Extremely Loud and Incredibly Close
This book lives both on my top ten list of novels and as a very credible work of visual literature that broke through to a mass audience. The typography of this beautifully written book is used to distinguish the voices and emotional states of the three narrators: a nine-year-old boy devastated (in his own peculiar way) over the loss of his father on 9/11, and his two grandparents, also grieving over their loss (and a whole legacy of losses). In one climactic section, as the grandfather comes to realize—in a series of unparagraphed pages—that his son perished in a fiery hell, the interline spacing gets tighter and tighter, and the two towers of text on facing pages darken. This comes in stark contrast to an earlier section in which the grandfather is mute, marked by just a few words per page. And one of the most impactful endings I have ever read or seen in a novel (spoiler alert) is expressed only in pictures when the young Oskar Schell reverses the order of newspaper photos of a figure falling from one of the World Trade Towers. The man (perhaps Oskar’s father) rises up, defies gravity, reverses time, and undoes a tragedy, for a moment. Some notable literary critics (including one well-known novelist) have dismissed Foer’s typographic choices and use of images in this book as “gimmicks.”* (They also criticized the boy as being too smart for a nine-year-old, and the plot as being unrealistic.) Their loss. To me, this is a powerfully emotional yet joyfully playful book, and a fine example of typo/graphic form following the function of a text; not by being transparent and clean, but by being in tune with the characters’ inner rhythms and states of being.
*See Zoe Sadokierski’s word cloud analysis of the critical reviews of Extremely Loud and Incredibly Close in her excellent Ph.D. thesis on visual writing: epress.lib.uts.edu.au/research/handle/10453/20267
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What is Universal Everything? edited by Adrian Shaughnessy and Tony Brook
What is Universal Everything?
Edited by Adrian Shaughnessy and Tony Brook; designed by Spin
Publisher: Unit Editions
Published: June 2019
Matt Pyke, founder and creative director of Universal Everything, calls his studio a “digital art and design collective.” Now, after 15 years of revolutionary work in the digital realm, the studio has its first book. For anyone interested in the future of digital design, the book features a unique cover for each copy of the book (limited to 2,000)—every buyer owns a one-off.
The Future of Design: Global Product Innovation for a Complex World by Lorraine Justice
The Future of Design: Global Product Innovation for a Complex World
by Lorraine Justice
Publisher: Nicholas Brealey
Published: June 4, 2019
Internationally recognized product design expert, TED speaker, and consultant to companies like Microsoft and Levi’s, shares the ten global factors that directly impact product design success and failure.
Ballpark: Baseball in the American City by Paul Goldberger
Ballpark: Baseball in the American City
By Paul Goldberger
Publisher: Alfred A. Knopf
Published: May 2019
An illustrated, entirely new look at the history of baseball: told through the stories of the vibrant and ever-changing ballparks where the game was and is staged, by the Pulitzer Prize-winning architectural critic.
Charleston Fancy by Witold Rybczynski
Charleston Fancy: Little Houses and Big Dreams in the Holy City
By Witold Rybczynski
Publisher: Yale University Press
Published: May 2019
Charleston, South Carolina, which boasts America’s first historic district, is known for its palmetto-lined streets and picturesque houses. The Holy City, named for its profusion of churches, exudes an irresistible charm. Award-winning author and cultural critic Witold Rybczynski unfolds a series of stories about a group of youthful architects, builders, and developers based in Charleston: a self-taught home builder, an Air Force pilot, a fledgling architect, and a bluegrass mandolin player.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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