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You Are Here |
Harmon, Katharine |
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The World of M. C. Escher |
Escher, M. C. |
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The World Must Change: Graphic Design and Idealism |
Duis, Leonie ten et al. |
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The Work of Hipgnosis |
Thorgerson, Storm |
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Word and Image: Posters from the Collection of The Museum of Modern Art |
Fern, Alan |
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Word and Image |
Museum van Hedendaagse Kunst Antwerpen (MuHKA) |
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Women Designers in the USA, 1900–2000 |
Kirkham, Pat |
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William Tell |
Honegger-Lavater, Warja |
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Wiener Werkstätte, Design in Vienna 1903-1932 |
Brandstätter, Christian |
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Where the Suckers Moon |
Rothenberg, Randall |
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What is a Designer |
Potter, Norman |
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Wayshowing |
Mollerup, Per |
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Visual Explanations |
Tufte, Edward R. |
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The Visual Display of Quantitative Information |
Tufte, Edward R. |
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The Visible Word: Experimental Typography and Modern Art, 1909-1923 |
Drucker, Johanna |
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The Visible Word |
Spencer, Herbert |
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Victorian Publishers’ Book-Bindings in Cloth & Leather |
McLean, Ruari |
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Unspecial Effects for Graphic Designers |
Gill, Bob |
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Understanding Comics |
McCloud, Scott |
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The Uncommon Numbers Trilogy |
Zoby, Brenda Casey |
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Typographie: A Manual of Design (Typographie: ein Gestaltungslehrbuch = Typography: A Manual of Design = Typographie: un manuel de création) |
Ruder, Emil |
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Typographie |
Bangerter, Walter et al. |
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Typographic Variations (Typographische Variationen) |
Zapf, Hermann |
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The Typographic Desk Reference |
Rosendorf, Theodore |
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Typographers on Type |
McLean, Ruari |
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Typoésie |
Peignot, Jérôme |
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Type: A Visual History of Typefaces and Graphic Styles 1628-1900 |
De Jong, Cees et al. |
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Two Lines Align |
Worthington, Michael |
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Toothpicks and Logos |
Heskett, John |
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Tools of the Imagination |
Piedmont-Palladino, Susan C. |
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Tibor Kalman: Perverse Optimist |
Bierut, Michael et al. |
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Three Found Fonts |
Tilson, Jake |
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Thoughts on Design |
Rand, Paul |
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33 |
Wurman, Richard Saul |
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Thinking Print |
Wye, Deborah |
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Things I Have Learned in My Life So Far |
Sagmeister, Stefan |
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Theory of Colours |
Goethe, Johann Wolfgang von |
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Technische Grundlagen zur Satzherstellung |
Bosshard, Hans Rudolf |
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Swiss Graphic Design |
Hollis, Richard |
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Suterisms |
Suter, David |
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Super Constellation |
Asendorf, Christoph |
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The Styles of Ornament |
Speltz, Alexander |
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Stop Stealing Sheep & Find Out How Type Works |
Spiekermann, Erik |
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Steinberg |
Steinberg, Saul |
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Stanley Morison |
Moran, James |
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The Stamp of Fantasy |
Eskildsen, Ute |
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Specimen Book and Catalogue, 1923 |
American Type Founders Company, |
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Speak Italian: The Fine Art of the Gesture |
Munari, Bruno |
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Space Graphics |
Igarashi, Takenobu |
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Il Sogno della Merce (The Dream of Goods) |
Baudrillard, Jean et al. |
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A Smile in the Mind |
McAlhone, Beryl et al. |
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Signs and Symbols |
Frutiger, Adrian |
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Shapes for Sounds |
Donaldson, Timothy |
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Seventy-nine Short Essays on Design |
Bierut, Michael |
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Schriftenatlas |
Petzendorfer, Ludwig |
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Schiff nach Europa |
Kutter, Markus |
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Saul Steinberg |
Rosenberg, Harold |
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Russian Decorative Arts 1917-1937 |
Tolstoy, Vladimir |
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The Russian Avant-Garde Book 1910–1934 |
Rowell, Margit |
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Rudo Spemann (1905-1947) |
Offenbach, Germany, Friends of the Klingspor-Museum |
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Rookledge’s International Typefinder |
Perfect, Christopher et al. |
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Rolling Stone: The Illustrated Portraits |
Woodward, Fred |
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Rodchenko and the Arts of Revolutionary Russia |
Elliott, David |
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Rock, Scissors, Paper |
Igarashi, Takenobu |
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Robert Brownjohn: Sex and Typography |
King, Emily |
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Revolutionary Soviet Film Posters |
Constantine, Mildred et al. |
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Révolution typographique |
Damase, Jacques |
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Recollections of the Lyceum & Chautauqua Circuits |
Briggs, Irene et al. |
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The Push Pin Graphic |
Chwast, Seymour |
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Prop Art |
Yanker, Gary |
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Printing, 1770-1970 |
Twyman, Michael et al. |
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Printed Matter |
Martens, Karel et al. |
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Printed Ephemera |
Lewis, John |
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The Principles of Uncertainty |
Kalman, Maira |
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Prague–New York |
Sutnar, Ladislav |
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Posters by the Members of the Alliance Graphique Internationale 1960–1985 |
Harak, Rudolph de |
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Pomona Houses |
Hafif, Marcia |
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Pioneers of Modern Typography |
Spencer, Herbert |
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Pig 05049 |
Meindertsma, Christien |
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Pictures on a Page |
Evans, Harold |
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Pictorial Maps |
Holmes, Nigel |
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Perché un libro su Enzo Mari (Why Write a Book on Enzo Mari) |
Burkhardt, François et al. |
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Pattern Design |
Day, Lewis F. |
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Ounce, Dice, Trice |
Reid, Alastair |
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Ornament |
Durant, Stuart |
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Numero Unico Futurista Campari 1931; Futurismo 1932; Dinamo Futurista 1933 |
Depero, Fortunato |
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NSCI: Das visuelle Erscheinungsbild der Nationalsozialisten 1920–1945 (The Visual Appearance of the Nazis 1920–1945) |
Koop, Andreas |
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Nox |
Carson, Anne |
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My Work Is Not My Work: Pierre Bernard, Design for the Public Domain |
Boekraad, Hugues |
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Module, Proportion, Symmetry, Rhythm (Vision + Value Series) |
Kepes, Gyorgy |
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Modern Typography: An Essay in Critical History |
Kinross, Robin |
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Milton Glaser: Graphic Design |
Glaser, Milton |
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Merz to Emigre and Beyond |
Heller, Steven |
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Mendell & Oberer |
Wichmann, Hans |
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The Medium is the Massage |
McLuhan, Marshall et al. |
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Max Bill: Typography, Advertising, Book Design |
Fleischmann, Gerd et al. |
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Maurice Sendak: A Celebration of the Artist and His Work |
Marcus, Leonard S. |
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Mathematische Grundlagen zur Satzherstellung |
Bosshard, Hans Rudolf |
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The Map that Changed the World |
Winchester, Simon |
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Make It Bigger |
Scher, Paula |
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Maira Kalman: Various Illuminations (of a Crazy World) |
Schaffner, Ingrid |
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Lothar Meggendorfers Spielwelt |
Krahé, Hildegard |
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Lo Studio Boggeri 1933–1981 |
Monguzzi, Bruno |
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Line and Form |
Crane, Walter |
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Letter and Image |
Massin, Robert |
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Lester Beall |
Remington, R. Roger |
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Legibility: A Typographic Book of Etiquette |
Reichl, Ernst |
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Le Livre futuriste |
Lista, Giovanni |
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Label Design |
Humbert, Claude |
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La Lettre Peinte Décorative |
Dacosta, Philippe |
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La Lettera Uccide (The Letter Kills) |
Lussu, Giovanni |
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Japan Design |
Tanaka, Ikko |
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Jan Tschichold |
McLean, Ruari |
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Invisible Art |
The Art Brothers, |
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Introduction to the Method of Leonardo da Vinci |
Valéry, Paul |
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Innovators of American Illustration |
Heller, Steven |
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Information Is Beautiful |
McCandless, David |
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Information Ecology: Bayer’s Book of Maps |
Burgos, Nate |
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Information Architects |
Wurman, Richard Saul et al. |
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Information Anxiety 2 |
Wurman, Richard Saul |
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In the Groove |
Kohler, Eric |
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The Illustrator in America, 1860–2000 |
Reed, Walt |
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Identity Kits |
Facetti, Germano et al. |
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How Brands Become Icons |
Holt, Douglas B. |
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Hirschfeld: Art and Recollections from Eight Decades |
Hirschfeld, Al |
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Hidden Forms |
Clivio, Franco et al. |
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Haptic |
Hara, Kenya |
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The Handy Book of Artistic Printing |
Clouse, Doug et al. |
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Handbook of Early Advertising Art |
Hornung, Clarence |
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Graphic Texts |
GRAPHIC team, et al. |
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Graphic Style |
Heller, Steven et al. |
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The Graphic Language of Neville Brody |
Wozencroft, Jon et al. |
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Graphic Design: A Concise History |
Hollis, Richard |
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Graphic Design as a Second Language |
Gill, Bob |
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Graphic Design Manual |
Hofmann, Armin |
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Graphic Design in America |
Friedman, Mildred S. |
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Graphic Design History: A Critical Guide |
Drucker, Johanna et al. |
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Graphic Design |
Friend, Leon et al. |
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The Graphic Artist and His Design Problems |
Müller-Brockmann, Josef |
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A Grammar of Chinese Lattice |
Dye, Daniel Sheets |
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Grafika: Modern Design for Advertising and Printing |
Reiner, Imre |
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George, Be Careful |
Lois, George |
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From Those Wonderful Folks Who Gave You Pearl Harbor |
Della Femina, Jerry |
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From Cave Painting to Comic Strip |
Hogben, Lancelot Thomas |
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French Modern |
Heller, Steven et al. |
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The Form of the Book |
Tschichold, Jan et al. |
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Forget All the Rules You Ever Learned About Graphic Design, Including the Ones in This Book |
Gill, Bob |
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Fonts & Logos |
Young, Doyald |
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Film Posters of the Russian Avant-Garde |
Pack, Susan |
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Everything Sings: Maps for a Narrative Atlas |
Wood, Denis |
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An Essay on Typography |
Gill, Eric |
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Envisioning Information |
Tufte, Edward R. |
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Enfolding Life (生活與承載) |
Lau, Freeman |
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Else/Where |
Abrams, Janet et al. |
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The Elements of Typographic Style |
Bringhurst, Robert |
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The Elements of Style (illustrated) |
Strunk, William et al. |
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Elements of Design |
Hannah, Gail Greet |
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Dutch Graphic Design |
Broos, C et al. |
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Dorfsman & CBS |
Hess, Dick et al. |
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Don Quixote |
Long, Gareth |
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The Dictionary of Visual Language |
Thompson, Philip et al. |
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Designing: |
Chermayeff, Ivan et al. |
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A Designer’s Art |
Rand, Paul |
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Design/Writing/Research: Writing on Graphic Design |
Lupton, Ellen et al. |
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Design Going Forward (與設計向前行) |
Tanaka, Ikko |
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Design as Art |
Munari, Bruno |
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Design and Art (Documents of Contemporary Art) |
Coles, Alex |
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Damn Good Advice (For People with Talent!) |
Lois, George |
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A Comparison of Package Designs in Japan and Europe |
Japan Package Design Association |
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Cities of the World |
Braun, Georg et al. |
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The Charm of Chinese Characters (漢字的魅力) |
Lang, Cang |
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Campo Grafico, 1933–1939 |
Rossi, Attilo |
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The Calligrapher’s Handbook |
Child, Heather |
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By Design |
Caplan, Ralph |
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Born Modern |
Heller, Steven et al. |
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Books for Our Time |
Lee, Marshall et al. |
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The Book of Signs |
Koch, Rudolf et al. |
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Blue Note |
Marsh, Graham et al. |
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Beware Wet Paint |
Fletcher, Alan |
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The Beauty of Chinese Calligraphy: Dancing Cursive (漢字書法之美—舞動行草) |
Xun, Jiang |
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Beautiful Evidence |
Tufte, Edward R. |
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The Beatles Illustrated Lyrics 2 |
Aldridge, Alan |
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Bauhaus: Weimar, Dessau, Berlin, Chicago |
Wingler, Hans |
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Barnbrook Bible |
Barnbrook, Jonathan |
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Barcelona Gráfica |
Sánchez, América |
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Ausgewählte Aufsätze über Fragen der Gestalt des Buches und der Typographie (The Form of the Book: Essays on the Morality of Good Design) |
Tschichold, Jan |
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The Art of Looking Sideways |
Fletcher, Alan |
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The Art of Advertising: George Lois on Mass Communication |
Lois, George |
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Art Nouveau and Art Deco Bookbinding |
Duncan, Alastair et al. |
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Analogous and Digital |
Aicher, Otl |
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American Wood Type, 1828–1900 |
Kelly, Rob Roy |
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American Signs: Form and Meaning on Route 66 |
Mahar, Lisa |
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A. M. Cassandre |
Mouron, Henri et al. |
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Alexey Brodovitch |
Purcell, William Kerry |
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Alexander Girard |
Oldham, Todd et al. |
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Alex Steinweiss: The Inventor of the Modern Album Cover |
Reagan, Kevin et al. |
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Air Made Visible |
Lichenstein, Claude et al. |
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Aim for a Job in Graphic Design/Art |
Fujita, S. Neil |
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AGI Annals |
Henrion, F. H. K. |
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Adrian Frutiger—Typefaces: The Complete Works |
Frutiger, Adrian et al. |
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ABZ: More Alphabets and Other Signs |
Rothenstein, Julian et al. |
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Abstract City |
Niemann, Christoph |
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