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A masterpiece of literature in which the narrative appears to describe the images, but the images are not what the narrative describes. This disconnection between image and text astonished me, and validated all the disconnections and gaps my work has used to create an invitation to others to participate in the signification of a work.
The section “There Is No More Outside” was a revelation, making it possible for me to avoid modern dialectical thinking. I thank Michael Rock for pointing out this book to me.
I was a fan of Jan Tschichold’s Asymmetric Typography. In this book the section of letters from Max Bill caught my attention. The anger Bill displays appeared to me to be indicative of a not unfamiliar rigidity among those who dismiss changes in the way a creative person makes his or her work because of preferring the values and forms embodied by that person’s previous ideas and ways of making.
Given that my parents and grandparents worked, it was very helpful to me to have the history and the root causes of the inequality between the sexes explained, in all the ways reading Betty Friedan’s revelations of suburban boredom did not.
Before I began to teach, this book helped me see teachers and students as equals; each brings knowledge and experience to the conversation.
The description of class in America, and the circumscription of ordinary people—particularly designers—caught in the middle between their public and their clients made an indelible impression on me in my teens.
I read this book preparing for a project I did about Boston’s West End, and came to understand how the stories of greedy people in positions of power have been used to dismiss and devalue the homes and lifestyle of mutual help in immigrant and working-poor communities.
Announcements
Louis Kahn: The Importance of a Drawing
Louis Kahn: The Importance of a Drawing
Edited by Michael Merrill
Publisher: Lars Müller Publishers
Published: October 2021
The first in-depth study of drawings as primary sources of insight into architect Louis Kahn’s architecture and creative imagination. Based on unprecedented archival research, with over 900 illustrations and written contributions by Michael Benedikt, Michael Cadwell, David Leatherbarrow, Louis Kahn, Nathaniel Kahn, Sue Ann Kahn, Michael J. Lewis, Robert McCarter, Michael Merrill, Marshall Meyers, Jane Murphy, Gina Pollara, Harriet Pattison, Colin Rowe, David Van Zanten, Richard Wesley, and William Whitaker.
Why Design Matters: Conversations with the World’s Most Creative People
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Forthcoming: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast Design Matters—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Published: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
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