Stanley Abercrombie
Books Every Interior Designer Should Read
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Compiled by a former editor-in-chief of Interiors, this book offers data that can be a key tool in making interior elements fit the people who use them. We may be a bit taller and a lot wider than we were in 1948, but this is still a useful reference.
This may seem a strange choice, but this catalogue for an exhibition of the same name at New York’s Museum of Modern Art, shows us dramatically and humorously how design decisions based on fashion can affect us in ways that are awkward, painful, and even disfiguring.
An entertaining and sometimes withering critique of the mid-century American house, with keen observations on our habits of dining, sleeping, and bathing.
An art historian’s autobiography written in the form of a tour through his own house on Rome’s Via Giulia, seeing its furnishings, art, and objects, remembering their sources and significance for him. As a result we review his whole life. Of more importance, we are poignantly reminded of how meaningful and communicative are the inanimate objects we choose to live with.
Although in his preface Nelson admitted the book’s title might have been “How I See,” this is clearly a plea for all of us—particularly designers—to be more consciously aware of our surroundings.
The original aim of this book was re-education to new visual phenomena (more abstract, less literal) and new spatial conceptions (more flowing, less static). Even though we are now fully attuned to abstraction and flow, this book still has interesting things to tell us about perceiving and expressing structure, relationships, and rapidly evolving reality.
Taking a cue from Walter Benjamin’s observation that “The advent of modernity coincided with the emergence of the private individual,” this is a scholarly but sprightly history of interior design from the Victorian era to today.
Part of the six-volume Vision + Value series edited by Kepes, Professor of Visual Design at MIT, this volume never specifically mentions interior design, but its 13 essays (by artists, architects, a geneticist, and a mathematician) are repeatedly relevant to it. One example, the essay by art psychologist Rudolf Arnheim, begins: “One of the basic visual experiences is that of right or wrong. . . . The shape of a house, a shelf, or a picture frame may repose contentedly or show a need to improve by stretching or shrinking.”
Although it was first published almost a century ago and offers finer details than most of us need, this is a fundamental and poetically written book about the material world for which we must design—about how things grow and why they take the shapes they do, about weakness and strength, speed and size, symmetry and asymmetry, and the partitioning of space. I recommend the 1961 Cambridge University Press abridged edition.
First published in 1936 as Pioneers of the Modern Movement and given its new title in a Museum of Modern Art edition of 1949, this book teaches the importance to modernism of such transitional figures as William Morris, H. H. Richardson, Victor Horta, Louis Comfort Tiffany, and Louis Sullivan. As Pevsner states, it shows that “the new style, the genuine and legitimate style of our [20th] century, was achieved by 1914.” The 2005 edition adds color illustrations and brings the story forward to Wright’s Guggenheim Museum and Le Corbusier’s Ronchamp chapel.
Four years before his death, French philosopher Bachelard wrote of the character of such spaces as cellars, attics, forests, nests, shells, huts, and drawers and considered what roles they play in our imaginations. He asked designers to envision the experiences their designs will generate, not to work with abstractions that may not affect their inhabitants. He opposed Cartesian logic and celebrated poetry, play, and daydreams. He was against the square and for the round. A dense book, best to be read slowly, glancing up occasionally for a daydream.
Nelson is, of course, best known for his furniture design, but he should be at least as much appreciated for his often iconoclastic writings about design. The design problems he observed in the adolescence of modern design are with us still, though rarely as wittily considered.
Written by Ruskin as a polemic favoring Venetian Gothic style over the “pestilent” design of the Renaissance, this passionate book can now be read as a marvel of close observation and imaginative description of buildings and their interiors. Many modern readers, however, may prefer the 1960 one-volume abridged edition to the original three-volume version of 1851–53.
E. B. White once wrote that Walden was “a good argument for traveling light.” Surely such an argument for communing with nature, economy, liberty, and—above all—simplicity is a text from which a great many interior designers could benefit.
Announcements
Now is Better by Stefan Sagmeister
Now is Better
By Stefan Sagmeister
Publisher: Phaidon Press
Published: October 2023
Combining art, design, history, and quantitative analysis, transforms data sets into stunning artworks that underscore his positive view of human progress, inspiring us to think about the future with much-needed hope.
Design Emergency: Building a Better Future by Alice Rawsthorn and Paola Antonelli
Design Emergency: Building a Better Future
By Alice Rawsthorn and Paola Antonelli
Publisher: Phaidon Press
Published: May 2022
Rawsthorn and Antonelli tell the stories of the remarkable designers, architects, engineers, artists, scientists, and activists who are at the forefront of positive change worldwide. Focusing on four themes—Technology, Society, Communication, and Ecology—the authors present a unique portrait of how our great creative minds are developing new design solutions to the major challenges of our time, while helping us to benefit from advances in science and technology.
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Why Design Matters: Conversations with the World’s Most Creative People by Debbie Millman
Why Design Matters: Conversations with the World's Most Creative People
By Debbie Millman
Publisher: Harper Design
Published: February 22, 2022
Debbie Millman—author, educator, brand consultant, and host of the widely successful and award-winning podcast “Design Matters”—showcases dozens of her most exciting interviews, bringing together insights and reflections from today’s leading creative minds from across diverse fields.
Milton Glaser: POP by Steven Heller, Mirko Ilić, and Beth Kleber
Milton Glaser: POP
By Steven Heller, Mirko Ilić, and Beth Kleber
Publisher: The Monacelli Press
Published: March 2023
This collection of work from graphci design legend Milton Glaser’s Pop period features hundreds of examples of the designer’s work that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.
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Meet Me by the Fountain: An Inside History of the Mall by Alexandra Lange
Meet Me by the Fountain: An Inside History of the Mall
By Alexandra Lange
Publisher: Bloomsbury
Published: June 2022
Chronicles postwar architects’ and merchants’ invention of the shopping mall, revealing how the design of these marketplaces played an integral role in their cultural ascent. Publishers Weekly writes, “Contending that malls answer ‘the basic human need’ of bringing people together, influential design critic Lange advocates for retrofitting abandoned shopping centers into college campuses, senior housing, and ‘ethnocentric marketplaces’ catering to immigrant communities. Lucid and well researched, this is an insightful study of an overlooked and undervalued architectural form.”
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition) by Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911 (Facsimile Edition)
By Diane V. Silverthorne, Dan Reynolds, and Megan Brandow-Faller
Publisher: Letterform Archives Books
Published: October 2023
This facsimile edition of Die Fläche, recreates every page of the formative design periodical in full color and at original size, accompanied by essays that contextualize the work, highlighting contributions by pathbreaking women, innovative lettering artists, and key practitioners of the new “surface art,” including Rudolf von Larisch, Alfred Roller, and Wiener Werkstätte founders Koloman Moser and Josef Hoffmann.
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