Since the 1990s, in what I imagine to be her 15 minutes per day of free time, Pentagram partner Paula Scher has been painting massive maps of her own imagination. The colorful tapestries with type rendered in all-caps look like imaginative wayfinding but they function more like infographics, their visual hierarchies layered with not only place names but details like trade routes, zip codes, transit lines. The book takes a cue from Google Maps, giving one image of the full-sized painting and one that zooms in to a detail, where you can almost see Scher’s hand meticulously cramming in the name of every city in Uruguay, eventually spilling out into the Atlantic Ocean in waves. As the book progresses, Scher gets more topical (and more political) painting not only places but events like the 2000 Florida election results, 2004 Indian Ocean tsunami, or mapping out the history of the term “weapons of mass destruction.” As art, it’s gorgeous; as a process, it’s a lesson in obsession; and as a narrative, it’s storytelling at its best.