Emilio Ambasz’s Book List 5 books and 0 comments
The books on my list have all influenced me profoundly. How can I extricate them from my memory? They are now substantially part of me. And I could go on and on.
In addition to individual titles on my list, I must mention the following:
The dramas of Aeschylus, Sophocles, and Euripides. The world had to wait thousands of years until equal dramatic greatness found their likes in Cervantes and Shakespeare. These are plays I read and reread; they are always illuminating and moving.
Aristophanes’s The Clouds, The Wasps, The Birds, Lysistrata, and The Frogs are those I cherish the most among his eleven surviving plays. His powers of ridicule were feared and acknowledged by influential contemporaries; a debunker extraordinaire.
Jorge Luis Borges: his essays and stories (not his poetry). J. M. Coetzee said of Borges: “He, more than anyone, renovated the language of fiction and thus opened the way to a remarkable generation of Spanish American novelists.” A stylist of great fabulist imagination, superb elegance, and economy of means.
The poetry of Jorge Guillen and Wallace Stevens: one Spanish, the other American. They are for me the poets of pure poetry; theirs are poems of a rarely surpassed lyrical elegance and exquisite imagery.
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Le Corbusier was an extraordinary artist with a great a talent for transforming his Ars Poetica into a doctrine and a movement. I never prayed in his church, but I greatly admired his genius.
I taught myself English trying to read this book. So many times did I check out this book that the Lincoln Library of the U. S. Embassy in Buenos Aires gave me that copy when they received its replacement. Barr’s was the unerring eye that formed the extraordinary collection of the Museum of Modern Art, New York. This book describes the holdings of the collection he formed and the spirit that animated it based on the concept that architecture and design were as valid and inspiring arts as painting and sculpture.
This book is one of several Wright wrote to proselytize for his notion of organic architecture. I read it when I was 14 years old. Stylistically abominable, it is nevertheless a very influential text. Organic architecture is a philosophy of architecture that promotes harmony between human habitation and the natural world through design approaches so sympathetic and well integrated with the site that buildings, furnishings, and surroundings become part of a unified, interrelated composition.
On the Nature of Things (De Rerum Natura) is a first-century B.C. epic poem by the Roman poet and philosopher Lucretius. It deals with the principles of atomism; the nature of the mind; explanations of sensation and thought; the development of the world and its phenomena; and explains a variety of celestial and terrestrial phenomena. The poem grandly proclaims the reality of our role in a universe that is ruled by chance, with no interference from gods. It is a statement of personal responsibility in a world in which everyone is driven by hungers and passions with which they were born and do not understand.
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