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The World of M. C. Escher |
Escher, M. C. |
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The Work of Art in the Age of Mechanical Reproduction |
Benjamin, Walter |
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Word and Image: Posters from the Collection of The Museum of Modern Art |
Fern, Alan |
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Word and Image |
Museum van Hedendaagse Kunst Antwerpen (MuHKA) |
|
Wolfgang Tillmans |
O'Brien, Sophie et al. |
|
Wiener Werkstätte: Kunst und Handwerk, 1903–1932 |
Schweiger, Werner |
|
What Are You Looking At? |
Gompertz, Will |
|
Ways of Seeing |
Berger, John |
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Walton Ford: Pancha Tantra |
Ford, Walton et al. |
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Walter Pichler: Zwei Troge, Wasserrinnen |
Galerie Elisabeth & Klaus Thoman, |
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Walter Pichler |
Pichler, Walter et al. |
|
Visual Thinking |
Arnheim, Rudolf |
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Vision and Difference: Femininity, Feminism and Histories of Art |
Pollock, Griselda |
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View |
Duchamp, Marcel |
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Verf |
Hartog Jager, Hans den |
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Venice for Pleasure |
Links, J. G. |
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The Unknown Craftsman |
Yanagi, Soetsu (Muneyoshi) |
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The Unfashionable Human Body |
Rudofsky, Bernard |
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Tom Sachs: Lever House “Bronze Collection” |
Sachs, Tom |
|
Tom Sachs |
Celant, Germano |
|
Tim Hawkinson |
Rinder, Lawrence |
|
Théorie du nuage |
Damisch, Hubert |
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The Making of Classical Edinburgh 1750–1840 |
Youngson, Alexander John Brown |
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Techniques of the Observer |
Crary, Jonathan |
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Système de la Mode (The Fashion System) |
Barthes, Roland |
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Suspensions of Perception |
Crary, Jonathan |
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Super Constellation |
Asendorf, Christoph |
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The Sun King |
Mitford, Nancy |
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Studio and Cube |
O’Doherty, Brian |
|
Studies in Iconology |
Panofsky, Erwin |
|
Structure of the Visual Book |
Smith, Keith |
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Storia dell’Arte Italiana (3 vols.) |
Argan, Giulio Carlo |
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The Stamp of Fantasy |
Eskildsen, Ute |
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The Spirit of Folk Art |
Glassie, Henry |
|
Social Radicalism and the Arts |
Egbert, Donald Drew |
|
Silence: Lectures and Writings |
Cage, John |
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The Shock of the New |
Hughes, Robert |
|
Sheherezade |
Zweig, Janet et al. |
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The Shape of Content |
Shahn, Ben |
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The Shape of a Pocket |
Berger, John |
|
Shadow of the Silk Road |
Thubron, Colin |
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The Sense of Order |
Gombrich, E. H. (Ernst) |
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Seeing Is Forgetting the Name of the Thing One Sees |
Weschler, Lawrence |
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The Sculptures of Picasso |
Kahnweiler, Daniel-Henry |
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Saul Steinberg |
Rosenberg, Harold |
|
The Russian Avant-Garde Book 1910–1934 |
Rowell, Margit |
|
Ron Mueck: A Girl |
Mueck, Ron |
|
Rodchenko and the Arts of Revolutionary Russia |
Elliott, David |
|
Robert Smithson |
Tsai, Eugenie |
|
Richard Serra, Sculpture |
McShine, Kynaston et al. |
|
Relational Aesthetics |
Bourriaud, Nicolas |
|
Rediscovered Masterpieces of Mesoamerica |
Berjonneau, Gerald et al. |
|
Rachel Feinstein |
Powers, Bill et al. |
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Punk’s Dead |
Barker, Simon et al. |
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The Problem of Form in Painting and Sculpture |
Hildebrand, Aldof von |
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The Power of the Center |
Arnheim, Rudolf |
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Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere |
Kimmelman, Michael |
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Portrait of Picasso as a Young Man |
Mailer, Norman |
|
Popular Culture and High Culture |
Gans, Herbert J. |
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Pomona Houses |
Hafif, Marcia |
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The Place of Narrative |
Lavin, Marilyn Aronberg |
|
Pig 05049 |
Meindertsma, Christien |
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Picabia |
Borràs, Maria Lluïsa |
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The Philosophy of Andy Warhol (from A to B and Back Again) |
Warhol, Andy |
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Pedagogical Sketchbook |
Klee, Paul |
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The Passport |
Steinberg, Saul |
|
Painting as a Pastime |
Churchill, Winston |
|
Painting and Experience in Fifteenth-Century Italy |
Baxandall, Michael |
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Ornament |
Durant, Stuart |
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The Originality of the Avant-Garde and Other Modernist Myths |
Krauss, Rosalind |
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The Open Work (Opera aperta) |
Eco, Umberto |
|
One Place after Another |
Kwon, Miwon |
|
On Being Blue |
Gass, William |
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Oceanic Art |
Meyer, Anthony J. P. |
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Ocean Flowers |
Armstrong, Carol et al. |
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Object to Be Destroyed: The Work of Gordon Matta-Clark |
Lee, Pamela M. |
|
The Nude |
Clark, Kenneth |
|
Nothing if Not Critical |
Hughes, Robert |
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The Notebooks of Paul Klee, vol. 2: The Nature of Nature |
Spiller, Jürg |
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The Notebooks of Paul Klee, vol. 1: The Thinking Eye |
Spiller, Jürg |
|
Notebooks |
da Vinci, Leonardo |
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Night Studio |
Mayer, Musa |
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The New Art—the New Life |
Holtzman, Harry et al. |
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A Nervous Splendor |
Morton, Frederic |
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Mythologies |
Barthes, Roland |
|
The Mustard Seed Garden Manual of Painting, 1679–1701 |
Wang, Gai et al. |
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Museum Legs |
Whitaker, Amy |
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Module, Proportion, Symmetry, Rhythm (Vision + Value Series) |
Kepes, Gyorgy |
|
The Modern Ideal |
Greenhalgh, Paul |
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The Mind in the Cave |
Lewis-Williams, David |
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Meditations on a Hobby Horse and Other Essays on the Theory of Art |
Gombrich, E. H. (Ernst) |
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Maynard Dixon: Artist of the West |
Burnside, Wesley M. |
|
Mayhew’s London |
Mayhew, Henry et al. |
|
Masters of Modern Art |
Barr, Alfred H. |
|
Masterpieces from the House of Fabergé |
Solodkoff, Alexander von |
|
Mark Rothko: A Biography |
Breslin, James E. B. |
|
Marinetti: Selected Writings |
Marinetti, F. T. et al. |
|
Marianne Brandt |
Brockhage, Hans et al. |
|
Marcel Duchamp or The Castle of Purity |
Paz, Octavio |
|
Marcel Duchamp in Munich 1912 |
Girst, Thomas |
|
Mannerism |
Hauser, Arnold |
|
Malevich |
Zhadova, Larisa |
|
Magritte and Contemporary Art |
Barron, Stephanie |
|
The Magic of a People |
Girard, Alexander |
|
Madame de Pompadour |
Mitford, Nancy |
|
Louise Bourgeois: Aller-Retour |
Matt, Gerald et al. |
|
Lothar Meggendorfers Spielwelt |
Krahé, Hildegard |
|
Long Slow March |
Meador, Clifton |
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Living Well Is the Best Revenge |
Tomkins, Calvin |
|
The Living Museum |
Cauman, Samuel |
|
Lives of the Great Twentieth Century Artists |
Lucie-Smith, Edward |
|
Lives of the Artists |
Tomkins, Calvin |
|
The Lives of the Artists |
Vasari, Giorgio |
|
A Little History of the World |
Gombrich, E. H. (Ernst) |
|
Life? or Theatre? (Leben? oder Theater?) |
Salomon, Charlotte |
|
A Life of Picasso (3 vols.) |
Richardson, John |
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The Life and Art of Albrecht Dürer |
Panofsky, Erwin |
|
The Letters of Vincent Van Gogh |
Gogh, Vincent van |
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Leonardo’s Incessant Last Supper |
Steinberg, Leo |
|
Le Livre futuriste |
Lista, Giovanni |
|
László Moholy-Nagy |
IVAM Centre Julio Gonzalez |
|
L’Art des Cyclades |
Zervos, Christian |
|
La Sparizione dell’Arte (The Disappearance of Art) |
Baudrillard, Jean |
|
La Robe: Essai psychanalytique sur le vêtement |
Lemoine-Luccioni, Eugénie |
|
Kurt Schwitters: Color and Collage |
Schulz, Isabel |
|
Kunst + Design: Donald Judd |
Judd, Donald et al. |
|
The Kandy-Kolored Tangerine-Flake Streamline Baby |
Wolfe, Tom |
|
Juan Gris |
Kahnweiler, Daniel-Henry |
|
John Heartfield |
Evans, David |
|
John Currin |
Gingeras, Alison et al. |
|
Jean-Michel Basquiat |
Marshall, Richard |
|
Jazz |
Matisse, Henri |
|
James Turrell: The Other Horizon |
Noever, Peter |
|
J.W. Waterhouse |
Trippi, Peter |
|
Invisible Art |
The Art Brothers, |
|
Introduction to the Method of Leonardo da Vinci |
Valéry, Paul |
|
The Intimate World of Alexander Calder |
Marchesseau, Daniel |
|
Interpreting the Renaissance (Ricerca dell’Rinascimento) |
Tafuri, Manfredo |
|
Infancia y Arte Moderno |
IVAM Centre Julio Gonzalez |
|
In Praise of Shadows |
Tanizaki, Jun’ichiro |
|
In the Light of Italy |
Conisbee, Philip |
|
In Deed: Certificates of Authenticity in Art |
Hapgood, Susan et al. |
|
The Image and the Eye |
Gombrich, E. H. (Ernst) |
|
The Illustrator in America, 1860–2000 |
Reed, Walt |
|
I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now |
Hirst, Damien |
|
Hypnerotomachia Poliphili |
Colonna, Francesco |
|
A Hundred Years of Lex Flex |
Laxson, Ruth |
|
The House of Life |
Praz, Mario |
|
The Hokusai Sketchbooks |
Michener, James A. |
|
The History of the Future |
Canto, Christophe et al. |
|
History of Beauty |
Eco, Umberto |
|
Historical Color Guide: Primitive to Modern Times with Thirty Plates in Color |
Burris-Meyer, Elizabeth |
|
High & Low |
Varnedoe, Kirk et al. |
|
The Hidden Order of Art |
Ehrenzweig, Anton |
|
The Hand |
Wilson, Frank |
|
The Great Cat Massacre |
Darnton, Robert |
|
Goya |
Hughes, Robert |
|
Gordon Matta-Clark: Splitting |
Jacob, Mary Jane |
|
Gordon Matta-Clark: A Retrospective |
Jacob, Mary Jane |
|
Gordon Matta-Clark |
Diserens, Corinne |
|
The Gift |
Hyde, Lewis |
|
George Ohr, Art Potter: The Apostle of Individuality |
Ellison, Robert A. |
|
Futurism and Futurisms |
Hultén, Pontus |
|
Füssli, the Wild Swiss (Fuseli, the Wild Swiss) |
Becker, Christoph |
|
Fritz Kahn: Man Machine |
Debschitz, Uta von et al. |
|
Friedrich Kiesler: Architekt, Maler, Bildhauer, 1890–1965 |
Bogner, Dieter |
|
A Fine Disregard |
Varnedoe, Kirk |
|
Fin-de-Siècle Vienna: Politics and Culture |
Schorske, Carl E. |
|
The Faith of Graffiti |
Mailer, Norman et al. |
|
The Fabulous Life of Diego Rivera |
Wolfe, Bertram D. |
|
Exactitudes |
Versluis, Ari et al. |
|
Essays on Mexican Art |
Paz, Octavio |
|
Empire of Signs |
Barthes, Roland |
|
El Lissitzky |
Lubbers, Frank |
|
Einstein, Picasso, Space, Time and the Beauty that Causes Havoc |
Miller, Arthur I. |
|
Dynamo |
Julie Houis et Collectif, |
|
Duveen |
Behrman, S. N. |
|
Duchamp: A Biography |
Tomkins, Calvin |
|
Double-Face: The Story about Fashion and Art from Mohammed to Warhol |
Doswald, Christoph |
|
Donald Judd: Raume Spaces |
Judd, Donald et al. |
|
Donald Judd: Complete Writings 1959–1975 |
Judd, Donald |
|
Die Welt als Labyrinth (The World as a Labyrinth) |
Hocke, Gustav René |
|
The Dictionary of Cultural Literacy |
Hirsch, E. D. et al. |
|
The Diaries of Paul Klee, 1898–1918 |
Klee, Felix |
|
Dialogues with Marcel Duchamp |
Cabanne, Pierre |
|
Dialogue in the Void: Beckett & Giacometti |
Megged, Matti |
|
Design and Art (Documents of Contemporary Art) |
Coles, Alex |
|
The Deposition of Richard Prince: In the Case of Cariou V. Prince et al. |
Allen, Greg |
|
De Kooning: An American Master |
Stevens, Mark et al. |
|
Daybook: The Journey of an Artist |
Truitt, Anne |
|
A Day with Picasso |
Klüver, Billy |
|
Dada: Art and Anti-Art |
Richter, Hans |
|
Dada |
Le Bon, Laurent |
|
Cy Twombly: Zeichnungen 1953–1973 |
Twombly, Cy et al. |
|
The Cut-Outs of Henri Matisse |
Elderfield, John |
|
The Culture of the Copy |
Schwartz, Hillel |
|
CULTURE |
Sagmeister, Stefan |
|
Cover to Cover |
Snow, Michael |
|
Constantin Brancusi |
Bach, Friedrich Teja |
|
Conformismo e Trasgressione |
Andreoli, Annamaria |
|
The Clock |
Marclay, Christian |
|
Cleopatra’s Nose |
Boorstin, Daniel J. |
|
The Classic |
Kermode, Frank |
|
Cinema 2: The Time-Image |
Deleuze, Gilles |
|
Cinema 1: The Movement-Image |
Deleuze, Gilles |
|
Cindy Sherman: The Complete Untitled Film Stills |
Sherman, Cindy |
|
Churches in Rock |
Gerster, Georg |
|
China Diary |
Hockney, David et al. |
|
Cent ans d’histoire de France |
Berl, Emmanuel |
|
Canyon of Dreams: The Magic and the Music of Laurel Canyon |
Kubernik, Harvey |
|
Buckminster Fuller and Isamu Noguchi: Best of Friends |
Sadao, Shoji et al. |
|
Brunelleschi (Masters of Italian Art) |
Gärtner, Peter J. |
|
The Bride Stripped Bare by Her Bachelors, Even |
Duchamp, Marcel et al. |
|
Brice Marden: A Retrospective of Paintings and Drawings |
Garrels, Gary |
|
The Bauhaus Reassessed: Sources and Design Theory |
Naylor, Gillian |
|
Basquiat |
Mayer, Marc |
|
Bart van der Leck |
van Kooten, Toos |
|
The Autobiography of Benvenuto Cellini |
Cellini, Benvenuto |
|
At the Edge of History |
Thompson, William Irwin |
|
Arts & Architecture: The Entenza Years |
Goldstein, Barbara |
|
The Artist’s Reality: Philosophies of Art |
Rothko, Mark et al. |
|
The Artist’s Library |
Batykefer, Erinn et al. |
|
Artists at Work: Inside the Studios of Today’s Most Celebrated Artists |
Seidner, David |
|
Arte Povera 2011 |
Celant, Germano |
|
Art of the Natural World |
Rosenblum, Richard |
|
The Art of Florence |
Andres, Glenn et al. |
|
Art and Visual Perception |
Arnheim, Rudolf |
|
Art and Politics in the Weimar Period |
Willett, John |
|
Art & Fear |
Bayles, David et al. |
|
Are Clothes Modern? |
Rudofsky, Bernard |
|
The Arcades Project |
Benjamin, Walter |
|
The Anti-Aesthetic |
Foster, Hal |
|
Ant Farm |
Scott, Felicity |
|
American Visions |
Hughes, Robert |
|
American Stories: Paintings of Everyday Life |
Barratt, Carrie et al. |
|
Air Guitar |
Hickey, Dave |
|
Ai Weiwei’s Blog: Writings, Interviews, and Digital Rants, 2006–2009 |
Weiwei, Ai |
|
Affect/Marcel |
Naumann, Francis M. et al. |
|
About Looking |
Berger, John |
|
About 2 Squares + More About 2 Squares |
Lissitzky, El |
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