Jonathan Olivares
Jonathan Olivares’s Book List
Each of these five books have altered my position on design and design research—they are staples in my library. In an interview, the filmmaker Harmony Korine once stated that two people can see the same movie, and one will walk out thinking about popcorn while the other walks out thinking about fascism. I have no idea what these books might prompt from another reader, but I’ve given my popcorn here.
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I could speak for days about the significance and beauty of this book, which tells the history of the computer from 1890 to 1950. The book is based on the exhibition of the same title that the Eames Office designed for IBM, which was on display from 1971 until 1975 in IBM’s Corporate Exhibit Center in New York City. Its format is made up of sequences of images that occupy the central portion of each spread, with captions above and below. This creates a dynamic reading experience, and prefigures the basic format of the scrolling blog, or twitter feed, where a stream of text and images are in constant referral to each other. Mixing scientific, mathematical, mechanical, and cultural information, the book portrays its subject through a broader lens than is typically used in books about history. The juxtapositions of images, which include photographs of inventors, scaled reproductions of important documents, news clippings, cut-out photographs of tools and machines, and stills from popular films, are as beautiful as they are enlightening. While the content is interesting to me, the real fascination for me lies in the format, which offers a finely conceived lens for viewing history, and could be applied to any number of subjects.
Though the ideas developed by Judd throughout this compilation of his gallery reviews, book reviews, articles, letters and statements are entirely interesting, what really intrigues me about this book is the fact that Judd actually went through with all of this writing, firmly developing his position on so many of the works of his contemporaries. The other thing that excites me about the book is that he states that he did all the writing therein as a mercenary, only for the money, to help support himself as an artist, and that he always put the writing off until the deadline. Viewing the book this way I can't help but imagine all the months' rent paid by these words. This book inspired me to support my design studio through similar mercenary-writing activities. I still do write to support the studio and I still put off writing until the very last possible moment, which creates a very productive tension around the writing process.
I bought this catalogue in 2010 at the exhibition of Enzo Mari’s paperweight collection at Kaleidoscope in Milan. I spent an hour walking around the exhibition photographing each one of the paperweights on display before realizing that this book—which catalogues Mari’s fascinating collection—was for sale. It is a simple book on a simple theme, and like the exhibition offers a world of objects whose forms bear a clear, but always surprising relationship to their materials.
I found this book in the gift shop of the Neue Galerie in New York ten years ago, while I was a student, and it has consistently remained one of my favorites. The book explores the film Die neue Wohnung, which Richter did on commission from the Swiss Werkbund, and which functioned to promote modern furniture. The book features stills from the film comparing people living with antiquated furniture to people living with modern furniture. Seeing users in action, their movements guided by architecture and furniture, led me to see design as a kind of choreography.
This is a book of photographs taken by Richard Knight during his time working in Eero Saarinen’s office in the 1950s up until Saarinen’s death in 1961. The photographs show Saarinen and his associates in deeply focused work, taping models, scrutinizing their designs, and discussing ideas. The models are at once ambitious, some in a scale so large that they occupied entire rooms, and loose, erected quickly to test and further ideas. An incredible sense of play, but serious play, comes across from seeing these grown men in suits crouching around scale buildings and mounting their drawings to the walls. The craft of it all is enviable.
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Understanding Understanding: New from Richard Saul Wurman
Understanding Understanding
by Richard Saul Wurman
Publisher: Richard Saul Wurman and Jack Dangermond
Published July 30, 2017
From the author of Information Architecture, who says about his newest book: “This is a book for people to dip into, as they would walk in and out of the room of a dinner party and embrace their interests. . . Before the rules on how to organize information, before you learn grammar, before you work hard at expanding your vocabulary and go through the exercises of parallel meanings of things as using a Thesaurus and as one writes papers in class, before any learning one must understand.”
The Hard Life by Jasper Morrison
The Hard Life
by Jasper Morrison
Publisher: Lars Müller Publishers
Published in US: May 22, 2017
Photographs taken by designer Jasper Morrison of objects in the collection of the National Museum of Ethnology in Lisbon, Portugal. “The objects photographed and described may be appreciated both for their beauty and for the example they set of design at its purest. The Hard Life is a continuation of Morrison’s celebration of the ordinary and offers a new perspective on his design philosophy.”
Paula Scher: Works - Order from Unit Editions
Paula Scher: Works
Editors: Tony Brook & Adrian Shaughnessy
Design: Spin
Publisher: Unit Editions
Published April 2017
New book covering the career of of master designer Paula Scher, called “the most influential woman graphic designer on the planet.” (Ellen Lupton), This definitive, chronological visual record spans Paula’s early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25-year engagement with Pentagram.
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Type Tells Tales: New from Steven Heller and Gail Anderson
Type Tells Tales
by Steven Heller and Gail Anderson
Publisher: Yale University Press
Published May 30, 2017
Reveals how type can become both content and illustration, as letters take the form of people, animals, cars, or planes. With numerous illustrations by F. T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent.
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