The Medium is the Massage
From the Publisher (2008 edition). Marshall McLuhan's The Medium is the Massage remains his most entertaining, provocative, and piquant book. With every technological and social “advance” McLuhan's proclamation that “the media work us over completely” becomes more evident and plain. In his words, “so pervasive are they in their personal, political, economic, aesthetic, psychological, moral, ethical and social consequences that they leave no part of us untouched, unaffected, or unaltered.”
McLuhan's remarkable observation that “societies have always been shaped more by the nature of the media by which men communicate than by the content of the communication” is undoubtedly more relevant today than ever before. With the rise of the internet and the explosion of the digital revolution there has never been a better time to revisit Marshall McLuhan.
In his movie Annie Hall, Woody Allen—while standing on line to see a movie—gets into an argument with an overly pontificating college professor about the meaning of Marshall McLuhan’s Understanding Media. To settle the argument, Allen gets the real McLuhan (who happens to be in the lobby) to tell the guy that he knows nothing of his work. This scene was/is so funny partially because McLuhan’s writings were once seen as incomprehensible. In real life, the graphic designer Quentin Fiore initiated the idea to make a book of McLuhan’s writings that would look and feel more like what he was saying. The resulting Medium is the Massage superimposed text and image in ways that parallel the transition of text-based media to “bard” media (radio) and image-based movies and television. The book visualized notions of hot versus cool mediums, how technologies from the wheel to the telephone are extensions of our bodies and create a sense of comfort as well as anxiety. Some pages were printed backward and were meant to be read in a mirror; others were left completely blank. This “experimental” paperback published by Bantam became a best seller and helped popularize McLuhan’s ideas.
A model of design and writing, and an exceptional case study of a partnership between a public intellectual and a great designer.
This small paperback is the result of a typo at the printing house that McLuhan embraced and used to create a “reader’s digest” version of his “The Medium is the Message.” It uses visual means to support his idea that human artifacts serve as extensions of the human body and brain.
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Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Published: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Louis I. Kahn: The Nordic Latitudes
Louis I. Kahn: The Nordic Latitudes
By Per Olaf Fjeld and Emily Randall Fjeld
Publisher: University of Arkansas Press
Published: October 4, 2019
A new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects. Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.
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Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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