Extremely Loud and Incredibly Close
This book lives both on my top ten list of novels and as a very credible work of visual literature that broke through to a mass audience. The typography of this beautifully written book is used to distinguish the voices and emotional states of the three narrators: a nine-year-old boy devastated (in his own peculiar way) over the loss of his father on 9/11, and his two grandparents, also grieving over their loss (and a whole legacy of losses). In one climactic section, as the grandfather comes to realize—in a series of unparagraphed pages—that his son perished in a fiery hell, the interline spacing gets tighter and tighter, and the two towers of text on facing pages darken. This comes in stark contrast to an earlier section in which the grandfather is mute, marked by just a few words per page. And one of the most impactful endings I have ever read or seen in a novel (spoiler alert) is expressed only in pictures when the young Oskar Schell reverses the order of newspaper photos of a figure falling from one of the World Trade Towers. The man (perhaps Oskar’s father) rises up, defies gravity, reverses time, and undoes a tragedy, for a moment. Some notable literary critics (including one well-known novelist) have dismissed Foer’s typographic choices and use of images in this book as “gimmicks.”* (They also criticized the boy as being too smart for a nine-year-old, and the plot as being unrealistic.) Their loss. To me, this is a powerfully emotional yet joyfully playful book, and a fine example of typo/graphic form following the function of a text; not by being transparent and clean, but by being in tune with the characters’ inner rhythms and states of being.
*See Zoe Sadokierski’s word cloud analysis of the critical reviews of Extremely Loud and Incredibly Close in her excellent Ph.D. thesis on visual writing: epress.lib.uts.edu.au/research/handle/10453/20267
Announcements
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Published: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Louis I. Kahn: The Nordic Latitudes
Louis I. Kahn: The Nordic Latitudes
By Per Olaf Fjeld and Emily Randall Fjeld
Publisher: University of Arkansas Press
Published: October 4, 2019
A new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects. Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.
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Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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