Henri Labrouste: Structure Brought to Light
From the Publisher. Henri Labrouste is one of the few 19th-century architects who have been lionized consistently as precursors of modern architecture throughout the 20th century and into our own time. The two magisterial glass-and-iron reading rooms Labrouste built in Paris from the 1840s through the 1860s gave form to the idea of the modern library as a great collective civic space, and his influence was immediate and long lasting on both the development of the modern library and the exploration of new paradigms of space, materials, and luminosity in places of public assembly.
Published in conjunction with the first exhibition devoted to Labrouste in the United States—and the first anywhere in the world in nearly 40 years—this book is the result of a four-year research project into the entirety of Labrouste’s production. It presents nearly 225 works in a variety of mediums, including drawings, watercolors, vintage and modern photographs, film stills, and architectural models. Essays by a range of international architecture scholars explore Labrouste’s work and legacy, offering fresh historical perspectives on the architect and his structural innovations.
Labrouste essentially invented the modern public library as a typology when he built the Bibliothèque St. Geneviève and then the Bibliothèque Nationale in Paris in the 19th century. These works, detailed with exceptional Beaux Arts precision—as a draftsman, Labrouste had no equal—first celebrated iron as a structural element in works of grand architectural ambition, suggesting that it could be used in typologies that were not only industrial. For this, he has been understood as a proto-modernist. But as Barry Bergdoll notes in this exceptional book, successive generations have adopted Labrouste and interpreted his work to suit their own ideological proclivities. That is likely to happen again, with the library a typology now being reinvented for a new century.
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Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Forthcoming: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Louis I. Kahn: The Nordic Latitudes
Louis I. Kahn: The Nordic Latitudes
By Per Olaf Fjeld and Emily Randall Fjeld
Publisher: University of Arkansas Press
Published: October 4, 2019
A new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects. Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.
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Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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