The Visual Display of Quantitative Information
From the Publisher. The classic book on statistical graphics, charts, tables. Theory and practice in the design of data graphics, 250 illustrations of the best (and a few of the worst) statistical graphics, with detailed analysis of how to display data for precise, effective, quick analysis. Design of the high-resolution displays, small multiples. Editing and improving graphics. The data-ink ratio. Time-series, relational graphics, data maps, multivariate designs. Detection of graphical deception: design variation vs. data variation. Sources of deception. Aesthetics and data graphical displays.
This is the second edition of The Visual Display of Quantitative Information. Recently published, this new edition provides excellent color reproductions of the many graphics of William Playfair, adds color to other images, and includes all the changes and corrections accumulated during 17 printings of the first edition.
Tufte has published an extraordinary series of books, but this one, containing amazing images/diagrams that lucidly communicate precise knowledge, is my favorite. I also enjoy the story that he originally offered his books to publishers, but they all agreed that his books were not saleable. Now, there is not a publisher in the world who would not wait at Tufte’s front door for even a slight chance to publish his next book.
This (and Edward Tufte’s subsequent publications) should be required reading for everyone, everywhere. The ability to both think and communicate visually is critical to understanding in all fields.
Despite its numbing title, this volume, and its several cousins, is a visual feast. Its brilliantly selected examples, supplemented by a wise and perceptive text, propel the reader along a hyperbolic learning curve. I find myself referring to it so often that Tufte has nearly attained the status of a verb.
In his chapter on “ChartJunk” in The Visual Display of Quantitative Information, Tufte shows that a black speck, the size of a dot on the “i” in six-point Garamond Light, is perfectly visible when extraneous graphic clutter is removed.
Also see my comments on Beautiful Evidence for an appreciation of Tufte’s work.
Tufte’s carefully printed “trilogy”—which includes Envisioning Information and Visual Explanations—presents milestones of visual communication, like the greatest of all: Charles Josef Minard’s graphic representation of Napoleon’s March on Moscow.
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Understanding Understanding: New from Richard Saul Wurman
Understanding Understanding
by Richard Saul Wurman
Publisher: Richard Saul Wurman and Jack Dangermond
Published July 30, 2017
From the author of Information Architecture, who says about his newest book: “This is a book for people to dip into, as they would walk in and out of the room of a dinner party and embrace their interests. . . Before the rules on how to organize information, before you learn grammar, before you work hard at expanding your vocabulary and go through the exercises of parallel meanings of things as using a Thesaurus and as one writes papers in class, before any learning one must understand.”
The Hard Life by Jasper Morrison
The Hard Life
by Jasper Morrison
Publisher: Lars Müller Publishers
Published in US: May 22, 2017
Photographs taken by designer Jasper Morrison of objects in the collection of the National Museum of Ethnology in Lisbon, Portugal. “The objects photographed and described may be appreciated both for their beauty and for the example they set of design at its purest. The Hard Life is a continuation of Morrison’s celebration of the ordinary and offers a new perspective on his design philosophy.”
Paula Scher: Works - Order from Unit Editions
Paula Scher: Works
Editors: Tony Brook & Adrian Shaughnessy
Design: Spin
Publisher: Unit Editions
Published April 2017
New book covering the career of of master designer Paula Scher, called “the most influential woman graphic designer on the planet.” (Ellen Lupton), This definitive, chronological visual record spans Paula’s early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25-year engagement with Pentagram.
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Type Tells Tales: New from Steven Heller and Gail Anderson
Type Tells Tales
by Steven Heller and Gail Anderson
Publisher: Yale University Press
Published May 30, 2017
Reveals how type can become both content and illustration, as letters take the form of people, animals, cars, or planes. With numerous illustrations by F. T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent.
The Moderns: Midcentury American Graphic Design: New from Steven Heller and Greg D’Onofrio
The Moderns
by Steven Heller and Greg D’Onofrio
Publisher: Abrams
Published September 19, 2017
Featuring more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity in America. Some were émigrés from Europe; others were homegrown; all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
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