Debbie Millman
Debbie Millman’s Book List
When I was a kid there were lots of rules in my house. One of the most horrific for me at the time was the (very) limited amount of television I was allowed to watch. As a result, I read. And I read a lot. I read books, magazines, newspapers, encyclopedias, and comic books; I even borrowed my mother’s Redbook and Ladies Home Journal, and snuck into my father’s library to read the steamy sections of The Godfather when I was sure that no one would catch me.
My fascination with books began as soon as I could read, and Golden Books were my favorite. As soon as I got into grade school, I was introduced to the Weekly Reader and there was nothing—nothing—I looked forward to more than the moment, every week, when Mrs. Mayer handed out those gorgeous publications. By third grade I was introduced to the Scholastic Book Club and while my folks were stingy with television privileges, they were quite generous with my book allowance. I ordered as many books as I could afford and when the boxes came in with my name on them, I spent a moment gingerly fingering the corrugated brown carton. I’d sit for a minute or two and imagine what was inside, what the books would be like, and of course how they would look.
I have been in love with books ever since. In college I majored in English Literature and minored in Russian Literature. The books on my list are some of the books that have inspired and moved me over the course of my life. These books—as Marcel Proust’s famous description of the madeleine—“ultimately reach the clear surface of my consciousness, this memory, this old, dead moment which the magnetism of an identical moment has traveled so far to importune, to disturb, to raise up out of the depths of my being . . . But when from a long-distant past nothing subsists, after people are dead, after the things are broken and scattered, taste and smell alone, more fragile but more enduring, more unsubstantial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.”
Fiction
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The New York Times called The Front Runner “the most moving, monumental love story ever written about gay life.” It is a book with enormous crossover appeal and was the first book of gay fiction to reach the New York Times Best Seller list. I found this book in my parents’ house when I was about 13 and read it cover to cover over one weekend.
Love in the Time of Cholera takes place in an unnamed port city in the Caribbean. It remains unnamed throughout the story. Headstrong Fermina Daza is the female lead in the story, and after a brief love affair through letters with Florentino Ariza, she ultimately rejects him and marries Juvenal Urbino. Lovesick, and forlorn, Ariza is obsessed and tormented by his love for Fermina Daza. “It’s no use,” he tells his uncle at the beginning of the novel, “'Love is the only thing that interests me.” And love he does! Though Florentino Ariza believes that Fermina Daza is his soulmate and vows to remain faithful to her, he proceeds to engage in 662 affairs over the next 50 years. All the while, Ariza sincerely believes that he is saving his heart and his virginity for Fermina Daza. When her husband finally dies, Ariza immediately returns to Fermina, and she slowly she understands that she has loved him all along. They embark on a voyage to sail the Magdalena River, and in an effort to keep other passengers from boarding the boat, the captain raises the yellow flag of cholera. He asks Ariza how long they can possibly keep coming and going in this manner. “Forever” is his one word reply. Love in the Time of Cholera is one of the most perfect books ever written.
Aside from Love in the Time of Cholera, and Patti Smith’s Just Kids, this is the only other book that has made me cry. Winner of the Pulitzer Prize, Middlesex is an epic saga of a cross-gender character, Cal, a hermaphrodite who carries a mutated gene.
The book is remarkable in that it precedes modernism, postmodernism, and conceptual art by utilizing these techniques:
—blank chapters
—black pages
—white pages
—playful type
And it was all done in 1759!
Here is a great example of what is included in this brilliant tome:
The Life and Opinions of Tristram Shandy, Gentleman (complete title) is now seen as a forerunner of the use of stream of consciousness and self-reflexive writing. 1759!
This is one of the most impactful and inspiring books of my life. A seminal quote from the book, “The longest way round is the shortest way home,” has become the mantra of my life.
The book that set the stage for every Jackie Collins book ever written. A classic story of four women living in New York City and their quest for love, fame, and fortune, and the “dolls” that bring them all down (literally and figuratively).
Announcements
Now is Better by Stefan Sagmeister
Now is Better
By Stefan Sagmeister
Publisher: Phaidon Press
Published: October 2023
Combining art, design, history, and quantitative analysis, transforms data sets into stunning artworks that underscore his positive view of human progress, inspiring us to think about the future with much-needed hope.
Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli
Design Emergency: Building a Better Future
By Alice Rawsthorn and Paola Antonelli
Publisher: Phaidon Press
Published: May 2022
Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.
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Why Design Matters: Conversations with the World’s Most Creative People by Debbie Millman
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Published: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast “Design Matters”—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Milton Glaser: POP by Steven Heller, Mirko Ilić, and Beth Kleber
Milton Glaser: POP
By Steven Heller, Mirko Ilić, and Beth Kleber
Publisher: The Monacelli Press
Published: March 2023
This collection of work from graphci design legend Milton Glaser’s Pop period features hundreds of examples of the designer’s work that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.
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Meet Me by the Fountain: An Inside History of the Mall by Alexandra Lange
Meet Me by the Fountain: An Inside History of the Mall
By Alexandra Lange
Publisher: Bloomsbury
Published: June 2022
Chronicles postwar architects’ and merchants’ invention of the shopping mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. Publishers Weekly writes, “Contending that malls answer ‘the basic human need’ of bringing people together, influential design critic Lange advocates for retrofitting abandoned shopping centers into college campuses, senior housing, and ‘ethnocentric marketplaces’ catering to immigrant communities. Lucid and well researched, this is an insightful study of an overlooked and undervalued architectural form.”
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition) by Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition)
By Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Publisher: Letterform Archives Books
Published: October 2023
This facsimile edition of Die Fläche, recreates every page of the formative design periodical in full color and at original size, accompanied by essays that contextualize the work, highlighting contributions by pathbreaking women, innovative lettering artists, and key practitioners of the new “surface art,” including Rudolf von Larisch, Alfred Roller, and Wiener Werkstätte founders Koloman Moser and Josef Hoffmann.
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