.
Japanese houses are some of the most popular pieces of architecture today, witnessed by a nearly endless stream of inventive designs found on blogs and in magazines. This book highlights more than 20 unmistakably Japanese houses designed by three generations of the country’s architects. Loads of insight into the issues behind the innovative designs—regarding the clients, cultural aspects, urban planning, etc.—comes through in interviews with the architects, carried out by Nuijsink after she moved from the Netherlands to Japan.
Just about every exhibition these days is accompanied by a print catalogue, but very few are valuable artifacts in their own right. This companion to the Canadian Centre for Architecture’s exhibition of the same name expands upon the gallery content through the inclusion of essays also focused on the relationship between architecture, cities, and health—a rarely explored topic ripe for investigation. The juxtaposition of visual imagery and academic writing accentuates the differences between the many takes on the topic, some direct but many subtly nuanced.
Photographer Peter Bialobrzeski takes us on a voyage through Asian megacities in this large-format book, moving from the periphery to the center, from what will be torn down to what will replace it; moments of tension between the two are particularly striking. By placing the key to the names of the cities at the back of the book, we don’t perceive the difference between one place and the next; a fictional city results. In this Baudelairean stroll, night looks like day and the cities have never looked so simultaneously complex and beautiful.
Architect and author Lance Hosey mines the history of ideas—Aldo Leopold, Christopher Alexander, Diane Ackerman, E.O. Wilson, among many others—to shape an argument about the aesthetics of sustainability. It’s a convincing argument that moves from the small scale to the large, from forks and cars to landscapes and cities. Architecture makes up the bulk of the book, but the whole undertaking works well in bringing form and appearance into discussions that tend to focus solely on performance as an indicator of sustainability.
Published on the occasion of a retrospective exhibition at Museum Villa Stuck in Munich, this book is a welcome addition to the few titles on the Japanese architect who started practicing architecture at the age of 42, after two decades of teaching architectural history. Fujimori’s distinctly personal architecture balances his long view of architecture (especially his appreciation of prehistoric “standing stones”) with a desire to wrap modern buildings in nature. It’s great to have documentation of over 20 of his completed projects in one place, alongside urban planning projects, photos from the Street Observation Society he started with artist Genpei Akasegawa, and essays by prominent architects and writers.
It’s safe to say that the Lafayette Park housing development near downtown Detroit is not one of Mies van der Rohe’s more well-known works, but the treatment that it is given by the trio at Placement (in their first project) should change that and make it the most readily understood building in his oeuvre. This well-researched and designed compilation of all-new interviews, essays, and photographs, accompanied by archival material, paints a vivid picture not only of the buildings and landscapes but also of the residents and how they see and live at Lafayette Park. It’s an enlightening picture of a modernist oasis that is greatly appreciated and cared for by its residents.
The authors of this primer on architecture contend that experience “is the only valid means of evaluating a work of architecture.” Of course, a book’s reliance on photographs means that the visual takes precedence in one’s appreciation of buildings and spaces. To help overcome this predilection, each of the 72 works in this sweeping view of architecture spanning millennia is accompanied by a floor plan that locates the photographs and traces the body’s movement through the spaces. Photos are also keyed within the texts, which are rich in description and analysis, going well beyond the simple formal descriptions in Phaidon’s contemporaneous 20th Century World Architecture atlas.
One of the greatest feelings with a book is to know that it is something special even before cracking it open. Such is the case with Irma Boom’s methodical yet lovely design of this book on Dutch architect and educator Wiel Arets. Located somewhere between a monograph and a theoretical treatise, the book’s mix of projects, lectures, debates and interviews is carefully organized through color-coded tabs across five chapters. Thankfully the quality content is deserving of such a design.
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Louis Kahn: The Importance of a Drawing
Louis Kahn: The Importance of a Drawing
Edited by Michael Merrill
Publisher: Lars Müller Publishers
Published: October 2021
The first in-depth study of drawings as primary sources of insight into architect Louis Kahn’s architecture and creative imagination. Based on unprecedented archival research, with over 900 illustrations and written contributions by Michael Benedikt, Michael Cadwell, David Leatherbarrow, Louis Kahn, Nathaniel Kahn, Sue Ann Kahn, Michael J. Lewis, Robert McCarter, Michael Merrill, Marshall Meyers, Jane Murphy, Gina Pollara, Harriet Pattison, Colin Rowe, David Van Zanten, Richard Wesley, and William Whitaker.
Why Design Matters: Conversations with the World’s Most Creative People by Debbie Millman
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Forthcoming: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast “Design Matters”—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli
Design Emergency: Building a Better Future
By Alice Rawsthorn and Paola Antonelli
Publisher: Phaidon Press
Forthcoming May 25, 2022
Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.
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Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Published: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
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