Stanley Abercrombie
Stanley Abercrombie’s Notable Books of 2013
Nonfiction, Reference
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To some of us, there is nothing more handsome or interesting than a wall of books. This is the book for us. For its preparation, the author, director of studies in architecture and art history at Queens’ College, Cambridge, and his masterful photographer visited 82 libraries in 21 countries. Their chapters carry us chronologically from “Lost Beginnings” to “The Future of Libraries in the Electronic Age” with stops along the way including “Cupboards, Chains and Stalls” (the 16th century) and “Angels, Frescoes, and Secret Doors” (the 18th). The oldest extant example we see is the ancient Roman Library of Celsus in Ephesus, Turkey, c.135 AD, and the most recent the 2012 Liyuan Library in Jiaojiehe, China, designed by Chinese architect Li Xiaodong, its rustic twig-faced exterior hiding an elegantly finished interior.
The book amply demonstrates the changing nature of functions in library design and also changes in technology and in books themselves. We see the results of trying to discourage those things that endanger books: fire, insects, mold (or, in this book, mould), and theft. We are told that in the beautiful 18th-century libraries at Mafra and Coimbra, both in Portugal, colonies of tiny bats are used to feed on book-destructive beetles. “The only downside is that the bats leave droppings … that need to be cleaned up every morning.” Electronic surveillance systems now play the role once played by locking books away and chaining them to desks. And “damp Alexandria was one of the worst places in Egypt to choose as the site of a great library.”
Missing, intentionally we assume, is Seattle’s much-touted Central Library designed by Rem Koolhaas in 2004, and mentioned but not shown are any of Andrew Carnegie’s roughly two thousand American libraries in which so many of us first fell in love with books. But these omissions are petty compared with the wonders and delights that have been included. Of all these, my guess is that the author’s own favorite may be the marble-clad Beinecke Rare Book and Manuscript Library at Yale, designed by Gordon Bunshaft of Skidmore, Owings & Merrill and finished in 1965. A full-page image of its interior, with the translucent marble furnishing a golden glow, introduces the 20th-century chapter, and Campbell says, “The result [of Bunshaft’s design], executed with great skill, is a space of almost unimaginable power and simplicity.”
Not sidestepped, however, is the topic that casts a shadow over this whole subject. In his preface the author asks “[W]ill this study serve merely as a memorial to a defunct building type?” The book’s final words answer that “… humankind has created an extraordinary variety of spaces in which to read, to think, to dream and to celebrate knowledge. As long as humankind continues to value these activities, it will continue to build places to house them. Whether they will involve books or will still be called libraries, only time will tell.” If indeed what we now know as the library disappears, this book will be the perfect reminder of all that we will have lost.
Announcements
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Forthcoming: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Louis I. Kahn: The Nordic Latitudes
Louis I. Kahn: The Nordic Latitudes
By Per Olaf Fjeld and Emily Randall Fjeld
Publisher: University of Arkansas Press
Published: October 4, 2019
A new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects. Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.
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Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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