
Emilio Ambasz
Emilio Ambasz’s Book List
The books on my list have all influenced me profoundly. How can I extricate them from my memory? They are now substantially part of me. And I could go on and on.
In addition to individual titles on my list, I must mention the following:
The dramas of Aeschylus, Sophocles, and Euripides. The world had to wait thousands of years until equal dramatic greatness found their likes in Cervantes and Shakespeare. These are plays I read and reread; they are always illuminating and moving.
Aristophanes’s The Clouds, The Wasps, The Birds, Lysistrata, and The Frogs are those I cherish the most among his eleven surviving plays. His powers of ridicule were feared and acknowledged by influential contemporaries; a debunker extraordinaire.
Jorge Luis Borges: his essays and stories (not his poetry). J. M. Coetzee said of Borges: “He, more than anyone, renovated the language of fiction and thus opened the way to a remarkable generation of Spanish American novelists.” A stylist of great fabulist imagination, superb elegance, and economy of means.
The poetry of Jorge Guillen and Wallace Stevens: one Spanish, the other American. They are for me the poets of pure poetry; theirs are poems of a rarely surpassed lyrical elegance and exquisite imagery.
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Le Corbusier was an extraordinary artist with a great a talent for transforming his Ars Poetica into a doctrine and a movement. I never prayed in his church, but I greatly admired his genius.
I taught myself English trying to read this book. So many times did I check out this book that the Lincoln Library of the U. S. Embassy in Buenos Aires gave me that copy when they received its replacement. Barr’s was the unerring eye that formed the extraordinary collection of the Museum of Modern Art, New York. This book describes the holdings of the collection he formed and the spirit that animated it based on the concept that architecture and design were as valid and inspiring arts as painting and sculpture.
This book is one of several Wright wrote to proselytize for his notion of organic architecture. I read it when I was 14 years old. Stylistically abominable, it is nevertheless a very influential text. Organic architecture is a philosophy of architecture that promotes harmony between human habitation and the natural world through design approaches so sympathetic and well integrated with the site that buildings, furnishings, and surroundings become part of a unified, interrelated composition.
On the Nature of Things (De Rerum Natura) is a first-century B.C. epic poem by the Roman poet and philosopher Lucretius. It deals with the principles of atomism; the nature of the mind; explanations of sensation and thought; the development of the world and its phenomena; and explains a variety of celestial and terrestrial phenomena. The poem grandly proclaims the reality of our role in a universe that is ruled by chance, with no interference from gods. It is a statement of personal responsibility in a world in which everyone is driven by hungers and passions with which they were born and do not understand.
Announcements
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Forthcoming: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Louis I. Kahn: The Nordic Latitudes
Louis I. Kahn: The Nordic Latitudes
By Per Olaf Fjeld and Emily Randall Fjeld
Publisher: University of Arkansas Press
Published: October 4, 2019
A new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects. Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.
Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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