Julie Iovine
An Architecture Critic Commits
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I think of this book together with Charles Dickens’s Dombey and Son as it was through Imagined Cities that I came to consider Dickens anew. For once, in describing the wrenching toll of industrialization—specifically constructing the new railroad slashing through neighborhoods—Dickens’s melodramatic writing seems just the thing. Alter goes on to brilliantly explicate carriage traffic in Flaubert as well.
This five-volume set out of Harvard traces the cultural threads spun in pagan and ancient times leading to our contemporary obsession with private space. Plus, it’s a great resource for illustrations.
The landscape in China is changing so fast that this 2008 report from the front lines is already past tense. But as a record of attitudes held by a just-exploding economy, it couldn’t be more riveting.
I’m fairly obsessed with tracking the modern mindset to its earliest sources and most warping traumas. World War I was the ultimate defining wrench in our mental works. Fussell considers not the battles fought but the culture that resonated around battle and transformed subsequent thinking about the modern experience.
There was a moment in history when any thinking person in the known world headed for Alexandria and there invented geography, mathematics, astronomy, religious tolerance and, convincingly, the modern mind. The book is especially fascinating on detailing revelations achieved simply through time and observation.
One of Stephenson’s first books, published in 1995, it anticipates iPads, 3-D printing, the dangers of mass customization, and enslavement through craft.
About dictator moths drawn to lightbulb architects. The chapter on American presidential libraries is scathing and hilariously depressing. It does not say whether or not architects have a moral responsibility when working for power mongers, but it eloquently poses all the right probing questions.
Tufte has written a handful of eye-popping books with ahead-of-the-curve titles (The Visual Display of Quantitative Information had to be self-published in 1986). Beautiful Evidence, published in 2006, is his most accessible, with tipped-in sheets for the famous graphic on Napoleon’s March on Moscow, how-to-dance-the-gavotte charts, and an 1823 map showing how many slaves fit into a ship named Vigilante. Data visualizers may prefer the earlier, wonkier tomes, but this one provides the pure pleasure of browse and learn.
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Too Fast to Live, Too Young to Die: Punk Graphics, 1976–1986 by Andrew Blauvelt
Too Fast to Live, Too Young to Die: Punk Graphics, 1976–1986
by Andrew Blauvelt
Publisher: Cranbrook Art Museum
Published: June 1, 2018
Explores the printed matter—posters, flyers, zines, and album covers—produced by and for the punk and post-punk music scenes in the United States and UK. Printed as a special, oversized, 52-page color newspaper, the catalogue has been published on the occasion of an exhibition of the same name, curated by Andrew Blauvelt, on view at the Cranbrook Art Museum through October 7, 2018.
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