Ulysses
Serialized first in the Little Review in 1918 and published first in Paris in 1922, although its censorship for obscenity in America and England were not lifted until the mid-1930s. In terms of its story it defies abridgement or explanation except that it all takes place on one day, June 16, 1904, or Bloomsday, which was the anniversary of Joyce’s first walk with his beloved Nora Barnacle. It (very) loosely follows the episodes of Ulysses from The Odyssey of Homer though in a reordered form, with Stephen Dedalus representing Telemachus, Leopold Bloom Ulysses and Molly Bloom Penelope. The central characters explore various sites and happenings around Dublin such as a newspaper office, a brothel, a funeral, and public houses.
You can’t do urban planning without this book because it is a labyrinth that you can never leave.
Ulysses is a novel that is intensely unified despite its being comprised of every stylistic and rhetorical literary and narrative device known to man. Lesson(s) learned: An artist can be a shape-shifter while retaining a strong identity and sense of integrity.
This is one of the most impactful and inspiring books of my life. A seminal quote from the book, “The longest way round is the shortest way home,” has become the mantra of my life.
I just wanted to discover an utterly different way of writing. Years later, Dublin became a very significant city in my life, and I still derive huge pleasure from its writers and from Dubliners’ wit.
The most sustained act of literary invention of all time, one of those works after which things are simply not the same.
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Understanding Understanding: New from Richard Saul Wurman
Understanding Understanding
by Richard Saul Wurman
Publisher: Richard Saul Wurman and Jack Dangermond
Published July 30, 2017
From the author of Information Architecture, who says about his newest book: “This is a book for people to dip into, as they would walk in and out of the room of a dinner party and embrace their interests. . . Before the rules on how to organize information, before you learn grammar, before you work hard at expanding your vocabulary and go through the exercises of parallel meanings of things as using a Thesaurus and as one writes papers in class, before any learning one must understand.”
The Hard Life by Jasper Morrison
The Hard Life
by Jasper Morrison
Publisher: Lars Müller Publishers
Published in US: May 22, 2017
Photographs taken by designer Jasper Morrison of objects in the collection of the National Museum of Ethnology in Lisbon, Portugal. “The objects photographed and described may be appreciated both for their beauty and for the example they set of design at its purest. The Hard Life is a continuation of Morrison’s celebration of the ordinary and offers a new perspective on his design philosophy.”
Paula Scher: Works - Order from Unit Editions
Paula Scher: Works
Editors: Tony Brook & Adrian Shaughnessy
Design: Spin
Publisher: Unit Editions
Published April 2017
New book covering the career of of master designer Paula Scher, called “the most influential woman graphic designer on the planet.” (Ellen Lupton), This definitive, chronological visual record spans Paula’s early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25-year engagement with Pentagram.
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Type Tells Tales: New from Steven Heller and Gail Anderson
Type Tells Tales
by Steven Heller and Gail Anderson
Publisher: Yale University Press
Published May 30, 2017
Reveals how type can become both content and illustration, as letters take the form of people, animals, cars, or planes. With numerous illustrations by F. T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent.
The Moderns: Midcentury American Graphic Design: New from Steven Heller and Greg D’Onofrio
The Moderns
by Steven Heller and Greg D’Onofrio
Publisher: Abrams
Published September 19, 2017
Featuring more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity in America. Some were émigrés from Europe; others were homegrown; all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
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