Carl DiSalvo    Author profile provided by WorldCat
The MIT Press, Cambridge, MA, 2012, English    List of all editions provided by WorldCat
Nonfiction, Product/Industrial Design
6 x 9 inches, hardcover, 168 pages, 25 figures
ISBN: 9780262017381
Suggested Retail Price: $28.00

From the Publisher. In Adversarial Design, Carl DiSalvo examines the ways that technology design can provoke and engage the political. He describes a practice, which he terms “adversarial design,” that uses the means and forms of design to challenge beliefs, values, and what is taken to be fact. It is not simply applying design to politics—attempting to improve governance, for example, by redesigning ballots and polling places; it is implicitly contestational and strives to question conventional approaches to political issues.

DiSalvo explores the political qualities and potentials of design by examining a series of projects that span design and art, engineering and computer science, agitprop and consumer products. He views these projects—which include computational visualizations of networks of power and influence, therapy robots that shape sociability, and everyday objects embedded with microchips that enable users to circumvent surveillance--through the lens of agonism, a political theory that emphasizes contention as foundational to democracy. Each of these projects engages one of three categories as a medium—information, robots, and ubiquitous computing—and in each of them certain distinctive qualities of computation are used for political ends or to bring forth political issues. DiSalvo’s illuminating analysis aims to provide design criticism with a new approach for thinking about the relationship between forms of political expression, computation as a medium, and the processes and products of design.

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Zara Arshad

Assistant Professor of Digital Media at School of Literature, Communication, and Culture, Georgia Institute of Technology, Carl DiSalvo explores how design practice can be extended beyond usability and tangible objects, viewing the combination of interactive technology and design thinking as a means of political discourse. Both inspiring and provocative, the ideas brought forth in this new publication reveal the true potential of design and how critical practice can be used to address challenging issues in politics, society and beyond.


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