
Julie Iovine
An Architecture Critic Commits
I look to books for everything imaginable, and unimaginable. They shape my outlook, but also throw open spaces I could never have found on my own. The chance to consider an essential list is wonderfully engrossing, but also a bit of a nasty parlor trick. Must I commit?
I am currently very aware of my books—about 200 linear feet of them— as I prepare to move and at last honor them with real built-in bookcases rather than stack them two deep in no particular order on saggy self-builts from IKEA. Currently I can locate desired books only through vague divining as they are assorted into broadly personal interests, such as Monographs Sent by Publicists (bottom shelf); College-Era Masterpiece paperbacks (top and out-of-reach shelf); Intriguing Theory that I should read (eye-level shelf); Urban History (bulk of middle shelves), from Modernism in Italian Architecture, 1890 to 1940 past Robert Moses and the Modern City to the Endless City; Fabulous Women, as in Sarah Churchill, Madame de Stael, Stendhal… (far right, by light); Wars (a hobby), and so forth.
I am surprised at the uniform consensus regarding what books every architect should shelve. And I have tried here to suggest books from farther afield. These are books that I go back to for reference when writing or for delight when seeking inspiration; these are a few of the books that have made me think twice about space and place or that have created worlds palpable enough to tilt or even realign my axis of assumptions.
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I think of this book together with Charles Dickens’s Dombey and Son as it was through Imagined Cities that I came to consider Dickens anew. For once, in describing the wrenching toll of industrialization—specifically constructing the new railroad slashing through neighborhoods—Dickens’s melodramatic writing seems just the thing. Alter goes on to brilliantly explicate carriage traffic in Flaubert as well.
This five-volume set out of Harvard traces the cultural threads spun in pagan and ancient times leading to our contemporary obsession with private space. Plus, it’s a great resource for illustrations.
The landscape in China is changing so fast that this 2008 report from the front lines is already past tense. But as a record of attitudes held by a just-exploding economy, it couldn’t be more riveting.
I came back to this book as a result of reading Robert Alter's Imagined Cities (see my comments).
I’m fairly obsessed with tracking the modern mindset to its earliest sources and most warping traumas. World War I was the ultimate defining wrench in our mental works. Fussell considers not the battles fought but the culture that resonated around battle and transformed subsequent thinking about the modern experience.
There was a moment in history when any thinking person in the known world headed for Alexandria and there invented geography, mathematics, astronomy, religious tolerance and, convincingly, the modern mind. The book is especially fascinating on detailing revelations achieved simply through time and observation.
One of Stephenson’s first books, published in 1995, it anticipates iPads, 3-D printing, the dangers of mass customization, and enslavement through craft.
About dictator moths drawn to lightbulb architects. The chapter on American presidential libraries is scathing and hilariously depressing. It does not say whether or not architects have a moral responsibility when working for power mongers, but it eloquently poses all the right probing questions.
Tufte has written a handful of eye-popping books with ahead-of-the-curve titles (The Visual Display of Quantitative Information had to be self-published in 1986). Beautiful Evidence, published in 2006, is his most accessible, with tipped-in sheets for the famous graphic on Napoleon’s March on Moscow, how-to-dance-the-gavotte charts, and an 1823 map showing how many slaves fit into a ship named Vigilante. Data visualizers may prefer the earlier, wonkier tomes, but this one provides the pure pleasure of browse and learn.
Announcements
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Forthcoming: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Louis I. Kahn: The Nordic Latitudes
Louis I. Kahn: The Nordic Latitudes
By Per Olaf Fjeld and Emily Randall Fjeld
Publisher: University of Arkansas Press
Published: October 4, 2019
A new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects. Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.
Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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