Calvin Tsao’s Book List
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Continuing his search for universal truths, in this book Campbell reveals fascinating common threads across the great religions throughout history.
Barthes examines the inherent dangers to society of contemporary mythologizing wherein the values of a dominant majority are (invisibly) foisted on the rest. His later book The Fashion System further examines this silent tyranny.
According to Pagels, Satan was morphed by early Christians from his earlier depiction by the Hebrews, as an agent of God that tested the faithful, into a much darker figure and a convenient enemy used to unite early Christians. Pagels argues compellingly that once Satan was defined as the source of all evil, society’s emphasis on personal introspection was eclipsed by political struggles between us, the righteous, and them, the evildoers.
Gombrich believed (as do I) that in our search for meaning humans find satisfaction in discovering predictable patterns, and in communicating them through decoration. This book is both an encyclopedic review of pattern making through history and a serious attempt to reveal the underlying universal truths found in patterns.
Panofsky gives a definitive and indispensable explanation of the phenomenology of iconography.
Paul Goldberger’s great service to architecture has been in his abiding commitment to helping the general public make sense of the built environment and understand the role that architects have in shaping it. Architects, too, benefit from his insights, especially in this new book, which emphasizes the imperative of poetics in architecture.
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Too Fast to Live, Too Young to Die: Punk Graphics, 1976–1986 by Andrew Blauvelt
Too Fast to Live, Too Young to Die: Punk Graphics, 1976–1986
by Andrew Blauvelt
Publisher: Cranbrook Art Museum
Published: June 1, 2018
Explores the printed matter—posters, flyers, zines, and album covers—produced by and for the punk and post-punk music scenes in the United States and UK. Printed as a special, oversized, 52-page color newspaper, the catalogue has been published on the occasion of an exhibition of the same name, curated by Andrew Blauvelt, on view at the Cranbrook Art Museum through October 7, 2018.
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