
Juergen Riehm’s Book List
This list focuses on a selection of artists and architects that have inspired me throughout my career. While I was studying architecture at the Städelschule Academy of Fine Arts, there was a strong exchange between the students and faculty in all of the various artistic fields. This interdisciplinary collaboration is one of the defining features of 1100 Architect’s work. We have designed residences and studios for artists including Jasper Johns, Roy Lichtenstein, and Ross Bleckner; designed the home of the Robert Mapplethorpe Foundation; and integrated works of art by James Turrell and Anselm Baumann into our designs. Working for and with these artists has broadened our understanding of the perception of space and continues to have a profound influence on our architecture.
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Scarpa’s work and sensitivity toward the preexisting condition and history has greatly influenced our work.
Hocke cleverly divides the world into two extreme yet coexisting realms—the fantastical and the rational. Reading this while a student at the Städelschule Academy of Fine Arts, I was struck by his broad way of observing and discovering the world.
Extraordinary book that covers the Eameses’ work from the 1940s all the way through the 1970s.
I am inspired by how Gordon Matta-Clark’s way of observing architecture forces us to rethink spatial relationships.
James Turrell’s way of perceiving space through light has been influential in our work at 1100. We had the opportunity to collaborate with Turrell on one of our residential projects, for which the client commissioned the artist to create a scrim-like light sculpture in the main living area.
Prouvé is the master of optimization of structure and its expression in architecture.
See my comment on Jean Prouvé: Complete Works, Volume 1.
See my comment on Jean Prouvé: Complete Works, Volume 1.
As an architect, I find the strongest aspects of Judd’s work to be its relationship to context and the use of material and color.
I admire Zumthor’s humanistic approach to architecture. His works have a tactile and experiential quality.
Rudofsky’s insights into indigenous building practices, or “architecture without architects,” are a reminder that there is much we can learn about design by opening our eyes to the world around us.
This catalogue accompanies The Museum of Modern Art’s groundbreaking 2007 exhibition of Serra’s inspiring work.
The title of this book says it all. Even while facing death, Kalman continued to work and enjoy every moment of his time left. His personality and spirit are truly inspiring.
Announcements
Louis Kahn: The Importance of a Drawing
Louis Kahn: The Importance of a Drawing
Edited by Michael Merrill
Publisher: Lars Müller Publishers
Published: October 2021
The first in-depth study of drawings as primary sources of insight into architect Louis Kahn’s architecture and creative imagination. Based on unprecedented archival research, with over 900 illustrations and written contributions by Michael Benedikt, Michael Cadwell, David Leatherbarrow, Louis Kahn, Nathaniel Kahn, Sue Ann Kahn, Michael J. Lewis, Robert McCarter, Michael Merrill, Marshall Meyers, Jane Murphy, Gina Pollara, Harriet Pattison, Colin Rowe, David Van Zanten, Richard Wesley, and William Whitaker.
Why Design Matters: Conversations with the World’s Most Creative People by Debbie Millman
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Forthcoming: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast “Design Matters”—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli
Design Emergency: Building a Better Future
By Alice Rawsthorn and Paola Antonelli
Publisher: Phaidon Press
Forthcoming May 25, 2022
Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Published: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
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