Julie Lasky
Julie Lasky’s Notable Books of 2011
The design books that interest me most these days play havoc with disciplinary boundaries.
Among my recommended sextet, one pretends to be about industrial design but is an environmentally motivated critique of consumerism. Another purports to be about interior design while appealing to enlightenment values that are too often neglected (along with illustrations from Diderot’s Encyclopedia) in other contemporary books on the subject. A third features the work of a rock star fashion designer who is equally persuasive as a sculptor. A fourth reveals designs for informal communities that are grounded in engineering and technology. A fifth argues for uniting architecture and landscape, disciplines that may abut one another in space but are weirdly disjointed in approach. And the sixth isn’t really about design, it’s about photography. You can draw your own connections.
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Like a relic from a saint, this book companion to the astonishing 2011 Metropolitan Museum exhibition is a fragment of a much greater entity. It’s worth having anyway. McQueen’s jagged silhouettes and maniacal feather- or crustacean-encrusted pieces are inexhaustible in their visual interest, and the catalogue lets you study them at leisure, focusing on details like locks of hair sewn into dresses inspired by Jack the Ripper’s victims. Most important, you can read about the doomed enfant terrible who produced them without crowds of gawping museum-goers pressing you to hurry up.
This collection of Morris’s Opinionator columns for the New York Times website is fascinating on multiple levels. Read it for the fresh perspective it offers on the timeless debate over photography’s value as a tool of revelation versus distortion, of consciousness-raising versus manipulation. Or read it to get into the mind of a truth seeker who has no tolerance for intellectual flabbiness or emotion-driven responses. (But don’t hang around there too long. It’s kind of scary.) If nothing else, read this book for Morris’s relentless quest to get to the bottom of the mystery surrounding two Roger Fenton photos of a cannonball-littered landscape in the Crimea. You may never again make another easy assumption.
In 2007, the Cooper-Hewitt, National Design Museum organized a pioneering exhibition devoted to objects and systems designed for people with limited means; that is, most of the world. Recently, it opened a sequel show in New York exploring objects and systems for urbanites—another (recently accomplished) majority and one projected to grow ever larger as people flock to cities for work and social opportunities. Design with the Other 90%: Cities is particularly concerned with innovations that ameliorate the harsh conditions of slums in the “Global South”—designs for housing, sanitation, transportation, education, and commerce. As social design grows as a discipline and is subjected to greater scrutiny to distinguish effective from merely well meaning approaches, the examples making up this catalogue should in many cases offer inspiration and hope.
The architect Joel Sanders hopes to “usher in a new model of integrated practice…that reunites two fields of inquiry that should never have been divided.” With Groundwork, he and the landscape architect Diana Balmori accomplish on paper what they’d like other designers to attempt in the world: a demonstration of the seamless unity of nature and culture that is demanded in an age of increasing environmental threat. The authors believe that green materials and technologies provide a common medium for interdisciplinary design approaches, just as glass and steel defined the inside/outside continuity of modernism. Much of the book is made up of their examples: from a Parisian house buried among 1,200 hydroponic ferns to a sculpture park built on a former brownfield along Seattle’s waterfront to the authors’ own design for an equestrian facility that morphs into a public park, which they proposed for New York’s 2012 Olympics bid.
We lead the vast majority of our lives in the hollows of buildings, and yet most writing about interior design fails to address the customs, emotions, inventions and social connections shaped by these spaces. Shashi Caan, an architect, educator, and current president of the International Federation of Interior Architects/Designers (IDI), digs into anthropology, psychology, and philosophy to elucidate principles governing the successful design of interiors from Paleolithic times to the present. Underpinning this thoughtful volume is her belief that “the interior is not, as widely thought, the simple outfitting of a room, but, rather, the manifestation of all qualities concerning the human occupation of space.”
While a graduate student at the Royal College of Art, Thwaites undertook to build an electric toaster from raw materials. His account of extracting iron from rock, hand-carving a wooden mold for forming molten plastic, precipitating copper out of pools of acidic mine waste, and melting Canadian coins for their nickel manages to be both hilarious and sober. In the end, Thwaites’s toaster was a spectacular failure—a gloppy aesthetic and functional mess that cost £1187.54, or 300 times more than the £3.94 commercial model that inspired him—but it taught stinging lessons about environmental responsibility.
Announcements
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Forthcoming: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Louis I. Kahn: The Nordic Latitudes
Louis I. Kahn: The Nordic Latitudes
By Per Olaf Fjeld and Emily Randall Fjeld
Publisher: University of Arkansas Press
Published: October 4, 2019
A new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects. Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.
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Ballpark: Baseball in the American City by Paul Goldberger
Ballpark: Baseball in the American City
By Paul Goldberger
Publisher: Alfred A. Knopf
Published: May 2019
An illustrated, entirely new look at the history of baseball: told through the stories of the vibrant and ever-changing ballparks where the game was and is staged, by the Pulitzer Prize-winning architectural critic.
Charleston Fancy by Witold Rybczynski
Charleston Fancy: Little Houses and Big Dreams in the Holy City
By Witold Rybczynski
Publisher: Yale University Press
Published: May 2019
Charleston, South Carolina, which boasts America’s first historic district, is known for its palmetto-lined streets and picturesque houses. The Holy City, named for its profusion of churches, exudes an irresistible charm. Award-winning author and cultural critic Witold Rybczynski unfolds a series of stories about a group of youthful architects, builders, and developers based in Charleston: a self-taught home builder, an Air Force pilot, a fledgling architect, and a bluegrass mandolin player.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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