Kent Kleinman
Books Every Architect Should Read
I enjoy access to one of the finest collections of art and architecture books in the country at Cornell University. But there are books with which one forges a special bond, books that are not necessarily greatest hits but ones that become intellectual companions and need to be always within view and grasp. I have listed some of these: books I admire greatly, durable accomplishments in and around the subject of architecture, books that have informed my thinking and to which I return often.
I consider each book in its specificity—its binding, font, layout, and weight, the post-its and marginalia—as a gift of thought and a form of physical connection to the author. For this reason, too, it is important to me to have these volumes physically close.
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“A Point of View” is sometimes left off citations of this extraordinary publication, but it is key to the work. This is a manifesto, a declaration of intent, a collective effort by faculty and students forged into a powerful vision of an architectural pedagogy, a landmark, and a beautifully crafted book.
Spiro Kostof’s survey has special qualities that at the time were groundbreaking: he insisted that the drawing was as important as the built edifice as a object of study; he bucked the tradition of chronology as the only legitimate structure for the genre; and he insisted on including context as part of his subject matter, not just in his text, but also by producing new drawings of well-known sites showing surrounding conditions—often even the site’s topography. He oriented all site plans with north up as a didactic reminder of cardinal orientation as a kind of meta-context.
Geertz is among the most insightful writers on culture and its proper mode of study. He is also one of the sharpest wits in print. He treats the interpretation of cultures as an art of keen observation, precise inscription, and creative interpretation, more akin to that of a literary critic than a social scientist. If nothing else, read the first chapter called “Thick Description,” and see if you ever experience a wink as you once did….
Ben Katchor is one of the great chroniclers of New York City, even if that means inventing places for familiar events or inventing events for real places. This graphic novel introduces us to such architectural wonders as Foyer Hall—a theater on Gymsarchus Ave at 11th Street comprising principally a foyer with a gently sloped floor to encourage crowds to mingle; the Symmetry Shop on Ainsaint Avenue in the Beauty Supply District (directly across the intersection from the Hot Aura Frankfurt School store); and the waterproof, topographically precise Puddle Map of the expanded metropolitan area.
Lars’s compact book is a meditation on the ultimately futile desire for architecture to escape the domestic narrative that shapes its material and formal configuration, and to frolic off in a state of degree-zero euphoria. Peter Eisenman’s afterword is revelatory—of Peter’s intellectual project as much as Lars’s.
The crime is that the entire corpus of Loos’s essays has not been translated into English. This volume (the title translates as “Nevertheless”) contains gems such as “Keramika,” in which Loos embraces accident as an aesthetic principle; “Hands Off,” banishing the architect from touching anything that is supposed to have lasting value; and the obituary to Josef Veillich, with the observation celebrated by Aldo Rossi: “Man weiss, dass das ganze kunstgetue im wohnungswesen … keinen hund vom warmen ofen lockt” (roughly: “It is well known that all the artful novelties in housing . . . do not tempt the dog away from the warm stove”). As a discipline, we should get organized and get the entire opus translated and published.
Anyone who admires Pichler’s work will already own this early anthology of his major projects; anyone not familiar with his major projects should get this book. Pichler’s complex of farm buildings in Burgenland is the subject of, and site for, almost all of the drawings and building projects featured in this volume. The inventiveness produced by self-imposed constraints of site, materials, and processes is astonishing. It is a great loss that Walter passed away recently, on July 16, 2012.
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What is Universal Everything? edited by Adrian Shaughnessy and Tony Brook
What is Universal Everything?
Edited by Adrian Shaughnessy and Tony Brook; designed by Spin
Publisher: Unit Editions
Published: June 2019
Matt Pyke, founder and creative director of Universal Everything, calls his studio a “digital art and design collective.” Now, after 15 years of revolutionary work in the digital realm, the studio has its first book. For anyone interested in the future of digital design, the book features a unique cover for each copy of the book (limited to 2,000)—every buyer owns a one-off.
Five Oceans in a Teaspoon by Dennis Bernstein and Warren Lehrer
Five Oceans in a Teaspoon
Poems by Dennis Bernstein
Visualizations by Warren Lehrer
Introduction by Steven Heller
Publisher: Paper Crown Press
Published: September 19, 2019
“From a kidnap note for a world held hostage by an A-bomb, to a Holocaust survivor’s tattooed arms where the numbers just don’t add up, Five Oceans in a Teaspoon re-envisions a poetry memoir via a textual kaleidoscope... Bernstein and Lehrer are the Rodgers and Hart of Visual Poetry.” — Bob Holman, poet, poetry activist and chronicler, and founder of the Bowery Poetry Club
Ballpark: Baseball in the American City by Paul Goldberger
Ballpark: Baseball in the American City
By Paul Goldberger
Publisher: Alfred A. Knopf
Published: May 2019
An illustrated, entirely new look at the history of baseball: told through the stories of the vibrant and ever-changing ballparks where the game was and is staged, by the Pulitzer Prize-winning architectural critic.
Charleston Fancy by Witold Rybczynski
Charleston Fancy: Little Houses and Big Dreams in the Holy City
By Witold Rybczynski
Publisher: Yale University Press
Published: May 2019
Charleston, South Carolina, which boasts America’s first historic district, is known for its palmetto-lined streets and picturesque houses. The Holy City, named for its profusion of churches, exudes an irresistible charm. Award-winning author and cultural critic Witold Rybczynski unfolds a series of stories about a group of youthful architects, builders, and developers based in Charleston: a self-taught home builder, an Air Force pilot, a fledgling architect, and a bluegrass mandolin player.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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