Architecture Concepts: Red is Not a Color

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From the Publisher. An autobiographical look at the work of a seminal modernist architect. This is the first comprehensive treatment of the architecture of Bernard Tschumi. Part monograph, part architectural theory, and part story, the book narrates a three-decade journey through a personal history of architecture and architectural ideas, intertwining theory, practice, and hypothetical projects with forty built works. From Tschumi’s many written works, such as Architecture and Disjunction and The Manhattan Transcripts to such renowned projects as the Parc de la Villette in Paris, major concert halls in Geneva, Switzerland, and in Rouen and Limoges, France, a high-rise in Manhattan, the Vacheron Constantin Headquarters in Geneva, the Paris Zoo, and the Acropolis Museum in Athens, the book presents a profusely illustrated tour through the work of the architect, set in the context of a rich history of architectural ideas. Written for the layperson as well as the specialist, the book is an entertaining narrative about the condition of architecture today.
This hefty tome (776 pages, just shy of 7 pounds) spans five decades of Bernard Tschumi’s architecture and writing and reveals that plus-sized monographs—à la Rem Koolhaas’s S,M,L,XL—still have their place (Thomas Heatherwick: Making is another biggie worth commending). Across five sections in roughly chronological order, Tschumi recounts the creation of his varied output (from the Manhattan Transcripts to a zoo under construction in Paris). Curiously he writes in the second person, a tactic that is intended, among other things, to “draw the reader in,” and which ultimately is successful due to the text’s conversational tone and its thoughtful integration with numerous illustrations.
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