A History of Architecture: Settings and Rituals

Ten years in the making, A History of Architecture ranges from the first prehistoric environments on record to the most recent examples of urban design. A landmark work of impressive scope, the book is enhanced by 700 halftone illustrations and 150 drawings especially prepared by architect Richard Tobias. Kostof's range of study includes not only the monumental religious, governmental and upper-class structures around which architectural history has usually been written but also the diversity of ordinary domestic, rural, and urban buildings, and landscapes which surround them. Moreover, Kostof evaluates Western achievement in the context of contemporary cultures elsewhere. Thus he duscusses the high points of imperial Rome along with Buddhist stupas and Han palaces, compares medieval Florence with medieval Cairo, and introduces Inca and Aztec cities as the Spanish conquistadores would have seen them. The author's premise is that buldings are conditioned by the social, economic, and political frame of their time; in this sense, Kostof concludes, the history of architecture can be considered an aspect of the history of human institutions. "Architecture, in the end," he writes, "is nothing less than the gift of making places for some human purpose."
Spiro Kostof’s survey has special qualities that at the time were groundbreaking: he insisted that the drawing was as important as the built edifice as a object of study; he bucked the tradition of chronology as the only legitimate structure for the genre; and he insisted on including context as part of his subject matter, not just in his text, but also by producing new drawings of well-known sites showing surrounding conditions—often even the site’s topography. He oriented all site plans with north up as a didactic reminder of cardinal orientation as a kind of meta-context.
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