Jonathan Olivares
Jonathan Olivares was born in Boston in 1981, and graduated from Pratt Institute’s industrial design program in 2004 after having studied design and management at the New School University. In 2006, he established Jonathan Olivares Design Research (JODR), an office dedicated to industrial design, design-related research, and exhibition design. The combination of these activities gives the office a multilateral approach toward each project.
Olivares has designed furniture for Knoll, Danese Milano, and Driade, all leaders in the furniture field. In her article on Olivares for Kaleidoscope, a quarterly publication on contemporary art and culture, Leah Whitman-Salkin wrote: “Aesthetically, his works seldom resort to fanfare, privileging use-value and tenderness over showmanship. Olivares produces objects that ask to be used rather than observed. His slow-and-steady style, combined with his personal resolve, produces humble results worth looking out for.” In 2011, Smith, JODR’s first product for Danese Milano, won the Compasso d’Oro, Italy’s most prestigious design award given to products. In 2012, the Olivares Aluminum Chair, an outdoor aluminum stacking chair, was launched by Knoll.
In the field of research Olivares works with a di
verse group of clients, with a wide variety of objectives. Research projects have included a survey of the American furniture industry for Domus magazine, an installation explaining mobile devices for the 2010 St. Étienne Design Biennial, and a four-year investigation of office chairs for Knoll Inc., which culminated in the book A Taxonomy of Office Chairs (Phaidon Press, 2011). Olivares has been the recipient of two grants from the Graham Foundation, in 2010 and 2011, for the Outdoor Office, a research project focused on creating outdoor work environments for academic and business contexts.
Olivares has designed exhibitions for The Art Institute of Chicago and the EXD Design Biennial in Lisbon, and in 2012 designed a social hub and library for the Nouveau Musée National de Monaco.
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Announcements
New Book Release, June 30, 2014: Supernew Supergraphics
Shows how the current generation of designers and architects are blasting typography and graphic forms across walls—even landscapes. A compendium of graphic excess on a monumental scale, it features new work from around the globe, and interviews with leading practitioners Felice Varini, Sascha Lobe, Sara De Bondt, and Boa Mistura.
Tony Brook, Adrian Shaughnessy, and Sarah Schrauwen, eds.
Published by Unit Editions
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New Book Release, May 27, 2014: Type on Screen
The long awaited follow-up to graphic designer Ellen Lupton’s best-selling Thinking with Type is here. The definitive guide to using classic typographic concepts of form and structure to make dynamic compositions for screen-based applications.
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Ellen Lupton
Published by Princeton Architectural Press
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New Book Release (U.S.), June 30, 2014: BMW Art Cars
Traces the development of the BMW Art Cars, the so-called “rolling sculptures” designed by artists including Alexander Calder, David Hockney, and Andy Warhol over the last 40 years.
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Thomas Girst, editor
Texts by Carl Magnusson, Phil Patton, et al.
Published by Hatje Cantz
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New Book Release, July 1, 2014: The Good Life: Perceptions of the Ordinary
Just what is it that catches the eye, and why? What’s the significance of a broken flowerpot, a pair of identical tables side by side, a garden hose wrapped around an old car wheel? In this collection of photo essays, designer Jasper Morrison examines and imagines the life behind a series of seemingly ordinary situations.
By Jasper Morrison
Published by Lars Müller Publishers
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New Book Release, August 5, 2014: What We See When We Read
How we visualize images from reading works of literature, from one of our very best book jacket designers, himself a passionate reader.
Peter Mendelsund
Published by Vintage/Random House
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New Book Release, August 5, 2014: Cover
Designer Peter Mendelsund’s completed book jackets along with ephemera from his previously unseen creative method, including jacket sketches, interior art and editorial illustrations, and scores of rejected drafts. These images are punctuated by Mendelsund’s reflections on his work and his process, as well as by texts from writers with whom he has worked and designed.
Peter Mendelsund
Published by powerHouse Books
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