Daijiro Mizuno
Daijiro Mizuno is a design researcher and an assistant professor in Keio University’s SFC X Design program.
Mizuno studied at the Royal College of Art in London where he earned a Ph.D. in fashion design. His research looks at design in the broad spectrum, from architecture to fashion design in order to explore how visual arts can make positive impacts on the society. Based on the sociological theories of consumption, production, and reproduction in the context of fashion as social phenomena, Mizuno's work attempts to bridge the discrepancy between practice and theory through research.
In addition to teaching, Mizuno is currently involved in diverse design research projects, including Research for Relational Dignity, dedicated to developing new services and products for social inclusion (project director), supported by Pfizer (2010); DesignEast, a design symposium (committee member); FabLab Japan, a fabrication laboratory that uses digital technologies to envision the future of manufacturing; Fashionista, a magazine of fashion criticism based in Japan and debuting in 2012 (co-editor, with Hiroshi Ashida); and Design for the Mundane World, a revisiting of the concept of “Super Normal” with Sosuke Nakabo (project director).
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Designers & Books Tours
Designers & Books Tours:
Customized tours providing the opportunity to explore the places, meet the people, and see the books of the design book world in New York City.
For information:
PH: 212-777-9080
or
info@designersandbooks.com
Understanding Understanding: New from Richard Saul Wurman
Understanding Understanding
by Richard Saul Wurman
Publisher: Richard Saul Wurman and Jack Dangermond
Published July 30, 2017
From the author of Information Architecture, who says about his newest book: “This is a book for people to dip into, as they would walk in and out of the room of a dinner party and embrace their interests. . . Before the rules on how to organize information, before you learn grammar, before you work hard at expanding your vocabulary and go through the exercises of parallel meanings of things as using a Thesaurus and as one writes papers in class, before any learning one must understand.”
The Hard Life by Jasper Morrison
The Hard Life
by Jasper Morrison
Publisher: Lars Müller Publishers
Published in US: May 22, 2017
Photographs taken by designer Jasper Morrison of objects in the collection of the National Museum of Ethnology in Lisbon, Portugal. “The objects photographed and described may be appreciated both for their beauty and for the example they set of design at its purest. The Hard Life is a continuation of Morrison’s celebration of the ordinary and offers a new perspective on his design philosophy.”
Paula Scher: Works - Order from Unit Editions
Paula Scher: Works
Editors: Tony Brook & Adrian Shaughnessy
Design: Spin
Publisher: Unit Editions
Published April 2017
New book covering the career of of master designer Paula Scher, called “the most influential woman graphic designer on the planet.” (Ellen Lupton), This definitive, chronological visual record spans Paula’s early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25-year engagement with Pentagram.
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Type Tells Tales: New from Steven Heller and Gail Anderson
Type Tells Tales
by Steven Heller and Gail Anderson
Publisher: Yale University Press
Published May 30, 2017
Reveals how type can become both content and illustration, as letters take the form of people, animals, cars, or planes. With numerous illustrations by F. T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent.
The Moderns: Midcentury American Graphic Design: New from Steven Heller and Greg D’Onofrio
The Moderns
by Steven Heller and Greg D’Onofrio
Publisher: Abrams
Published September 19, 2017
Featuring more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity in America. Some were émigrés from Europe; others were homegrown; all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
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