My favorite book of 2012 is a follow-up to my favorite book of 2011. Both are a collection of essays written by Tom Lubbock that appeared in his weekly column at The Independent. Whereas last year’s Great Works examined painted masterpieces of Western art, English Graphic narrows the focus to smaller works in ink, drawings, and engravings produced in England—work seldom seen in the public eye. Typically no more than four to five pages each, these essays shimmer with sparkling wit and startling observations. Lubbock possesses the supreme gift of making obscure works seem familiar and familiar works seem fresh. In these pages, towering giants of English graphic arts like William Blake, William Hogarth, and Aubrey Beardsley rub shoulders with lesser-known geniuses such as George Romney, Francis Towne, and Thomas Cartwitham. Lubbock’s prose is masterful, and his keen examinations of artistic technique reveal how these images manage to firmly take hold in our imaginations.
Based on drawings from the Le Corbusier Foundation’s archives, Steven Park’s book contains new plans, sections, and elevations for 26 houses designed by the master French architect. Iconic buildings such as the Pavillon de l’espirit nouveau, Maison de l’homme, and Villa Savoye make their appearances. Park provides a brief history of each building and its program; however, the architectural renderings are the star of the book. Each of Le Corbusier’s houses is shown in exterior perspectives, sectional perspectives, sub-divisional plans, site plans, floor plans, and elevations from every cardinal direction. In particular, the sectional perspectives excel at showing how Le Corbusier conceived each building as dynamic spaces where the interior and exterior unify to create “machines for living in.” Steven Park’s minimal draftsmanship is beautiful, and the clarity of the drawings allows Le Corbusier’s architectural genius to shine through.
I’m a sucker for books on tree houses, and TASCHEN’s Tree Houses: Fairy Tale Castles in the Air may be the best global survey of tree houses yet published. No longer relegated to the simple cobbled-together caprices of our youth, the tree houses of today are undergoing a revival of interest for those seeking sophisticated natural retreats, many designed by leading architects. Philip Jodidio’s introduction charts the history of these gravity-defying arboreal structures, and the playful illustrations by Patrick Hruby that accompany each tree house are a joy to behold. Finally, a coffee table book on tree houses that is worthy of your coffee table!
Customized tours providing the opportunity to explore the places, meet the people, and see the books of the design book world in New York City.
Enter Print Magazine’s Regional Design Awards by April 3, 2017
PRINT’s Regional Design Awards 2017 Deadline to enter, April 3, 2017
The annual Regional Design Awards (RDA) is the industry’s most prestigious and well-respected American design competition. Thousands of art directors, studios and creative professionals not only enter the RDA every year, but also look to it to find the country’s top talent.
In 2017, PRINT is also launching a new RDA Student showcase for the very first time in the competition’s 36-year history—giving young designers a chance to start their careers off right with national recognition.
Askew: A limited-edition notebook designed by Debbie Millman in collaboration with Baron Fig
“A ruled notebook unlike any you’ve ever used. Every line is hand drawn, and while some cooperate—others are downright unruly. This limited edition is designed to inspire thinkers to bend the rules and follow even their most meandering ideas.”
Paula Scher: Works Editors: Tony Brook & Adrian Shaughnessy
Publisher: Unit Editions
Available April 2017; pre-order now
New book covering the career of of master designer Paula Scher, called “the most influential woman graphic designer on the planet.” (Ellen Lupton), This definitive, chronological visual record spans Paula’s early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25-year engagement with Pentagram.