Claire Wilcox
Books Every Fashion Designer Should Read
Although I don’t have a good memory, the essence of every book I’ve read remains in me somewhere, inspiring connections or reflections when I least expect it. I’m sure it’s the same with fashion designers. Ideas and visual references are stored away; no gallery or museum visit is ever forgotten. I’d argue that no time is wasted when you are reading either, even if the sky turns dark and the day seems to have nearly gone.
My favorite place for research is the National Art Library at the Victoria and Albert Museum. I discovered it when I was still in school and was amazed to discover that I was allowed to study in the company of some very serious looking scholars. The library is open to anyone, and any fashion designer who can manage to spend some time there will surely be inspired. I simply cannot imagine life without books, from novels to biographies to histories to catalogues.
The following recommendations are just the tip of the iceberg. I would say to aspiring designers (and we meet quite a lot of them at the museum, which after all was set up in the 19th century to inspire creative design), let life, and books, lead you where they will. History is infinitely rich; the present is exciting, and it’s this ever-changing mixture of now and what was that makes fashion so inspiring. A sort of transience-within-permanence. If the result is magnificent clothes or patterns or new combinations of colors, that’s cause for celebration. As Vivienne Westwood said, “You have a better life if you wear impressive clothes.”
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The relationship between innovative textile design and fashion design is emphasized in Ascher’s work for couturiers such as Balenciaga. Balenciaga in particular utilized Ascher’s mohairs in sculptural forms such as his barrel coats.
For admirers of Balenciaga, the most authoritative book on this extraordinary designer.
A visual history of British fabrics, this book draws on the V&A’s collections of woven, printed, and embroidered textiles and their designs. The creativity and diversity of historical textile design would, I hope, inspire any fashion designer.
An old-fashioned book, but very useful for understanding the cut of non-Western dress. It’s interesting how the planarity and drape of such costumes inspire a particular approach to pattern.
Designers need to know the history of their discipline, and this examination of the Dior fashion house (1947–57) by the leading curatorial authority provides just that. Palmer (who also authored the excellent Couture & Commerce: The Transatlantic Fashion Trade in the 1950s, 2001) had unrivaled access to Dior's archives. What is remarkable is how in just ten years Christian Dior set the model for fashion houses of the future, while retaining all that was commercially and creatively successful in prewar couture.
A great resource to have available, day and night. There are various online encyclopedic resources but I like to have this three-volume set in my hand, and this is my favorite for browsing.
Not a book I would normally think to recommend to a fashion designer but, after all, both McQueen and Westwood have created collections inspired by armor.
A useful examination of the powerful relationship between the metropolis and fashion culture. Few images, but Breward’s many publications (often with a focus on menswear) make essential reading for any aspiring designer.
Beaton really is essential reading and his descriptions of designers in their heyday are thrilling. Writing of Chanel: “It was always impossible to guess Chanel’s age. She was dark and sunburned, with high cheekbones, an upturned nose with nostrils, as she said, ‘like tunnels,’ brilliant black eyes like buttons, and a gash for a mouth. Her hands were delicate, of a skin with a white sheen on it, and so strong that they could shoe a horse. She wore no red on her fingernails but reddened the tips of her toes, on the theory that feet were a dreary business and required every aid.” He also had the knack for summing up the elemental characteristic of a designer, calling Dior “the Watteau of dressmaking.”
An essential resource for any aspiring milliner, from both a designer's and a curator's point of view.
A light read, co-written by the Hollywood costume designer Edith Head, which offers fashion advice from the 1960s. Some things never change.
An exploration of the beautiful relationship between dress and jewelry.
An example of brilliance transformed into megalomania. Beware, designers.
Lace was one of fashion’s most expensive commodities in its time and is surely due for a revival.
Glorious and inspiring dress and textiles. Think of John Galliano’s Fall 2009 Russian-inspired collection.
A deconstruction of fashion, both literally and metaphorically.
The series of analytical case studies of dress Patterns of Fashion by Janet Arnold is essential reading for any fashion designer (or theater costume designer) interested in the cut and construction of historical dress. Arnold’s work is key to understanding Vivienne Westwood’s collections of the early 1980s, in particular the cut of her trousers, based on early menswear.
Beautiful and detailed photography that really gets under the skin of early dress.
The first of three volumes resulting from a collaboration between the V&A and theater costume designer Jenny Tiramani. Excitingly, the publication includes x-ray images of garments, which reveal their skeletal understructures.
A reminder that nothing in avant-garde contemporary fashion has yet surpassed Schiaparelli’s surrealist designs of the 1930s.
Eleri Lynn shines a light on the fascinating subject of undergarments and shows that the fashionable silhouette is achieved with an equal measure of pleasure and pain.
This boxed set would be a wonderful gift for a fashion or textile designer. Based on the V&A’s collections, it encompasses every pattern, weave, print, and color imaginable.
I hope the extraordinary garments in this book inspire designers to regard creative fashion design as a discipline in which anything is possible.
Announcements
Now is Better by Stefan Sagmeister
Now is Better
By Stefan Sagmeister
Publisher: Phaidon Press
Published: October 2023
Combining art, design, history, and quantitative analysis, transforms data sets into stunning artworks that underscore his positive view of human progress, inspiring us to think about the future with much-needed hope.
Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli
Design Emergency: Building a Better Future
By Alice Rawsthorn and Paola Antonelli
Publisher: Phaidon Press
Published: May 2022
Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.
Why Design Matters: Conversations with the World’s Most Creative People by Debbie Millman
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Published: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast “Design Matters”—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Milton Glaser: POP by Steven Heller, Mirko Ilić, and Beth Kleber
Milton Glaser: POP
By Steven Heller, Mirko Ilić, and Beth Kleber
Publisher: The Monacelli Press
Published: March 2023
This collection of work from graphci design legend Milton Glaser’s Pop period features hundreds of examples of the designer’s work that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.
Meet Me by the Fountain: An Inside History of the Mall by Alexandra Lange
Meet Me by the Fountain: An Inside History of the Mall
By Alexandra Lange
Publisher: Bloomsbury
Published: June 2022
Chronicles postwar architects’ and merchants’ invention of the shopping mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. Publishers Weekly writes, “Contending that malls answer ‘the basic human need’ of bringing people together, influential design critic Lange advocates for retrofitting abandoned shopping centers into college campuses, senior housing, and ‘ethnocentric marketplaces’ catering to immigrant communities. Lucid and well researched, this is an insightful study of an overlooked and undervalued architectural form.”
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition) by Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition)
By Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Publisher: Letterform Archives Books
Published: October 2023
This facsimile edition of Die Fläche, recreates every page of the formative design periodical in full color and at original size, accompanied by essays that contextualize the work, highlighting contributions by pathbreaking women, innovative lettering artists, and key practitioners of the new “surface art,” including Rudolf von Larisch, Alfred Roller, and Wiener Werkstätte founders Koloman Moser and Josef Hoffmann.
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