
Jonathan Barnbrook’s Book List
None of these are design books. I don’t read directly about design, but instead look to the philosophies and experiences found in literature to influence my work. To be a good designer, you need to understand human beings, and for me the novel is still the best way to understand how people experience, affect, and are influenced by the world around them.
all genres
- filter by:
- all genres (0)
A beautiful piece of writing and an amazing exploration of the human spirit. This sacred Hindu text made me understand that we have to risk everything if we are to learn and evolve spiritually. It’s absolutely wonderfully constructed, using the very simple metaphor of a battle to understand human psychology. It also shows a maturity that is the opposite of the divisive nature of some religions: it acknowledges that any path to God—any way of belief or any creed—is acceptable.
This novel made my head explode. It contains the exact text of what would happen to me if I ever became mentally ill. It also has on every page enough concepts and amazing visual ideas for me to explore over several lifetimes. The themes contained within it distill all the important motivations, irritations, memes, and distractions of the late 20th century. The storyline about reconstructing the assassination of JFK to stop the outbreak of a third nuclear war is fantastically creative. The style of writing, which jumps from cold, analytical medical text to short-attention-span advertising-style copy, makes it a breeze to read. It’s full of madness but contains a logic that makes it a complete and self-contained work of art.
Samuel Beckett puts in words the noise of my existence, the internal monologue that is on repeat inside my soul and that questions why I am here, what I am doing, and whether there is any point to doing it. If it sounds heavy, you would be both right and wrong. It’s full of big questions (as one of the greatest pieces of 20th-century literature should be), but balancing the heavy is simple slapstick silliness and observations on the pettiness of humans. This manages to make the idea of existence—knowing you are alive—even more absurd. See it performed at the theater first, if you can, to understand the meaning of silence. The silences are as important as the words in this play—oceans that last a few seconds but contain centuries of human existence: life, death, and everything.
This is the “bible” of my youth and it put me on the path to being a designer who couldn’t separate “the self” from the message in the work. It’s about a man who feels conflict between the instinctive and the intellectual sides of himself. He wants to rise above being merely “human” to lead a purely intellectual life, but also yearns to be very much part of society and live in the moment. It’s beautifully and profoundly written. When I first started to read it I couldn’t breathe for the first few pages—it was like someone had experienced my life and emotions already. Importantly, the book is first and foremost optimistic. From it I understood that we do have to live in the moment: laugh, love, live as much as we can, as well as appreciate, grow, and try to comprehend the big themes that every person faces in life.
I love all of Kundera’s books but this is the one I think is the most beautiful and sensual and relevant. His analysis of the use of memories and the discarding of them provided me with many concepts for my political work. Kundera is from a communist country so the way he lived with a regime he was forced to live under when he was younger is central to the construction of this book. It was the start of my trying to look at politics in a way that was poetic, emotional, and human rather than dogmatic.
Orwell is one of the most influential 20th-century writers in Britain and my teenage years were consumed with voraciously reading everything by him. His more documentary-style books, like Down and Out in Paris and London or The Road to Wigan Pier, have a clear unfussy style, yet he still manages to tell a story brilliantly. Orwell’s 1984 has been so influential on my work, from the way he analyzes dictatorships to terms like “Newspeak” and “Doublethink,” which crystalize how our thoughts are shaped (or repressed) by the society we live in. I am constantly going back to him for ideas to include in my work.
Nothing is new and Plato proves it by showing that the basis of democracy that we try to live today is something that he understood the principles of 2,500 years ago. If you are looking to get a hook into ancient civilization and the similarity of principles between us now and humans in “ancient history,” you will find it in this book. It’s written in the style of a dialogue between two people, which makes the book much easier to get into than you might think. (Then move on to read Marcus Aurelius and Seneca as well.)
Yes, I know you have heard of him and this play to the point of cliché, but Shakespeare is like the Beatles: you think that they can’t possibly be any good because of the kind of person who usually says, “I like The Beatles,” and then you listen—or in this case, read—and you think, “Hey, actually they are really very good.” After years of struggling with Shakespeare, I have just started reading him properly and was helped with a version that had clear English translations next to each piece of text. If you take your time and read both, then the magic, complexity of thought, amazing understanding of human nature, romance, humor, and beautiful use of language will be revealed. I believe that if you don’t know about some of the scenarios or characters in his works then you are missing out on a whole part of English culture that references him. Macbeth is a good place to start reading Shakespeare as it is fairly short and also has a lot of dark motives—always good for holding your attention.
By one of the main exponents of the awkwardly termed “psychogeography”—that is, how a landscape, town, or place can affect you emotionally. Sinclair is a dense writer who does extensive research on the locations he writes about. The texts are part autobiographical, part stream of consciousness, part social critique, part poetry, part factual observation. The author is a resident and lover of London, (similar to me in this respect). This particular book deals with a walk with his friends around a motorway that encircles London—which doesn’t sound like a good starting point for a book, but it’s a wonderful, beautiful read. You learn history, the mundaneness of places with no identity, the possible future for us all, the alienation of the individual, and the emotional beauty of even the smallest details of your journey.
I can’t find my copy of this book and it’s not even in print any more, but I still remember it for a philosophy that had a point of view completely contrary to everything else I was reading at the time. There is a chapter that starts with a long list of possible “heavy” problems and then gives the answer, “So what?” Completely refreshing and also made me feel free to do what I wanted in my work without having to justify every single mark (that bit didn’t last long though).
Announcements
Total Armageddon: A Slanted Reader on Design edited by Ian Lynam
Total Armageddon: A Slanted Reader on Design
Edited by Ian Lynam
Publisher: Slanted Publishers
Published: March 2019
Total Armageddon is about design. And culture. And complexity, notably how we, as a global civilization, deal with science fiction, taste, social media, the cities we live in, aesthetics, PowerPoint, burkas, Big Tech, full-contact sports, and other thorny topics. The book celebrates 15 years of independent publishing and brings together a who’s who of authors and essays from 32 issues of Slanted Magazine.
A Field Guide to Color by Lisa Solomon
A Field Guide to Color: A Watercolor Workbook
By Lisa Solomon
Publisher: Roost Books
Published: August 2019
In this creative workbook you’ll discover fresh ways to connect with color in your art and life. Using watercolors, gouache, or any other water-based medium, explore color theory while playing with paint through a balanced blend of color experiments and loose color meditations. This inspiring workbook will change the way you relate to color
Five Oceans in a Teaspoon by Dennis Bernstein and Warren Lehrer
Five Oceans in a Teaspoon
Poems by Dennis Bernstein
Visualizations by Warren Lehrer
Introduction by Steven Heller
Publisher: Paper Crown Press
Published: September 19, 2019
“From a kidnap note for a world held hostage by an A-bomb, to a Holocaust survivor’s tattooed arms where the numbers just don’t add up, Five Oceans in a Teaspoon re-envisions a poetry memoir via a textual kaleidoscope... Bernstein and Lehrer are the Rodgers and Hart of Visual Poetry.” — Bob Holman, poet, poetry activist and chronicler, and founder of the Bowery Poetry Club
Ballpark: Baseball in the American City by Paul Goldberger
Ballpark: Baseball in the American City
By Paul Goldberger
Publisher: Alfred A. Knopf
Published: May 2019
An illustrated, entirely new look at the history of baseball: told through the stories of the vibrant and ever-changing ballparks where the game was and is staged, by the Pulitzer Prize-winning architectural critic.
Charleston Fancy by Witold Rybczynski
Charleston Fancy: Little Houses and Big Dreams in the Holy City
By Witold Rybczynski
Publisher: Yale University Press
Published: May 2019
Charleston, South Carolina, which boasts America’s first historic district, is known for its palmetto-lined streets and picturesque houses. The Holy City, named for its profusion of churches, exudes an irresistible charm. Award-winning author and cultural critic Witold Rybczynski unfolds a series of stories about a group of youthful architects, builders, and developers based in Charleston: a self-taught home builder, an Air Force pilot, a fledgling architect, and a bluegrass mandolin player.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
Recent Articles




