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A masterpiece of literature in which the narrative appears to describe the images, but the images are not what the narrative describes. This disconnection between image and text astonished me, and validated all the disconnections and gaps my work has used to create an invitation to others to participate in the signification of a work.
The section “There Is No More Outside” was a revelation, making it possible for me to avoid modern dialectical thinking. I thank Michael Rock for pointing out this book to me.
I was a fan of Jan Tschichold’s Asymmetric Typography. In this book the section of letters from Max Bill caught my attention. The anger Bill displays appeared to me to be indicative of a not unfamiliar rigidity among those who dismiss changes in the way a creative person makes his or her work because of preferring the values and forms embodied by that person’s previous ideas and ways of making.
Given that my parents and grandparents worked, it was very helpful to me to have the history and the root causes of the inequality between the sexes explained, in all the ways reading Betty Friedan’s revelations of suburban boredom did not.
Before I began to teach, this book helped me see teachers and students as equals; each brings knowledge and experience to the conversation.
The description of class in America, and the circumscription of ordinary people—particularly designers—caught in the middle between their public and their clients made an indelible impression on me in my teens.
I read this book preparing for a project I did about Boston’s West End, and came to understand how the stories of greedy people in positions of power have been used to dismiss and devalue the homes and lifestyle of mutual help in immigrant and working-poor communities.
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Understanding Understanding: New from Richard Saul Wurman
Understanding Understanding
by Richard Saul Wurman
Publisher: Richard Saul Wurman and Jack Dangermond
Published July 30, 2017
From the author of Information Architecture, who says about his newest book: “This is a book for people to dip into, as they would walk in and out of the room of a dinner party and embrace their interests. . . Before the rules on how to organize information, before you learn grammar, before you work hard at expanding your vocabulary and go through the exercises of parallel meanings of things as using a Thesaurus and as one writes papers in class, before any learning one must understand.”
The Hard Life by Jasper Morrison
The Hard Life
by Jasper Morrison
Publisher: Lars Müller Publishers
Published in US: May 22, 2017
Photographs taken by designer Jasper Morrison of objects in the collection of the National Museum of Ethnology in Lisbon, Portugal. “The objects photographed and described may be appreciated both for their beauty and for the example they set of design at its purest. The Hard Life is a continuation of Morrison’s celebration of the ordinary and offers a new perspective on his design philosophy.”
Paula Scher: Works - Order from Unit Editions
Paula Scher: Works
Editors: Tony Brook & Adrian Shaughnessy
Design: Spin
Publisher: Unit Editions
Published April 2017
New book covering the career of of master designer Paula Scher, called “the most influential woman graphic designer on the planet.” (Ellen Lupton), This definitive, chronological visual record spans Paula’s early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25-year engagement with Pentagram.
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Type Tells Tales: New from Steven Heller and Gail Anderson
Type Tells Tales
by Steven Heller and Gail Anderson
Publisher: Yale University Press
Published May 30, 2017
Reveals how type can become both content and illustration, as letters take the form of people, animals, cars, or planes. With numerous illustrations by F. T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent.
The Moderns: Midcentury American Graphic Design: New from Steven Heller and Greg D’Onofrio
The Moderns
by Steven Heller and Greg D’Onofrio
Publisher: Abrams
Published September 19, 2017
Featuring more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity in America. Some were émigrés from Europe; others were homegrown; all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
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