The Arcades Project
From the Publisher. The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.
An unfinished lifelong project of the philosopher Walter Benjamin; an enormous collection of writings on the city life of Paris during the 19th century, with many references to fashion.
Borrowing its structure from the Parisian Arcades, this book organizes fragments of Benjamin’s writings as well as citations from other authors to examine life in 19th-century Paris. The fragments of texts are presented side by side in order to present the possibility of chance connections by individual readers.
Every design student should read Walter Benjamin. In The Arcades Project he presents a compelling study of the condensation of public space into a controlled environment.
When this was translated from the German it was a book I had heard about and felt somewhat daunted at opening it. A vast work of thought on the birth of consumerism and the commodification of what has become everything today—education, health, housing… . Its availability in English coincided with our work designing an enormous retail and leisure complex in London, and although the title resonates Paris and “glass structures,” it has little to do with the physicality of space, but with the proximity of traders and “weatherless” strutting and strolling shoppers. The birth of retail as a leisure activity.
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Too Fast to Live, Too Young to Die: Punk Graphics, 1976–1986 by Andrew Blauvelt
Too Fast to Live, Too Young to Die: Punk Graphics, 1976–1986
by Andrew Blauvelt
Publisher: Cranbrook Art Museum
Published: June 1, 2018
Explores the printed matter—posters, flyers, zines, and album covers—produced by and for the punk and post-punk music scenes in the United States and UK. Printed as a special, oversized, 52-page color newspaper, the catalogue has been published on the occasion of an exhibition of the same name, curated by Andrew Blauvelt, on view at the Cranbrook Art Museum through October 7, 2018.
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