Ellen Lupton
Ellen Lupton’s Notable Books of 2013
Nonfiction, Product/Industrial Design
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How do designers represent themselves in the medium of the book? Tom Dixon has released a fascinating self-portrait constructed in the medium of print. Crafted as a marvelous physical object that unfolds over time, Dixonary takes its inspiration from the designer’s own slide lectures, which pair an object or image from the world of pop culture and technology with a piece created by Dixon. The book introduces each work with a spare page of text and an image suggesting a cultural reference (pin-up girls, machine parts, genre paintings). The reader turns the page of text to reveal a Dixon object; these range from one-of-a-kind chairs bent from steel bars to sleek totemic stools and lamps. The text pages have been printed on a soft, warm stock that contrasts with the hard surface of the photographic plates, and they have been cut short at the fore edge to modulate the experience of flipping through the book.
Dixon is a hands-on maker who began creating furniture and objects in Britain in the late 1970s, where his raw, welded pieces attracted an immediate association with punk. Dixon claims to have never really been a punk, but he did draw energy from the movement’s rough-and-ready, do-it-yourself rebelliousness. He went on to become an influential designer with a diverse output, from art furniture to manufactured pieces. Dixonary is alive with the designer’s own voice as well as the culture that inspires him.
Michael Haverkamp, an expert in sound design, is working to harmonize the cross-sensory driving environment at the Engineering Centre of Ford Motor Company in Cologne, Germany. His book Synesthetic Design is the most fascinating piece of design writing I've encountered in many years. Scientific yet accessible, Haverkamp’s book assesses mountains of research related to human perception to reveal correlations between the senses of sound, sight, smell, and touch. First, Haverkamp provides a useful, research-based update on the Gestalt psychology principles that most designers studied in school (grouping, common fate, figure/ground). Then, he applies these ideas from the visual realm to how we perceive sound and how we connect audio and visual input with input from the other senses.
The book’s layout, typography, and graphics, designed by Andreas Hidber, make this text a joy to read and navigate. Beautifully re-interpreted diagrams bring visual clarity to abstract concepts. Diagrams and illustrations are inserted into the text precisely where they are referenced, while elegant call-outs that summarize key points enable efficient scanning. Also included are a CD and a grid of QR codes connecting readers to a collection of sounds. This book is a must-read for any product designer, architect, interaction designer, or graphic designer seeking to understand design and the human experience.
At once scholarly and intimate, this book honors the unique life and artistic achievements of Eva Zeisel. Born in Hungary in 1906, Zeisel endured two world wars and the Soviet revolution, spending 16 months in a Russian prison and escaping Nazi persecution before emigrating to the U.S. in 1938. Pat Kirkham’s biographical essay unfolds beneath a timeline of historic photographs plucked from over a century of family history. Kirkham’s personal friendship with Zeisel adds depth and feeling to the biographer’s meticulous research. Shortly after the turn of the millennium, Zeisel told Kirkham about watching the countdown to the year 2000. “‘It was my century,’” Zeisel said with tears in her eyes, having lived through the best and worst those decades of violence and invention had to offer.
After the astonishing life comes the equally astonishing work, photographed with magical light by Brent Brolin and chronicled by Kirkham and her co-authors, Pat Moore and Pirco Wolfframm, who also became devoted friends and scholars of all things Zeisel. Whether emerging out of darkness or basking against a warm, bright glow, each piece pops with boldness of contour and subtlety of surface. Zeisel was a master form-maker, but she also had a flair for decoration. A 1930 tea set is spotted with soft blue and yellow dots; a 1955 kitchenware ensemble for Hall China Company is glazed in a v-neck of pink and blue. Zeisel called herself a modernist with a little “m.” She knew enough about the so-called Machine Aesthetic to reject it for something all her own. She made her pieces in families, creating relationships of form and counterform that suggest love among people rather than things. That love, and the love that people had for her, comes through on every page.
Announcements
Now is Better by Stefan Sagmeister
Now is Better
By Stefan Sagmeister
Publisher: Phaidon Press
Published: October 2023
Combining art, design, history, and quantitative analysis, transforms data sets into stunning artworks that underscore his positive view of human progress, inspiring us to think about the future with much-needed hope.
Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli
Design Emergency: Building a Better Future
By Alice Rawsthorn and Paola Antonelli
Publisher: Phaidon Press
Published: May 2022
Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.
Why Design Matters: Conversations with the World’s Most Creative People by Debbie Millman
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Published: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast “Design Matters”—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Milton Glaser: POP by Steven Heller, Mirko Ilić, and Beth Kleber
Milton Glaser: POP
By Steven Heller, Mirko Ilić, and Beth Kleber
Publisher: The Monacelli Press
Published: March 2023
This collection of work from graphci design legend Milton Glaser’s Pop period features hundreds of examples of the designer’s work that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.
Meet Me by the Fountain: An Inside History of the Mall by Alexandra Lange
Meet Me by the Fountain: An Inside History of the Mall
By Alexandra Lange
Publisher: Bloomsbury
Published: June 2022
Chronicles postwar architects’ and merchants’ invention of the shopping mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. Publishers Weekly writes, “Contending that malls answer ‘the basic human need’ of bringing people together, influential design critic Lange advocates for retrofitting abandoned shopping centers into college campuses, senior housing, and ‘ethnocentric marketplaces’ catering to immigrant communities. Lucid and well researched, this is an insightful study of an overlooked and undervalued architectural form.”
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition) by Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition)
By Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Publisher: Letterform Archives Books
Published: October 2023
This facsimile edition of Die Fläche, recreates every page of the formative design periodical in full color and at original size, accompanied by essays that contextualize the work, highlighting contributions by pathbreaking women, innovative lettering artists, and key practitioners of the new “surface art,” including Rudolf von Larisch, Alfred Roller, and Wiener Werkstätte founders Koloman Moser and Josef Hoffmann.
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