From the Publisher. Collected for the first time, Maps presents 39 of the celebrated graphic designer's obsessively detailed, highly personal cartographic creations. Paintings as tall as 12 feet depict continents, countries, and cities swirling in torrents of information and undulating with colorful layers of hand-painted boundry lines, place names, and provocative cultural commentary. Read Author Q&A with Designers & Books.
Since the 1990s, in what I imagine to be her 15 minutes per day of free time, Pentagram partner Paula Scher has been painting massive maps of her own imagination. The colorful tapestries with type rendered in all-caps look like imaginative wayfinding but they function more like infographics, their visual hierarchies layered with not only place names but details like trade routes, zip codes, transit lines. The book takes a cue from Google Maps, giving one image of the full-sized painting and one that zooms in to a detail, where you can almost see Scher’s hand meticulously cramming in the name of every city in Uruguay, eventually spilling out into the Atlantic Ocean in waves. As the book progresses, Scher gets more topical (and more political) painting not only places but events like the 2000 Florida election results, 2004 Indian Ocean tsunami, or mapping out the history of the term “weapons of mass destruction.” As art, it’s gorgeous; as a process, it’s a lesson in obsession; and as a narrative, it’s storytelling at its best.
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Understanding Understanding: New from Richard Saul Wurman
Understanding Understanding
by Richard Saul Wurman
Publisher: Richard Saul Wurman and Jack Dangermond
Published July 30, 2017
From the author of Information Architecture, who says about his newest book: “This is a book for people to dip into, as they would walk in and out of the room of a dinner party and embrace their interests. . . Before the rules on how to organize information, before you learn grammar, before you work hard at expanding your vocabulary and go through the exercises of parallel meanings of things as using a Thesaurus and as one writes papers in class, before any learning one must understand.”
The Hard Life by Jasper Morrison
The Hard Life
by Jasper Morrison
Publisher: Lars Müller Publishers
Published in US: May 22, 2017
Photographs taken by designer Jasper Morrison of objects in the collection of the National Museum of Ethnology in Lisbon, Portugal. “The objects photographed and described may be appreciated both for their beauty and for the example they set of design at its purest. The Hard Life is a continuation of Morrison’s celebration of the ordinary and offers a new perspective on his design philosophy.”
Paula Scher: Works - Order from Unit Editions
Paula Scher: Works
Editors: Tony Brook & Adrian Shaughnessy
Design: Spin
Publisher: Unit Editions
Published April 2017
New book covering the career of of master designer Paula Scher, called “the most influential woman graphic designer on the planet.” (Ellen Lupton), This definitive, chronological visual record spans Paula’s early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25-year engagement with Pentagram.
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Type Tells Tales: New from Steven Heller and Gail Anderson
Type Tells Tales
by Steven Heller and Gail Anderson
Publisher: Yale University Press
Published May 30, 2017
Reveals how type can become both content and illustration, as letters take the form of people, animals, cars, or planes. With numerous illustrations by F. T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent.
The Moderns: Midcentury American Graphic Design: New from Steven Heller and Greg D’Onofrio
The Moderns
by Steven Heller and Greg D’Onofrio
Publisher: Abrams
Published September 19, 2017
Featuring more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity in America. Some were émigrés from Europe; others were homegrown; all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
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