
Valerie Steele
Books Every Fashion Designer Should Read
I never read a book that changed my life, but I did read two scholarly articles on the significance of the corset that launched me on my career and, thus, really did change my life forever.
I was in graduate school at Yale, and my classmate Judy Coffin gave a presentation about two articles in the feminist journal Signs—one by Helene Roberts, which was a standard feminist critique of the corset as a fashion oppressive to women, the other by David Kunzle, claiming that tightly laced corsets could be sexually liberating for Victorian women. It was as though a lightbulb suddenly went on, and I realized: “Fashion is part of culture. I can do fashion history.”
But when I went to the library, with a few exceptions, all I found were either antiquarian studies of “costume history” or fashion journalism. Fashion history did not really exist as a field. So when I began working on fashion, I made myself essentially unemployable—at least by any “normal” university.
The first book that seemed to offer any kind of hope was Anne Hollander’s Seeing through Clothes, but that was art history, and I was in the history department (although I did take some art history classes with Jules Prown and Robert Herbert that had a big influence on my later work). I was a naive graduate student, so when I read David Kunzle’s book Fashion and Fetishism, I thought that meant that the corset had already been “done,” so I wrote my dissertation on the erotic aspects of Victorian fashion—with a long chapter on the corset, that disagreed with both Kunzle and Roberts. That became my first book, Fashion and Eroticism.
It wasn’t until almost 20 years later that I finally wrote The Corset, after organizing a major exhibition on the subject. In between, I wrote what was probably my best book (and certainly the most fun to research), Fetish: Fashion, Sex & Power. Recently, I’ve been writing mostly exhibition catalogues, like Gothic: Dark Glamour.
Over the years, I’ve built up a library of about 2,500 fashion books—including a sub-collection of books by the fin-de-siècle French writer Octave Uzanne, such as La Femme à Paris. Some day, I hope to write a book about Uzanne's ideas about fashion and the femme fatale. I've also spent many happy hours in libraries around the world, from the Bibliothèque des Arts Décoratifs in Paris to Berlin’s Lipperheide Costume Library and the library at the Victoria and Albert Museum in London. In 1997, I founded Fashion Theory: The Journal of Dress, Body & Culture, which has helped provide an interdisciplinary forum for new publications on fashion.
I don’t know how many fashion designers actually read books; it’s my impression that a lot of them are “visual” people, who would rather flip through magazines and look at pictures. On the other hand, most fashion books do have pictures, and there are certainly many intelligent and creative designers who might be interested in discovering some intriguing titles. To that end, I’ve drawn up the following list of books on fashion that I think are really brilliant.
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Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Forthcoming: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Louis I. Kahn: The Nordic Latitudes
Louis I. Kahn: The Nordic Latitudes
By Per Olaf Fjeld and Emily Randall Fjeld
Publisher: University of Arkansas Press
Published: October 4, 2019
A new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects. Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.
Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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