Mark Lamster’s Notable Books of 2013
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Phyllis Lambert’s long-anticipated book on the making and maintenance of New York’s greatest postwar building is a unique hybrid, at once a scholarly history, a memoir of her own experience as daughter of Seagram chief Sam Bronfman, and a manifesto for civic responsibility in architecture and urban planning.
Lambert writes with precision and great passion, and largely alters the conventional wisdom about the building, giving greater credit to Philip Johnson. Her account of the building process, the development of an art program, and the efforts to protect the building are great contributions to the record.
Urban planning is the topic de jour in the design field, the subject of a raft of new titles from authors with diverse agendas. Chakrabarti's is among the most readable and cogent of the recent offerings. Pitched as a manifesto, A Country of Cities is at its best when arguing for the dense city (as against the suburbs and rural areas), as the most sustainable, ecologically responsiblle form of habitation for the coming century. Material that can be dry (the mechanics of tax-increment financing, or the relative ecological impact of various housing densities) are enlivened by excellent infographics and enough aphoristic slogans to please a latenight pitchman on cable TV.
Chakrabarti is both an academic planner and a practitioner (he is a partner at SHoP Architects, in New York), and he makes no secret of his belief in real-estate development as the key to the city's future. New Urbanists may not agree with his prescription of tall buildings as an elixir to urban problems, and there are occasional moments when the book seems a bit self-promotional, but it nevertheless stands as a critically important argument, fully worthy of attention.
Labrouste essentially invented the modern public library as a typology when he built the Bibliothèque St. Geneviève and then the Bibliothèque Nationale in Paris in the 19th century. These works, detailed with exceptional Beaux Arts precision—as a draftsman, Labrouste had no equal—first celebrated iron as a structural element in works of grand architectural ambition, suggesting that it could be used in typologies that were not only industrial. For this, he has been understood as a proto-modernist. But as Barry Bergdoll notes in this exceptional book, successive generations have adopted Labrouste and interpreted his work to suit their own ideological proclivities. That is likely to happen again, with the library a typology now being reinvented for a new century.
James Stirling has been experiencing a bit of a renaissance over the past couple of years, and it's both overdue and unfortunate that he's no longer around to experience it. (He died in 1992, having been tagged with that most unfortunate of labels: "postmodernist.") Not quite a monograph, and not quite a history, but a bit of both, here Reeser Lawrence surveys the arc of Stirling's career by focusing in depth on a series of six projects, some built and others not. While academic studies of this type are typically jargon-ridden and dense to the point of obfuscation, this one is blessedly clear-eyed, written in straightforward and engaging prose that is no less incisive for its transparency. It is serious architectural history as it should be, devoted to a complex and challenging subject that warrants the attention.
This book accompanies an unwieldily scattershot show that was not successful in defending its thesis that Le Corbusier was “profoundly rooted in nature in landscape,” except in the most anodyne reading of that phrase. The catalogue is similarly unwieldy, but in this case diversity is a strength.
A great omnibus of Le Corbusier scholarship, it presents nearly 75 essays on the master’s works, organized in “atlas” form. (Each continent is represented with a wonderful graphic showing built and unbuilt works, and the architect's travels.) The essays vary in relative interest and brio, but the whole makes for an indispensable and handsome resource to be sampled with great pleasure.
The Pinecone tells the story of an heiress from a corner of the verdant English countryside who devotes herself to building a small parish church of considerable charm and idiosyncracy. Uglow tells the story with such evident affection for her subject that she dispels any doubts the reader might have as to the actual level of genius involved, and opens a window into a time and space that seems at once remote and familiar.
Announcements
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Forthcoming: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Louis I. Kahn: The Nordic Latitudes
Louis I. Kahn: The Nordic Latitudes
By Per Olaf Fjeld and Emily Randall Fjeld
Publisher: University of Arkansas Press
Published: October 4, 2019
A new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects. Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.
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Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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