Jonathan Olivares
Jonathan Olivares’s Book List
Each of these five books have altered my position on design and design research—they are staples in my library. In an interview, the filmmaker Harmony Korine once stated that two people can see the same movie, and one will walk out thinking about popcorn while the other walks out thinking about fascism. I have no idea what these books might prompt from another reader, but I’ve given my popcorn here.
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I could speak for days about the significance and beauty of this book, which tells the history of the computer from 1890 to 1950. The book is based on the exhibition of the same title that the Eames Office designed for IBM, which was on display from 1971 until 1975 in IBM’s Corporate Exhibit Center in New York City. Its format is made up of sequences of images that occupy the central portion of each spread, with captions above and below. This creates a dynamic reading experience, and prefigures the basic format of the scrolling blog, or twitter feed, where a stream of text and images are in constant referral to each other. Mixing scientific, mathematical, mechanical, and cultural information, the book portrays its subject through a broader lens than is typically used in books about history. The juxtapositions of images, which include photographs of inventors, scaled reproductions of important documents, news clippings, cut-out photographs of tools and machines, and stills from popular films, are as beautiful as they are enlightening. While the content is interesting to me, the real fascination for me lies in the format, which offers a finely conceived lens for viewing history, and could be applied to any number of subjects.
Though the ideas developed by Judd throughout this compilation of his gallery reviews, book reviews, articles, letters and statements are entirely interesting, what really intrigues me about this book is the fact that Judd actually went through with all of this writing, firmly developing his position on so many of the works of his contemporaries. The other thing that excites me about the book is that he states that he did all the writing therein as a mercenary, only for the money, to help support himself as an artist, and that he always put the writing off until the deadline. Viewing the book this way I can't help but imagine all the months' rent paid by these words. This book inspired me to support my design studio through similar mercenary-writing activities. I still do write to support the studio and I still put off writing until the very last possible moment, which creates a very productive tension around the writing process.
I bought this catalogue in 2010 at the exhibition of Enzo Mari’s paperweight collection at Kaleidoscope in Milan. I spent an hour walking around the exhibition photographing each one of the paperweights on display before realizing that this book—which catalogues Mari’s fascinating collection—was for sale. It is a simple book on a simple theme, and like the exhibition offers a world of objects whose forms bear a clear, but always surprising relationship to their materials.
I found this book in the gift shop of the Neue Galerie in New York ten years ago, while I was a student, and it has consistently remained one of my favorites. The book explores the film Die neue Wohnung, which Richter did on commission from the Swiss Werkbund, and which functioned to promote modern furniture. The book features stills from the film comparing people living with antiquated furniture to people living with modern furniture. Seeing users in action, their movements guided by architecture and furniture, led me to see design as a kind of choreography.
This is a book of photographs taken by Richard Knight during his time working in Eero Saarinen’s office in the 1950s up until Saarinen’s death in 1961. The photographs show Saarinen and his associates in deeply focused work, taping models, scrutinizing their designs, and discussing ideas. The models are at once ambitious, some in a scale so large that they occupied entire rooms, and loose, erected quickly to test and further ideas. An incredible sense of play, but serious play, comes across from seeing these grown men in suits crouching around scale buildings and mounting their drawings to the walls. The craft of it all is enviable.
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Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Published: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Louis I. Kahn: The Nordic Latitudes
Louis I. Kahn: The Nordic Latitudes
By Per Olaf Fjeld and Emily Randall Fjeld
Publisher: University of Arkansas Press
Published: October 4, 2019
A new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects. Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.
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Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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