Featured Book Fair Title
Announcements
New Book Release, June 30, 2014: Supernew Supergraphics
Shows how the current generation of designers and architects are blasting typography and graphic forms across walls—even landscapes. A compendium of graphic excess on a monumental scale, it features new work from around the globe, and interviews with leading practitioners Felice Varini, Sascha Lobe, Sara De Bondt, and Boa Mistura.
Tony Brook, Adrian Shaughnessy, and Sarah Schrauwen, eds.
Published by Unit Editions
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New Book Release, May 27, 2014: Type on Screen
The long awaited follow-up to graphic designer Ellen Lupton’s best-selling Thinking with Type is here. The definitive guide to using classic typographic concepts of form and structure to make dynamic compositions for screen-based applications.
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Ellen Lupton
Published by Princeton Architectural Press
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New Book Release (U.S.), June 30, 2014: BMW Art Cars
Traces the development of the BMW Art Cars, the so-called “rolling sculptures” designed by artists including Alexander Calder, David Hockney, and Andy Warhol over the last 40 years.
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Thomas Girst, editor
Texts by Carl Magnusson, Phil Patton, et al.
Published by Hatje Cantz
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New Book Release, July 1, 2014: The Good Life: Perceptions of the Ordinary
Just what is it that catches the eye, and why? What’s the significance of a broken flowerpot, a pair of identical tables side by side, a garden hose wrapped around an old car wheel? In this collection of photo essays, designer Jasper Morrison examines and imagines the life behind a series of seemingly ordinary situations.
By Jasper Morrison
Published by Lars Müller Publishers
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New Book Release, August 5, 2014: What We See When We Read
How we visualize images from reading works of literature, from one of our very best book jacket designers, himself a passionate reader.
Peter Mendelsund
Published by Vintage/Random House
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New Book Release, August 5, 2014: Cover
Designer Peter Mendelsund’s completed book jackets along with ephemera from his previously unseen creative method, including jacket sketches, interior art and editorial illustrations, and scores of rejected drafts. These images are punctuated by Mendelsund’s reflections on his work and his process, as well as by texts from writers with whom he has worked and designed.
Peter Mendelsund
Published by powerHouse Books
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Recent Articles
Susan S. Szenasy
In 1986 I was named chief editor of Metropolis, a magazine that held out a great deal of fascination for me because of its broad, multidisciplinary nature. I felt then, as I feel today, that our world is richer when designers work together, when they understand each other.
I am not a trained designer, though I took courses in textile design, drafting, and painting. Because of this, I have always considered myself an outsider to design—which I consider a good thing for a journalist seeking to understand her subject.
I have written several books on design, many articles, organized many conferences and panel discussions; when Parsons asked me to teach a course on Design History, I jumped at the chance. This was an opportunity to bring together my two loves, history (I hold an M.A. in Modern European History from Rutgers) and design. Then, when I was asked to develop a senior seminar on Design Ethics, I was truly challenged. How do you teach ethics? I decided that history could help me; understanding the professional activities of key design figures might be instructive for young designers looking to find their own way.
I was jolted into another phase of my work by 9/11. Shortly after the tragedy, I met with architect Beverly Willis and we formed a civic group, which we subsequently called R.Dot (Rebuild Downtown Our Town), for the purpose of providing solid research and information for those charged with the difficult task of rebuilding New York City. Design has given me an incredibly rich life.