Aldo Bakker’s Book List
My list consists of a selection of books that were important to me at the time I discovered them and in a way still are. As an autodidact, I have used these books over and over again to study design. They had a huge influence on my education.
I tend to be quite selective when buying books. When I love the work of an artist but do not like the way the book is designed I don’t buy it. I am convinced that the design of the book should always interact with the content.
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Wholeness: there is no boundary between big and small, between technique, function, gesture, rhythm—they all inspire each other equally, everything is treated with the same amount of effort and complexity. I am always very impressed by Scarpa’s work and TOTO has managed to present it in the most complete and beautiful manner.
The books and projects of Kenya Hara are intensely beautiful. He gives so much attention to every single element: the photography, the paper, the graphic design. This book is so consistent and convincing that it pulls you into a completely different world.
Sanaa interprets and purifies the normal and the actual in such a way that it defines a new, almost floating architecture. The tone of the book reflects the identity of this firm very well. The book is so densely filled that you keep feeling the need to dive into it again and again in the hope of discovering something new.
Introduces Miralles’s highly personal form of language, complex and rich in form and composition. On many points the book is incomprehensible, but it still continues to attract me and pose questions. I used to have a weakness for El Croquis publications, as they present an overload of information and good, new photography.
Ron Mueck must have a deep interest in people and care about them greatly to be able to create such intimate, strange yet familiar sculptures. This book discloses Mueck’s process of making, but, remarkably, this doesn’t interfere at all with the poetry of the work. Instead, it only intensifies the experience.
A book with sublime forms and new findings. It shows a thorough understanding of nature, not by imitating it but by expressing it in a highly personal visual language. The editors managed to capture a true experience of the Finnish artist and designer and his work by using photographs made by Wirkkala, by photographing his trained and experienced hands, and by including sketches and technical drawings. The graphic design and text editing were done by Juhani Pallasmaa.
Hans den Hartog Jager is an inspired and ambitious Dutch art critic who is not afraid to take a position. I read his reviews and interviews like a detective. Hans is able to describe the mystical as well as sensual sides of art and design—something that not many other critics seem to do.
Announcements
Louis Kahn: Architecture as Philosophy by John Lobell
Louis Kahn: Architecture as Philosophy
By John Lobell
Publisher: The Monacelli Press
Published: June 2020
Noted Louis I.Kahn expert John Lobell explores how Kahn’s focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy.
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn by Harriet Pattison
Our Days Are Like Full Years: A Memoir with Letters from Louis Kahn
By Harriet Pattison
Publisher: Yale University Press
Published: October 2020
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. Harriet Pattison, FASLA, is a distinguished landscape architect. She was Louis Kahn’s romantic partner from 1959 to 1974, and his collaborator on the landscapes of the Kimbell Art Museum, Fort Worth, and the F.D.R. Memorial/Four Freedoms Park, New York. She is the mother of their son, Oscar-nominated filmmaker Nathaniel Kahn.
Louis I. Kahn: The Nordic Latitudes
Louis I. Kahn: The Nordic Latitudes
By Per Olaf Fjeld and Emily Randall Fjeld
Publisher: University of Arkansas Press
Published: October 4, 2019
A new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld’s perspective as a former student. The book explores Kahn’s life and work, offering a unique take on one of the twentieth century’s most important architects. Kahn’s Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo.
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Reading Graphic Design History: Image, Text, and Context by David Raizman
Reading Graphic Design History: Image, Text, and Context
By David Raizman
Publisher: Bloomsbury Visual Arts
Published: December 2020
An innovative approach to graphic design that uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction, and typography, often addressing issues of class, race, and gender.
David King: Designer, Activist, Visual Historian by Rick Poynor
David King: Designer, Activist, Visual Historian
By Rick Poynor
Publisher: Yale University Press
Published: September 2020
A comprehensive overview of the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism, blending political activism with his design work.
Teaching Graphic Design History by Steven Heller
Teaching Graphic Design History
By Steven Heller
Publisher: Allworth Press
Published: June 2019
An examination of the concerted efforts, happy accidents, and key influences of the practice throughout the years, Teaching Graphic Design History is an illuminating resource for students, practitioners, and future teachers of the subject.
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