Milton Glaser: Graphic Design
From the Publisher. Glaser undertakes not only a remarkably wide-ranging representation of his oeuvre but, in a personally revealing introduction, speaks of the influences on his work, the responsibilities of the artist, the hierarchies of the traditional art world, and the role of graphic design in the area of his creative growth. His work ranges from posters to book and record covers; from store and restaurant design to toy creations, magazine formats, and logotypes—all of which define the look of our time. A classic in the field, and still in print after more than 35 years, it also has gone through five foreign-language editions.
One of two books I owned when I graduated from high school that have almost identical titles but couldn't be more different. (See also Graphic Design Manual: Principles and Practice.)
For me, Glaser is one of the most influential design thinkers in the world.
Glaser was the first graphic designer I knew by name, while still in high school—I saw his signature on a book cover and it stuck because I liked his art. He is one of the most important and inspirational designer/image-makers of the past 50 years. Art is Work (2000) is highly recommended, but I opt here for his first monograph from 1973 because of the immense chutzpah, visual energy, and style with which it captured its era. Look at what’s possible when a designer can draw. Milton Glaser: Graphic Design is a book that anyone working in the field ought to know.
This is the first design book I purchased shortly after I started design school. I was supposed to read Tschichold, Ruder, Hofmann, and all the other reductionists, which I did, eventually. But Glaser made graphic design look alive, vibrant, and human. The work seemed effortless, yet it was impossible to emulate. I know, because I tried.
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Understanding Understanding: New from Richard Saul Wurman
Understanding Understanding
by Richard Saul Wurman
Publisher: Richard Saul Wurman and Jack Dangermond
Published July 30, 2017
From the author of Information Architecture, who says about his newest book: “This is a book for people to dip into, as they would walk in and out of the room of a dinner party and embrace their interests. . . Before the rules on how to organize information, before you learn grammar, before you work hard at expanding your vocabulary and go through the exercises of parallel meanings of things as using a Thesaurus and as one writes papers in class, before any learning one must understand.”
The Hard Life by Jasper Morrison
The Hard Life
by Jasper Morrison
Publisher: Lars Müller Publishers
Published in US: May 22, 2017
Photographs taken by designer Jasper Morrison of objects in the collection of the National Museum of Ethnology in Lisbon, Portugal. “The objects photographed and described may be appreciated both for their beauty and for the example they set of design at its purest. The Hard Life is a continuation of Morrison’s celebration of the ordinary and offers a new perspective on his design philosophy.”
Paula Scher: Works - Order from Unit Editions
Paula Scher: Works
Editors: Tony Brook & Adrian Shaughnessy
Design: Spin
Publisher: Unit Editions
Published April 2017
New book covering the career of of master designer Paula Scher, called “the most influential woman graphic designer on the planet.” (Ellen Lupton), This definitive, chronological visual record spans Paula’s early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25-year engagement with Pentagram.
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Type Tells Tales: New from Steven Heller and Gail Anderson
Type Tells Tales
by Steven Heller and Gail Anderson
Publisher: Yale University Press
Published May 30, 2017
Reveals how type can become both content and illustration, as letters take the form of people, animals, cars, or planes. With numerous illustrations by F. T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent.
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