Steve Jobs
From the Publisher. Based on more than 40 interviews with Jobs conducted over two years—as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues—Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing.
I found the story of Jobs completely inspiring, especially his defiant refusal to compromise on design and quality. His personal habits were quirky but his overall vision impeccable. So sad that he is gone.
What hasn’t already been said about Steve Jobs? As it turns out, quite a lot. By now most of the spoilers in Walter Isaacson’s sprawling biography have found their way onto the blogs—Steve did acid! Steve threw tantrums!—but there’s still much to be gleaned from this truly captivating tale. Although Steve Jobs may be maddening to some who will wish Isaacson's voice aimed higher on the design-savvy spectrum, the book is at its best when the sometimes unbelievable story speaks for itself. It’s impossible not to be entranced as we witness the birth of the Mac’s graphical user interface or watch Jobs rehearse endlessly for his iconic presentations. There’s plenty to mine when it comes to innovation and branding and product development, yes. But it’s more than that. Jobs spent a lifetime building technology for artists. And designers, as those who have benefited from this process the most, should know the fascinating story behind their tools.
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Too Fast to Live, Too Young to Die: Punk Graphics, 1976–1986 by Andrew Blauvelt
Too Fast to Live, Too Young to Die: Punk Graphics, 1976–1986
by Andrew Blauvelt
Publisher: Cranbrook Art Museum
Published: June 1, 2018
Explores the printed matter—posters, flyers, zines, and album covers—produced by and for the punk and post-punk music scenes in the United States and UK. Printed as a special, oversized, 52-page color newspaper, the catalogue has been published on the occasion of an exhibition of the same name, curated by Andrew Blauvelt, on view at the Cranbrook Art Museum through October 7, 2018.
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