Everything Loose Will Land: 1970s Art and Architecture in Los Angeles
Published on the occasion of an exhibition of the same name organized by the MAK Center for Art and Architecture, Los Angeles, at the Schindler House, May 9-August 4, 2013, as part of Pacific Standard Time Presents: Modern Architecture in L.A. Essays by Sylvia Lavin, Margo Handwerker, Alex Kitnick, Suzy Newbury, Peggy Phelan, and Simon Sadler; and period documents by Robert Ballard; Reyner Banham; Billy Al Bengston; Denise Scott Brown; Judy Chicago; Barry Commoner; Peter de Bretteville; Environmental Communications; Victor Gruen and Claudia Moholy Nagy; Rem Koolhaas; Leonard Koren; Jan Martin Lester; Peter Plagens; and Bernard Tschumi.
“Tip the world on its side,” Frank Lloyd Wright supposedly said, “and everything loose will land in Los Angeles.” Maybe he was talking about L.A.’s buildings, which at first glimpse seem haphazardly scattered across Southern California’s famously chaotic urban landscape. But I take it to mean L.A.’s residents: the dreamers, the punks, the weirdos, the outsiders, the nuts, the freaks, the geeks, who are the subjects of this appropriately named exhibition and its appropriately sprawling, rollicking catalogue.
The show, which took up residence in the Schindler House this past summer as part of the MAK Center’s contribution to Pacific Standard Time Presents: Modern Architecture in L.A., examines the intersection of two nascent, experimental, and eventually influential scenes, as L.A.’s contemporary art and contemporary architecture worlds grew up together during the 1970s. As the two movements matured, they became intertwined in a sort of infinite cultural feedback loop, with architects like Frank Gehry, Craig Hodgetts, and Thom Mayne working alongside artists like Ed Ruscha, Robert Smithson, and Larry Bell, exploring new technologies together (this period saw the birth of the personal computer, after all) and employing an increasingly DIY aesthetic. The visionary curator and writer Sylvia Lavin spent years uncovering a vast trove of works to support this thesis, and after a few contextual essays, the book presents these works intelligently organized but largely unadulterated, thanks to the smart design of Roman Jaster and Colleen Corcoran.
While the entire book is an indulgent visual treat (worth getting for Archigram’s wacky collages alone), the most compelling section is “Works on Paper,” where for 172 pages the designers simply reproduced a jaw-dropping collection of untreated ephemera from the period: personal letters from Denise Scott Brown, notes and drawings by Judy Chicago as she dreamed up The Dinner Party, a children’s book about housing by Victor Gruen’s studio—all of which give the reader the same sense of discovery one imagines Lavin might have had combing some dusty basement archives. Throughout the catalogue, but here especially, the personalities of the projects emerge and you begin piece together the importance of this moment as well as the uniqueness of its artists and designers. They all landed here, and L.A. is so very lucky that they did.
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Understanding Understanding: New from Richard Saul Wurman
Understanding Understanding
by Richard Saul Wurman
Publisher: Richard Saul Wurman and Jack Dangermond
Published July 30, 2017
From the author of Information Architecture, who says about his newest book: “This is a book for people to dip into, as they would walk in and out of the room of a dinner party and embrace their interests. . . Before the rules on how to organize information, before you learn grammar, before you work hard at expanding your vocabulary and go through the exercises of parallel meanings of things as using a Thesaurus and as one writes papers in class, before any learning one must understand.”
The Hard Life by Jasper Morrison
The Hard Life
by Jasper Morrison
Publisher: Lars Müller Publishers
Published in US: May 22, 2017
Photographs taken by designer Jasper Morrison of objects in the collection of the National Museum of Ethnology in Lisbon, Portugal. “The objects photographed and described may be appreciated both for their beauty and for the example they set of design at its purest. The Hard Life is a continuation of Morrison’s celebration of the ordinary and offers a new perspective on his design philosophy.”
Paula Scher: Works - Order from Unit Editions
Paula Scher: Works
Editors: Tony Brook & Adrian Shaughnessy
Design: Spin
Publisher: Unit Editions
Published April 2017
New book covering the career of of master designer Paula Scher, called “the most influential woman graphic designer on the planet.” (Ellen Lupton), This definitive, chronological visual record spans Paula’s early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25-year engagement with Pentagram.
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Type Tells Tales: New from Steven Heller and Gail Anderson
Type Tells Tales
by Steven Heller and Gail Anderson
Publisher: Yale University Press
Published May 30, 2017
Reveals how type can become both content and illustration, as letters take the form of people, animals, cars, or planes. With numerous illustrations by F. T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent.
The Moderns: Midcentury American Graphic Design: New from Steven Heller and Greg D’Onofrio
The Moderns
by Steven Heller and Greg D’Onofrio
Publisher: Abrams
Published September 19, 2017
Featuring more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity in America. Some were émigrés from Europe; others were homegrown; all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
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