Everything Loose Will Land: 1970s Art and Architecture in Los Angeles
Published on the occasion of an exhibition of the same name organized by the MAK Center for Art and Architecture, Los Angeles, at the Schindler House, May 9-August 4, 2013, as part of Pacific Standard Time Presents: Modern Architecture in L.A. Essays by Sylvia Lavin, Margo Handwerker, Alex Kitnick, Suzy Newbury, Peggy Phelan, and Simon Sadler; and period documents by Robert Ballard; Reyner Banham; Billy Al Bengston; Denise Scott Brown; Judy Chicago; Barry Commoner; Peter de Bretteville; Environmental Communications; Victor Gruen and Claudia Moholy Nagy; Rem Koolhaas; Leonard Koren; Jan Martin Lester; Peter Plagens; and Bernard Tschumi.
“Tip the world on its side,” Frank Lloyd Wright supposedly said, “and everything loose will land in Los Angeles.” Maybe he was talking about L.A.’s buildings, which at first glimpse seem haphazardly scattered across Southern California’s famously chaotic urban landscape. But I take it to mean L.A.’s residents: the dreamers, the punks, the weirdos, the outsiders, the nuts, the freaks, the geeks, who are the subjects of this appropriately named exhibition and its appropriately sprawling, rollicking catalogue.
The show, which took up residence in the Schindler House this past summer as part of the MAK Center’s contribution to Pacific Standard Time Presents: Modern Architecture in L.A., examines the intersection of two nascent, experimental, and eventually influential scenes, as L.A.’s contemporary art and contemporary architecture worlds grew up together during the 1970s. As the two movements matured, they became intertwined in a sort of infinite cultural feedback loop, with architects like Frank Gehry, Craig Hodgetts, and Thom Mayne working alongside artists like Ed Ruscha, Robert Smithson, and Larry Bell, exploring new technologies together (this period saw the birth of the personal computer, after all) and employing an increasingly DIY aesthetic. The visionary curator and writer Sylvia Lavin spent years uncovering a vast trove of works to support this thesis, and after a few contextual essays, the book presents these works intelligently organized but largely unadulterated, thanks to the smart design of Roman Jaster and Colleen Corcoran.
While the entire book is an indulgent visual treat (worth getting for Archigram’s wacky collages alone), the most compelling section is “Works on Paper,” where for 172 pages the designers simply reproduced a jaw-dropping collection of untreated ephemera from the period: personal letters from Denise Scott Brown, notes and drawings by Judy Chicago as she dreamed up The Dinner Party, a children’s book about housing by Victor Gruen’s studio—all of which give the reader the same sense of discovery one imagines Lavin might have had combing some dusty basement archives. Throughout the catalogue, but here especially, the personalities of the projects emerge and you begin piece together the importance of this moment as well as the uniqueness of its artists and designers. They all landed here, and L.A. is so very lucky that they did.
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Now is Better by Stefan Sagmeister
Now is Better
By Stefan Sagmeister
Publisher: Phaidon Press
Published: October 2023
Combining art, design, history, and quantitative analysis, transforms data sets into stunning artworks that underscore his positive view of human progress, inspiring us to think about the future with much-needed hope.
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Publisher: Phaidon Press
Published: May 2022
Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.
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Published: February 22, 2022
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Chronicles postwar architects’ and merchants’ invention of the shopping mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. Publishers Weekly writes, “Contending that malls answer ‘the basic human need’ of bringing people together, influential design critic Lange advocates for retrofitting abandoned shopping centers into college campuses, senior housing, and ‘ethnocentric marketplaces’ catering to immigrant communities. Lucid and well researched, this is an insightful study of an overlooked and undervalued architectural form.”
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition) by Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
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By Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
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